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An Exploration of the Traditional Witchcraft Coven, its Organization and Rituals, including Initiations, Rites of Passage, Magical and Social practices. The truth is, “Old” Gerald B. Gardner had little interest in how the Traditional Witchcraft Coven had been organized and structured. So apart from an example of how it should not be done, he passed on little information about how it was meant to be organized. That knowledge of how best to organize and structure a modern Coven has had to be reclaimed from the old records and by trial and error. So too the social Rites of Passage; those of birth, marriage and death that were all long since appropriated by the religious authorities have likewise needed to be restored. As too the traditional forms of Coven Magic and Healings, whilst still keeping Witchcraft ever the religion of Dance, Fun and Mirth. After all, who said that religion is not to be enjoyed? A Witches’ Canon, Part 1, provides a fact-based referenced guide for those wishing to further explore the Religion and Celebratory Rituals of Traditional Wicca. A Witches’ Canon, Part 2, has been written to provide a practical, referenced guide to the social aspects of Traditional Wicca; of Coven Organization, Initiations, Rites and Rituals. A Witches’ Canon, Part 3, is a fact-based referenced guide to the practice of Magical Witchcraft, both nice and naughty. If it isn’t fun, then it ain’t worth doing.
An Exploration of the Magic Rites and Practices of Traditional Witchcraft, both Past and Present, Nice and Naughty. The truth is, Magic is the stuff of Witchcraft; the very life-blood that gives vibrancy in all its other aspects. We are all born with a capacity for practicing Magic, yet it is a topic that strikes fear into many for what it might actually do to them. Magic has a bad reputation, notwithstanding that it guided our ancient ancestors to initially develop the survival skills and techniques that have ultimately led to our modern-day world of science and technology. Magic means pushing the boundaries of what might just be possible. It implies change and therefore unsanctioned Magic has always been seen as a threat to the status quo. Nevertheless, it is a fascinating discipline; exploring, developing, and expanding one’s own mental powers. It entails a quest. From the Magic of Love and Sex to Witcherie with a Purpose demands skill, determination, and ability. From Astral Projection to Psychic Protection; from Magical Healing to communicating with spiritual entities from the Astral; the practice of Traditional Witchcraft demands a knowledge of Apies Magic, both the Nice and the Naughty; but best not the practice of its really naughty aspects. A Witches’ Canon, Part 1, provides a fact-based referenced guide for those wishing to further explore the Religion and Celebratory Rituals of Traditional Wicca. A Witches’ Canon, Part 2, has been written to provide a practical, referenced guide to the social aspects of Traditional Wicca; of Coven Organization, Initiations, Rites, and Rituals. A Witches’ Canon, Part 3, is a fact-based referenced guide to the practice of Magical Witchcraft, both nice and naughty. But then, if it isn’t fun, then it ain’t worth doing.
Traditional Witchcraft and an Exploration of Its Magical Techniques, Rites and Symbols. The truth is, Witchcraft never altogether went away. The old Witchcraft was driven deep into the shadows only to emerge again as a vibrant, nature-based spiritual practice, well attuned to our modern times. It is a cooperative religion, born in the Stone-Age yet ideally suited for this present Age of Science and Technology. A religion and magical practice of Dance, Fun and Mirth. After all, who said that religion is not to be enjoyed? A Witches’ Canon, Part 1, was written to provide a fact-based referenced guide for those wishing to further explore the Religion and Celebratory Rituals of Traditional Wicca. A Witches’ Canon, Part 2, provides a practical, referenced guide to the social aspects of Traditional Wicca; of Coven Organization, Initiations, Rites and Rituals. A Witches’ Canon, Part 3, is a fact-based referenced guide to the practice of Magical Witchcraft, both nice and naughty. If it isn’t fun, then it ain’t worth doing.
Witches and witchcraft are potent metaphors for feminine power, with a history that predates the advent of cinema. The figure of the witch represents a particularly fraught, contested kind of gendered power, and has long inspired filmmakers to explore themes of race, class, trauma, motherhood, grief, and identity. This book examines the relationship between women, witchcraft, and filmmaking, exploring types of storytelling and the central themes in these movies. Such films span the globe and have starred prominent figures like Madonna, Bette Midler, Bjork, and Nicole Kidman, as well as lesser-known women behind the scenes. Some of these filmmakers have premiered their works at major film festivals, while others have produced content for television and video releases. While notable in their diversity, these movies share one crucial thing: they were all created by women in an industry broadly dominated by men.
Tap into the magic all around you with Witchcraft, an illustrated guide to ancient potions, spells, chants, rituals, and incantations from around the world. Learn how to form a spirit circle with coven members, what instruments you need for your craft, special conjurations for each day of the week, and hundreds of crafty spells and potions that will allow you to: Banish headaches Keep your home safe Envision your future spouse Win riches Communicate with animals Conceive a child Summon the dead Make it snow Separate lovers Know your future And more! Spells are conveniently organized by purpose: safekeeping spells, healing spells and potions, spells against enemies, counter-spells, luck and fortune spells, love and matchmaking spells, weather and earth spells, spells to cast on animals, power spells, and communing with the dead. With stunning linoleum-cut illustrations by artist Melissa West that bring the magic of the past to life, this comprehensive compendium is also a delightful page-turner that’s full of unexpected treasures. Place it in a sacred place in your home—and make sure no enemies find it to access its inestimable powers! The Mystical Handbook series from Wellfleet takes you on a magical journey through the wonderful world of spellcraft and spellcasting. Explore a new practice with each volume and learn how to incorporate spells, rituals, blessings, and cleansings into your daily routine. These portable companions feature beautiful foil-detail covers and color-saturated interiors on a premium paper blend. Other books in the series include: Love Spells, Moon Magic, Moon Magic Journal, Knot Magic, Superstitions, House Magic, Herbal Magic, Book of Shadows, and Goddess Magic.
"Witch Wood" is a historical novel set in 17th century Scotland. The story follows a minister who tries to prevent worshiping the devil and keep his congregation safe. The witchcraft is practiced in the Wood of Caledon in the Scottish Borders. However, the minister's congregation is divided as a result of the civil unrest caused by the Scottish war. Will he be able to bring them under one fold again? It was written by John Buchan, a Scottish novelist and public servant who combined a successful career as an author of thrillers, historical novels, histories, and biographies.
'Witches occupy a clear place in contemporary imagination. We can see them, shadowy, in the corners of the past: mad, glamorous, difficult, strange. They haunt the footnotes of history - from medieval witches burning at the stake to the lurid glamour of the 1970s witchcraft revival. But they are moving out of history, too. Witches are back. They're feminist, independent, invested in self-care and care for the world. They are here, because they must be needed.' What it means to be a witch has changed radically throughout history; where 'witch' was once a dangerous - and often deadly - accusation, it is now a proud self-definition. Today, as the world becomes ever more complicated and as we face ecological, political and economic crisis - witchcraft is experiencing a resurgence. Witches are back. In A Spell in the Wild, Alice Tarbuck explores what it means to be a witch today. Rooted in the real world, but filled with spells, rituals and recipes, this book is an accessible, seasonal guide to witchcraft in the twenty-first century. Following the course of a witch's calendar year while also exploring the history and politics of witchcraft, A Spell in the Wild is the perfect primer for the contemporary witch.
Thought to be the father of modern witchcraft, Gerald Gardner published The Meaning of Witchcraft in 1959, not long after laws punishing witches were repealed. It was the first sympathetic book written from the point of view of a practicing witch. The Meaning of Witchcraft is an invaluable source book for witches today. Chapters include: Witch's Memories and Beliefs, The Stone Age Origins of Witchcraft, Druidism and the Aryan Celts, Magic Thinking, Curious Beliefs about Witches, Signs and Symbols, The Black Mass, Some Allegations Examined. The Meaning of Witchcraft is a record of witches' roots-and a tribute to a founding pioneer with the courage to set that record straight.
The Meaning of Witchcraft is a non-fiction book written by Gerald Gardner. Gardner, known to many in the modern sense as the "Father of Wicca", based the book around his experiences with the religion of Wicca and the New Forest Coven. He claimed he was allowed to tell more than ever before and cast light on the rituals and beliefs of witches. The book's main message was that neither the practices of witches nor their intents were harmful. The book tells the history of witchcraft in Europe. The author traces back to pre-Christian times, studies the rituals and beliefs of templars, and states that the belief in fairies in ancient, medieval, and early modern Europe was connected with a secretive pygmy race that lived alongside other communities. The preface to this book was Margaret Murray, who stated that witchcraft took its root in the pre-Christian religions and had nothing to do with spell-casting and other evil practices. Instead, Murray proposes to view witchcraft as "the sincere expression of that feeling towards God which is expressed, perhaps more decorously though not more sincerely, by modern Christianity in church services."
In Old World Witchcraft, noted author Raven Grimassi covers totally new territory--in his work and in the world of popular witchcraft books published in the last few decades. This book is actually about “an enchanted worldview,” one that has not necessarily been inherited from the beliefs and practices of any particular region and one which is available to us today. The “Old World” in the title is actually about a magical view of the Plant Kingdom and the spirits attached to it. While Grimassi’s previous books discuss the cultural expressions and commonality of witchcraft beliefs and practices in general, this book penetrates much deeper. Old World Witchdraft reveals rarely discussed topics such as the concept of Shadow as the organic memory of the earth. Readers will learn rooted techniques that possess power because these ways have always been connected to it. They will learn methods of interfacing with the ancestral current and with the organic memory of the earth. Through these they can connect with the timeless arts and learn methods of empowerment directly from the ancient source. Totally new information about familiar tools is presented. For example, the mortar and pestle is a tool for spell casting, a device that creates interfacing with plant spirits and with shadow, and a focal point for veneration of the Plant Kingdom. Grimassi also presents the art of using plant ashes for magical sigil work. This book is for people who have had their fill of books that say the same things over and over, who want to take the next step, and who are eager for the more rooted ways that have remained largely hidden.