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A Da Capo original: Thirty years' worth of music writing by one of the first and greatest rock scribes and a fiercely imaginative cultural critic.
College dropout Scott Sanderson sits in a rural Florida holding cell in the middle of the night, awaiting a hearing the following morning. He has ventured from Los Angeles on his motorcycle to see the country before the responsibilities of post-college adulthood ensnare him. Ignoring his draft status, the journey takes him first to Mardi Gras, then to Florida, where his arrest abruptly curtails the adventure. Faced with jail time, he reluctantly follows the judge's orders and joins the navy. This solidifies his notion that life is stacked against him and that the generation in charge has rigged the world in its favor. In his new situation, Scott deals with many of the issues he left behind: his relationship with his father and his family, his commitment to the service, his relationships with women, and his future. Interwoven with historic events of the era and the lives of his peers both at home and in the navy, A Walk-on Part in the War follows Scott on his quest to find direction in a fractured and confused America. A modern-day odyssey, this novel captures the waning optimism and the rapid pace of individual and social change that overtook mid-1970s America.
In the context of nineteenth-century Victorinoir and close readings of original-cycle film noir, Julie Grossman argues that the presence of the "femme fatale" figure, as she is understood in film criticism and popular culture, is drastically over-emphasized and has helped to sustain cultural obsessions with "bad" women.
In Songbooks, critic and scholar Eric Weisbard offers a critical guide to books on American popular music from William Billings's 1770 New-England Psalm-Singer to Jay-Z's 2010 memoir Decoded. Drawing on his background editing the Village Voice music section, coediting the Journal of Popular Music Studies, and organizing the Pop Conference, Weisbard connects American music writing from memoirs, biographies, and song compilations to blues novels, magazine essays, and academic studies. The authors of these works are as diverse as the music itself: women, people of color, queer writers, self-educated scholars, poets, musicians, and elites discarding their social norms. Whether analyzing books on Louis Armstrong, the Beatles, and Madonna; the novels of Theodore Dreiser, Gayl Jones, and Jennifer Egan; or varying takes on blackface minstrelsy, Weisbard charts an alternative history of American music as told through its writing. As Weisbard demonstrates, the most enduring work pursues questions that linger across time period and genre—cultural studies in the form of notes on the fly, on sounds that never cease to change meaning.
He took her against her will… Now they’re on the run. Maxim, the Colonel and leader of the eastern states of the old United States, and Iolanthe, the Pure he wants for his own, must leave the Citadel after a Resistance attack. Forced together by circumstance, the tumultuous battle of lust that started long ago can’t be ignored any longer. Tiberius, second in command to the Colonel, is faced with restoring civility to the battle-torn Citadel. Instead he finds complication in the form of a woman from the Resistance. Sophie drives him wild. She may also be a spy. But when her children go missing, Tiberius steps in to help, as he is unable to let Sophie go. As the tension between the two nations heat up, so do the passions between the Pure and the men that want them. Does giving into their demands mean losing everything? Is freedom worth the price of passion? Both Pure must face new decisions, and as the battle around them darkens, will they let choice sway them? Or limitation hold them back? This is book two in the Colonel’s Conquest series and does not include a HEA. Although, there will be a HEA by the series conclusion. Publisher’s Note: This dark dystopian romance is not a wine and flowers romance. The men are warriors and the women are owned. Take the ride if you dare, you’ll be glad you did. This sci-fi story contains elements of danger, suspense, mystery, power exchange, non-consent, adult themes and possible triggers.
He was the leading light of the Beat Generation writers and the most dynamic author of his time, but Jack Kerouac also had a lifelong passion for music, particularly the mid-century jazz of New York City, the development of which he witnessed first-hand during the 1940s with Charlie Parker, Dizzy Gillespie and Thelonious Monk to the fore. The novelist, most famous for his 1957 book On the Road, admired the sounds of bebop and attempted to bring something of their original energy to his own writing, a torrent of semi-autobiographical stories he published between 1950 and his early death in 1969. Yet he was also drawn to American popular music of all kinds – from the blues to Broadway ballads – and when he came to record albums under his own name, he married his unique spoken word style with some of the most talented musicians on the scene. Kerouac's musical legacy goes well beyond the studio recordings he made himself: his influence infused generations of music makers who followed in his work – from singer-songwriters to rock bands. Some of the greatest transatlantic names – Bob Dylan and the Grateful Dead, Van Morrison and David Bowie, Janis Joplin and Tom Waits, Sonic Youth and Death Cab for Cutie, and many more – credited Kerouac's impact on their output. In Kerouac on Record, we consider how the writer brought his passion for jazz to his prose and poetry, his own record releases, the ways his legacy has been sustained by numerous more recent talents, those rock tributes that have kept his memory alive and some of the scores that have featured in Hollywood adaptations of the adventures he brought to the printed page.
THERE'S NO REST FOR THE WICKED . . . Detective Inspector Paolo Sterling is urgently called away from court when a young woman's mutilated body is found dumped in a car park. As the post-mortem begins, he is horrified to discover that the victim was the lead witness who failed to appear in court just days earlier. And, at the same time, a connection to another ongoing case is revealed and, suddenly, DI Sterling realises he is on the hunt for a depraved and senseless serial killer. Delving further into the investigation, Paolo and his team find themselves embroiled in a terrifying underworld that has unexpected links to Paolo's life. And, when the lines between professional and personal blur, Paolo is forced to confront his worst nightmare. But how far will he go to protect those he loves? And what will he have to sacrifice to do so?] *PREVIOUSLY PUBLISHED AS RETRIEVER OF SOULS* Lorraine Mace brings us the first unflinching and totally gripping instalment in her dark and gritty series featuring DI Paolo Sterling. Perfect for fans of Angela Marsons, M. J. Arlidge and Karin Slaughter. 'Lorraine Mace has done it again. Crime fiction at its absolute finest' MARION TODD 'What an opening! Lorraine certainly knows how to write a gripping thriller. A chilling read' KAREN KING LOVE FOR LORRAINE MACE'S WRITING: 'I. Am. Not. Okay. That ending - mind blown!!!! Rage and Retribution deserves ALL the stars! It is AMAZING!' 5* Reader Review 'Wow, just wow is all I can say. The whole series is just too good to miss.' 5* Reader Review 'I am an absolutely massive fan of this series . . . the books are just getting better and better' 5* Reader Review 'I am blown away by this story and LOVE everything about it. I cannot wait for the next instalment.' 5* Reader Review 'OMG! That opening scene' 5* Reader Review 'I could not put my kindle down while reading this!' 5* Reader Review
Three dramatic tales of romantic suspense journey from a Montana ranch to a Virginia horse farm to an island off the coast of Georgia in an omnibus anthology that features True Betrayals, Montana Sky, and Sanctuary. 20,000 first printing.