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Elizabeth "Lizzie" Petrie has it all. She's rich, beautiful, intelligent, and successful. None of this matters to her mom. Les-Bi-An. That's all her mom sees.Even though Lizzie insists her mom's antagonism does not bother her, Lizzie distances herself from her entire family. When her brother, Peter, calls her out of the blue to announce he's getting married, Lizzie's entire life changes drastically. Peter's fiancée wants to bring the lesbian outcast back into the family. Will this desire cause Lizzie to lose everything dear to her?Sarah, Lizzie's girlfriend, is ecstatic about this change in Lizzie's personal life. Sarah, the hopeless romantic, wants it all, including settling down with the fiercely independent Lizzie.Can Lizzie be tamed? And can she survive her family and all of their secrets?
Following the incredible success of Sara Blaedel's #1 international bestsellers The Forgotten Girls and The Killing Forest, Louise Rick--head of the police department's elite Special Search Agency charged with missing persons cases--returns in Sara's latest twist-filled suspense novel . . . A housewife is the target of a shocking, methodical killing. Shot with a hunting rifle through her kitchen window, the woman is dead before she hits the ground. Though murdered in England, it turns out that the woman, Sofie Parker, is actually a Danish citizen who's been on the Missing Persons list for almost two decades--so Louise Rick is called on to the case. Then, in an unexpected twist, the police discover that Sofie had been reported missing eighteen years ago by none other than Eik, Louise Rick's police colleague and lover. Impulsive as ever, Eik rushes to England, and ends up in jail on suspicion of Sofie's murder. Completely blindsided by Eik's connection to the case, Louise is thoroughly unsettled and sick with worry, yet she must set aside her own emotional turmoil if she hopes to find the killer in what will become her most controversial case yet... "Crime-writer superstar Sara Blaedel's great skill is in weaving a heartbreaking social history into an edge-of-your-chair thriller while at the same time creating a detective who's as emotionally rich and real as a close friend." -- Oprah.com "One of the best I've come across." -- Michael Connelly "Sara Blaedel is a force to be reckoned with. She's a remarkable crime writer who time and again delivers a solid, engaging story that any reader in the world can enjoy." -- Karin Slaughter "Leads to...that gray territory where compassion can become a crime and kindness can lead to coldblooded murder." -- New York Times Book Review
Pulitzer Prize finalist: “A soaring literary epic about the forces that have driven us to the 9/11 age . . . relentlessly captivating” (Ron Charles, The Washington Post). When humanitarian lawyer Tom Harrington travels to Haiti to investigate the murder of a beautiful photojournalist, he is confronted with a dangerous landscape riddled with poverty, corruption, and voodoo. It’s the late 1990s, a time of brutal guerrilla warfare and civilian kidnappings. The journalist, whom he knew years before as Jackie Scott, had a bigger investment in Haiti than it seemed. To make sense of her death, Tom must plunge back into his complicated ties to Jackie—and her mysterious past. Shacochis traces Jackie’s shadowy family history from the outlaw terrain of World War II Dubrovnik to 1980s Istanbul. Caught between her first love and her domineering father—an elite Cold War spy pressuring her to follow in his footsteps—seventeen-year-old Jackie hatches a desperate escape plan. But getting out also puts her on the path that turns her into the soulless woman Tom fears as much as desires. Set over fifty years and in four war-torn countries, The Woman Who Lost Her Soul is National Book Award winner Bob Shacochis’s masterpiece and a magnum opus. It brings to life an intricate portrait of catastrophic events that led up to the war on terror and the America we are today.
The Lost Woman is a brave and elegantly written memoir. When Sydney Smith was nine, she thought about killing herself because of her mother’s cruelty. By the time Sydney was twenty, she believed there were cameras behind every mirror in the house, that her mother could read her mind. How to escape? How to survive?
This acclaimed biography shines a light on a trailblazing woman who created a classic movie monster—and the author’s quest to rescue her from obscurity. As a teenager, Mallory O’Meara was thrilled to discover that one of her favorite movies, Creature from the Black Lagoon, featured a monster designed by a woman, Milicent Patrick. But while Patrick should have been hailed as a pioneer in the genre, there was little information available about her. As O’Meara discovered, Patrick’s contribution had been claimed by a jealous male colleague and her career had been cut short. No one even knew if she was still alive. As a young woman working in the horror film industry, O’Meara set out to right the wrong, and in the process discovered the full, fascinating story of an ambitious, artistic woman ahead of her time. Patrick’s contribution to special effects proved to be just the latest chapter in a remarkable, unconventional life, from her youth growing up in the shadow of Hearst Castle, to her career as one of Disney’s first female animators. And at last, O’Meara discovered what really had happened to Patrick after The Creature’s success, and where she went. A true-life detective story and a celebration of a forgotten feminist trailblazer, Mallory O’Meara’s The Lady from the Black Lagoon establishes Patrick in her rightful place in film history while calling out a Hollywood culture where little has changed since. A Hugo and Locus Award Finalist A Thrillist Best Book of the Year One of Booklist’s 10 Best Art Books of the Year
Lillie Crawford is dying. Her mind slowly succumbing to the ruthlessness of Alzheimer's, Lillie's remaining time on Earth is predicted to be a slow and difficult journey. But if you ask Norah, her mother's death could not come soon enough. Haunted by memories of the years of abuse she suffered at Lillie's hand, the last thing Norah wants to do is go home and take care of the one person she hates most in the world. Yet, Norah finds herself with no other choice and no place left to go, as she returns to the town she tried so desperately to leave behind. Taking care of a woman who cannot stand the sight of her, Norah is forced to reckon with her past as old nightmares and buried secrets are resurrected. Will learning the truth to her past save Norah, or be the final nail in her coffin?
INSTANT NEW YORK TIMES BESTSELLER Named Most Anticipated of 2021 by Newsweek, Good Housekeeping, Hello! magazine, Oprah.com, Bustle, Popsugar, Betches, Sweet July, and GoodReads! March 2021 Indie Next Pick and #1 LibraryReads Pick “A bold, edgy, accomplished debut!” —Kate Quinn, New York Times bestselling author of The Alice Network A forgotten history. A secret network of women. A legacy of poison and revenge. Welcome to The Lost Apothecary… Hidden in the depths of eighteenth-century London, a secret apothecary shop caters to an unusual kind of clientele. Women across the city whisper of a mysterious figure named Nella who sells well-disguised poisons to use against the oppressive men in their lives. But the apothecary’s fate is jeopardized when her newest patron, a precocious twelve-year-old, makes a fatal mistake, sparking a string of consequences that echo through the centuries. Meanwhile in present-day London, aspiring historian Caroline Parcewell spends her tenth wedding anniversary alone, running from her own demons. When she stumbles upon a clue to the unsolved apothecary murders that haunted London two hundred years ago, her life collides with the apothecary’s in a stunning twist of fate—and not everyone will survive. With crackling suspense, unforgettable characters and searing insight, The Lost Apothecary is a subversive and intoxicating debut novel of secrets, vengeance and the remarkable ways women can save each other despite the barrier of time. Don’t miss THE LONDON SÉANCE SOCIETY! Sarah’s next spellbinding book about truth, illusion and the grave risks women will take to avenge the ones they love.
The writer Jovita González was a long memeber- and ultimately seved as president- of Texas Folklore Society, which strve to preserve the oral traditions and customs of her native state. Many of the folklore-based stories in this volume were published by González in periodicals such as Southwest Review from the 1920s through the 1940s but have been gathered here for the first time. Sergio Reyna has brought together more than thirty narratives by González and arranged them into Animal Tales (such as "The Mescal-Drinking Horse"); Tales of Humans ("The Bullet-Swallower"); Tales of Popular Customs ("Shelling Corn by Moonlight); Religious Tales ("The Guadalupana Vine); Tales of Mexican Ancestrors ("Ambriosio the Indian); and Tales of Ghosts, Demons, and Buried Treasure ("The Woman Who Lost Her Soul"). Reyna also provides a helpful introduction that succinctly surveys the authors life and work, analyzing her writings within their historical and cultural contexts.
Graduate student Lizzie Petrie feels more comfortable around books than people. Although an expert in the Hitler Youth, she's a novice in love. Her former lesbian lover is blackmailing her, and not even those closest to Lizzie know the full story of their abusive relationship. When visiting high school English teacher Sarah crosses Lizzie's path at the campus, their attraction is instant, but not without complications. As they start to spend more time together, suspicions arise from both women in this sexy piece of LGBT fiction. Plenty of good-natured teasing takes place between lovers as well as between PhD students in this lesbian contemporary romance. No relationship path ever runs smoothly, and oftentimes, those who can't keep their mouth shut hasten necessary confrontation. Lizzie finds herself buried in a mess of lies in this romantic comedy. The harder she tries to keep Sarah and the rest of her friends from finding out the truth about her first girlfriend, the more endearingly clueless she becomes.
This “sobering tale of the real consequences of gender bias” explores how Britain lost its early dominance in computing by systematically discriminating against its most qualified workers: women (Harvard Magazine) In 1944, Britain led the world in electronic computing. By 1974, the British computer industry was all but extinct. What happened in the intervening thirty years holds lessons for all postindustrial superpowers. As Britain struggled to use technology to retain its global power, the nation’s inability to manage its technical labor force hobbled its transition into the information age. In Programmed Inequality, Mar Hicks explores the story of labor feminization and gendered technocracy that undercut British efforts to computerize. That failure sprang from the government’s systematic neglect of its largest trained technical workforce simply because they were women. Women were a hidden engine of growth in high technology from World War II to the 1960s. As computing experienced a gender flip, becoming male-identified in the 1960s and 1970s, labor problems grew into structural ones and gender discrimination caused the nation’s largest computer user—the civil service and sprawling public sector—to make decisions that were disastrous for the British computer industry and the nation as a whole. Drawing on recently opened government files, personal interviews, and the archives of major British computer companies, Programmed Inequality takes aim at the fiction of technological meritocracy. Hicks explains why, even today, possessing technical skill is not enough to ensure that women will rise to the top in science and technology fields. Programmed Inequality shows how the disappearance of women from the field had grave macroeconomic consequences for Britain, and why the United States risks repeating those errors in the twenty-first century.