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The third installment in Dean's charming mystery series is a captivating continuation of the Dido Kent series: rich in suspense, historical detail, and most of all, characters.
“A clever Regency sleuth” investigates a supposedly haunted abbey—and a decidedly suspicious death—in this “excellent mystery” (Kirkus Reviews, starred review). England, 1806. With a downturn in family finances, Miss Dido Kent is compelled to reside at her brother’s country vicarage. But the rural environs offer plenty of stimulation, especially when her friend Penelope suffers a fall at a historic abbey. Before she slips into unconsciousness, Penelope proclaims, ‘I saw her—It was her.’ Soon people are certain that she saw the Grey Nun, a ghost reputed to walk the abbey’s ruins. Dido, however, does not approve of ghosts. Disregarding the chatter, she resolves to investigate the mystery. But the case turns sinister when a human skeleton is found in the abbey lake. Could the discovery be connected to Penelope’s accident? Everyone is relying on Dido to find out.
An inspiring illustrated history of a century of great women and their impact on the world. Many of the world s greatest pioneers, record-breakers, and achievers over the last century were women. This anthology highlights some of the most accomplished women in the fields of sports, the arts, politics, social justice, and the sciences, in five accessible chapters. The work encompasses familiar names and unsung heroines alike, from Nobel prize-winning biologist Barbara McClintock to social activists Jane Addams and Aung San Suu Kyi, to the world s first female president, Virdis Finnbogadottir, to modern dance pioneer Isadora Duncan. Complete with color illustrations, this volume recounts the trials and triumphs these women faced in achieving their goals, and evaluates the impact they had on their respective fields."
"Now with a new afterword by the author"--Back cover.
If you are interested in 19th century fiction, and cannot find a story of a woman who is lowly born, and not rich or famous, then this tale may interest you. So much of 19th century fiction depicts large houses, lovely clothes, plenty to eat, and idleness born of not having to work. Rosie Randall has to work if she is to avoid the workhouse when her husband dies and she is left with a baby to bring up. She works as a seamstress, sewing garments, and household drapery for those of the middle classes who do not have as many servants as the wealthy. This tale is of her life, from 1817, when she is born to her death 100years later, during the 1st world war An ordinary woman, a woman of no consequence This is 19th century fiction unlike most others. The story is a woman born during the Regency, and tells the tale of her life through from her childhood, to employment as a Dairymaid age ten, and her disastrous marriage. When her husband dies, she is left with a baby to support and no home, until her stepmother offers her a job as a seamstress, and a home. She does find love, but he is killed at Crimea. It appears she is to have a very lonely old age as members of her family die. Will she die without finding happiness?
A study of Hawaiian women's cultural valuation and social position in the first century of Western contact
A novel and female empowering interpretive approach to these artistic archetypes in her analysis of Imaging Women of Consequence in the Dutch Golden Age.
* A womanist reading of the Gospel of Mark * Addresses questions of the necessity of suffering
It is Belsfield Hall, 1805. The sudden disappearance of her niece's fiance at their engagement ball leads Miss Dido Kent to worry that something sinister may have occurred. Before long, her fears are confirmed. Family secrets, long consigned to the darkest recesses of the past, begin to emerge as Dido attempts to unravel the strange happenings. But with the discovery of a body in the shrubbery, Mr Richard Montague's unexplained absence becomes all the more suspicious, and when she finally arrives at the startling truth, it is to change the lives of all involved for ever.
NATIONAL BESTSELLER WINNER OF THE BOOKER PRIZE “A must-read about modern Britain and womanhood . . . An impressive, fierce novel about the lives of black British families, their struggles, pains, laughter, longings and loves . . . Her style is passionate, razor-sharp, brimming with energy and humor. There is never a single moment of dullness in this book and the pace does not allow you to turn away from its momentum.” —Booker Prize Judges Bernardine Evaristo is the winner of the 2019 Booker Prize and the first black woman to receive this highest literary honor in the English language. Girl, Woman, Other is a magnificent portrayal of the intersections of identity and a moving and hopeful story of an interconnected group of Black British women that paints a vivid portrait of the state of contemporary Britain and looks back to the legacy of Britain’s colonial history in Africa and the Caribbean. The twelve central characters of this multi-voiced novel lead vastly different lives: Amma is a newly acclaimed playwright whose work often explores her Black lesbian identity; her old friend Shirley is a teacher, jaded after decades of work in London’s funding-deprived schools; Carole, one of Shirley’s former students, is a successful investment banker; Carole’s mother Bummi works as a cleaner and worries about her daughter’s lack of rootedness despite her obvious achievements. From a nonbinary social media influencer to a 93-year-old woman living on a farm in Northern England, these unforgettable characters also intersect in shared aspects of their identities, from age to race to sexuality to class. Sparklingly witty and filled with emotion, centering voices we often see othered, and written in an innovative fast-moving form that borrows technique from poetry, Girl, Woman, Other is a polyphonic and richly textured social novel that shows a side of Britain we rarely see, one that reminds us of all that connects us to our neighbors, even in times when we are encouraged to be split apart.