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My husband died, my life collapsed.
A newly-widowed woman has done a runner. She just jumped in her car, abandoned her (very nice) house in north London and kept on driving until she reached the Norfolk coast. Now she's rented a tiny cottage and holed herself away there, if only to escape the ceaseless sympathy and insincere concern. She's not quite sure, but thinks she may be having a bit of a breakdown. Or perhaps this sense of dislocation is perfectly normal in the circumstances. All she knows is that she can't sleep and may be drinking a little more than she ought to. But as her story unfolds we discover that her marriage was far from perfect. That it was, in fact, full of frustration and disappointment, as well as one or two significant secrets, and that by running away to this particular village she might actually be making her own personal pilgrimage. By turns elegiac and highly comical, The Widow's Tale conjures up this most defiantly unapologetic of narrators as she begins to pick over the wreckage of her life and decide what has real value and what she should leave behind.
Volume 6, Life Writings of Frontier Women series. Few diaries, journals, and memoirs published have provided as rich and well rounded a window into their authors' lives and worlds as the diary of Helen Mar Kimball Whitney. Because it provides a rare account of the widely experienced situations and problems faced by widows, her record has relevance far beyond Mormon history.
“One day when she looked at the portrait, she considered how blessed she had been in life. She contemplated her good fortune in finding an upright man like Akbar Ahmad as her life partner and felt grateful for his bounteous legacy, which released her from all financial cares. Akbar Ahmad looked back at her, his face cast in an expression of long suffering. Mona’s eyes welled up with tears.”–from The Story of a Widow After the death of her husband Akbar Ahmad, Mona finds herself settling ambivalently into a new life. But the calm rhythm of her days–gardening, cooking, time with her neighbours and family in Karachi–is upset by the appearance of Salamat Ali, the new tenant in her friend Mrs. Baig’s house. Vivacious, friendly, and at times almost impertinent, Salamat Ali is both a breath of fresh air and a disconcerting new presence in Mona’s life, and their awkward meetings always seem to end in embarrassment or misunderstanding. When Salamat Ali, encouraged by Mrs. Baig, presents Mona with a marriage proposal, she is forced to consider what kind of future she wishes to make for herself–and what her past with Akbar Ahmad really means. The possibility of Mona marrying Salamat Ali shocks her grown daughters Tanya and Amber, and scandalizes her extended family, according to whom Mona’s happiness comes second to what people say about widows who remarry. As Mona negotiates the complex web of tradition-bound in-laws and gossiping, interfering relatives, she finds Salamat Ali waking her to the pleasures of life that thirty years with her dour first husband all but smothered. But if Salamat Ali helps her discover something essential, he also exposes her to new risks, and new dangers. The Story of a Widow is a beautifully observant novel, one that pays careful attention to the delicate movements of the heart in romantic and family life. But it is equally concerned with the mores of a society in which traditional roles both support and constrain men and–particularly–women. Gently humorous and profoundly perceptive, The Story of a Widow is the moving tale of a woman’s discovery of her voice, and herself.
NATIONAL BESTSELLER • From the National Book Award–winning author of Three Junes: Seventy-year-old Percy Darling is settling happily into retirement—reading novels, watching old movies, and swimming naked in his pond. But his routines are disrupted when he is persuaded to let a locally beloved preschool take over his barn. As Percy sees his rural refuge overrun by children, parents, and teachers, he must reexamine the solitary life he has made in the three decades since the sudden death of his wife. With equal parts affection and humor, Julia Glass spins a captivating tale about a man who can no longer remain aloof from his community, his two grown daughters, or—to his great shock—the precarious joy of falling in love.
A 25th anniversary edition of the enchanting story of a widow who finds herself in possession of an extraordinary broom after a witch falls into her garden. Some of Minna Shaw's neighbors don't trust her clever broom. "It's dangerous," they say. But Minna appreciates the broom's help. She enjoys its quiet company. But one day two children get taught a well-deserved lesson by the broom. For her neighbors, this is proof of the broom's evil spirit. Minna is obligated to give up her dear companion. Chris Van Allsburg, master of the mysterious, brings this tale to life with moody and memorable pictures that will haunt readers long after the book's covers are closed—now in a new edition to celebrate this beloved book's twenty-fifth anniversary.
Spring 1449. Recently widowed and still grieving for her husband, Christiana finds her life wrenched apart by her late husband's greedy and ambitious relatives who are determined to have control of her lands and her daughters. Kidnapped, defamed and imprisoned, she must find a way to save herself before she can save her children.
“The Widows kept me on the edge of my seat. Montgomery is a masterful storyteller.” —Lee Martin, author of Pulitzer Prize-Finalist The Bright Forever Inspired by the true story of Ohio’s first female sheriff, Jess Montgomery’s powerful, lyrical debut is the story of two women who take on murder and corruption at the heart of their community. Kinship, Ohio, 1924: When Lily Ross learns that her husband, Daniel, the town’s widely respected sheriff, has been killed while transporting a prisoner in an apparent accident, she vows to seek the truth about his death. Hours after his funeral, a stranger appears at her door. Marvena Whitcomb, a coal miner’s widow, is unaware that Daniel has died and begs to speak with him about her missing daughter. From miles away but worlds apart, Lily’s and Marvena’s lives collide as they realize that Daniel was perhaps not the man that either of them believed him to be. *BONUS CONTENT: This edition of The Widows includes a new introduction from the author and a discussion guide "The Widows is a gripping, beautifully written novel about two women avenging the murder of the man they both loved."—Hallie Ephron, New York Times bestselling author of You'll Never Know, Dear "Jess Montgomery's gorgeous writing can be just as dark and terrifying as a subterranean cave when the candle is snuffed out, but her prose can just as easily lead you to the surface for a gasp of air and a glimpse of blinding, beautiful sunlight. This is a powerful novel: a tale of loss, greed, and violence, and the story of two powerful women who refuse to stand down."—Wiley Cash, New York Times bestselling author of The Last Ballad, A Land More Kind than Home, and This Dark Road to Mercy "[A] flinty, heartfelt mystery that sings of hawks and history, of coal mines and the urgent fight for social justice."—Julia Keller, Pulitzer Prize-winning author of Bone on Bone
Grief Denied is about healing: it is about coming to terms with the intimate pain and emotional violence that was unleashed by the Vietnam War. It is also a bittersweet love story in which a young girl meets a soldier-boy, a young bride loses her soldier-husband and how, on the 30th anniversary of their marriage, the mature woman is finally able to say good-bye to the man she will always love. Laurent tells her story with clarity and candor and a great deal of caring. There are vivid descriptions of her husband, Howard, who died in combat in Vietnam on May 10, 1968, when she was 22 years old and in the last phase of her first pregnancy. There are also sharp, tender portraits of her daughter Michelle, her parents, her friends and her lovers. The author doesn't seem to have held back anything or to have denied readers a full and complete view of her personality, including her dark side. So there are emotionally wrenching accounts of her depression, her suicidal feelings, her "insanity," as she calls it, as well as her therapy and recovery and rediscovery of prayer and faith. Grief Denied offers deeply moving passages from Howard's letters to Pauline shortly before his death. Laurent describes how Vietnam got to her, though she was thousands of miles away from the heat, the dirt and the mortars. If somehow or other you never did appreciate how Vietnam got to the heart of America, then this book ought to be at the top of your list of books to read.
From a new literary star comes a beautifully crafted story about a group of women in a Colombian village who find their lives changed while their husbands and sons are away fighting a deadly civil war. The women of Mariquita - made widows when their men are swept away by the army or rebel forces - learn hard lessons about love and survival. Forced to grow in extraordinary ways, they challenge the tenets of male-dominated society, discover power with all its pitfalls and strive to create an entirely new social order, an all-female utopia. Their narrative is punctuated by short vignettes of the individual travails of the men and boys - left-wing guerrillas, right-wing paramilitaries, national army officers and civilians - caught amidst these hellish forces. For the first 18 years of his life, the author, James Can, lived in his native Colombia and this pitch-perfect book - darkly comedic, its characters brilliantly etched - is a mighty achievement, an entirely fresh, startling perspective to Colombia's catastrophe where the longest and bloodiest civil war in this hemisphere has raged for 40 years.