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The forty-two chapters in this book consider Yeats's early toil, his practical and esoteric concerns as his career developed, his friends and enemies, and how he was and is understood. This Handbook brings together critics and writers who have considered what Yeats wrote and how he wrote, moving between texts and their contexts in ways that will lead the reader through Yeats's multiple selves as poet, playwright, public figure, and mystic. It assembles a variety of views and adds to a sense of dialogue, the antinomian or deliberately-divided way of thinking that Yeats relished and encouraged. This volume puts that sense of a living dialogue in tune both with the history of criticism on Yeats and also with contemporary critical and ethical debates, not shirking the complexities of Yeats's more uncomfortable political positions or personal life. It provides one basis from which future Yeats scholarship can continue to participate in the fascination of all the contributors here in the satisfying difficulty of this great writer.
This elegant hardback edition with gilded page edges presents Yeats' best loved work. This collection of masterful poetry demonstrates the extraordinary range and beautiful lyricism of Ireland's most accomplished poet, William Butler Yeats. The poems selected here cover love and regret, Irish folktales, beauty, politics, family and satire. From the romantic ideals of his youth to the innovative realist of his later years, this collection spans the breadth of Yeats' output.
This book not only introduces the reader to contemporary themes in Yeats criticism, but also provides a unified interpretation based on Yeats' ambivalent sense of identity as a nationalist conscious of the Anglo-Irish tradition from which he claimed descent.
This bibliography is the second revised edition of a book first published in 1978 under a somewhat different title. Apart from correcting mistakes, the second edition extends the coverage of material until 1986 and includes many items from 1987 and 1988. It also adds numerous items that should have been included in the first edition but had somehow escaped my notice.
Providing a broad, definitive account of how the 'archival turn' in humanities scholarship has shaped modernist studies, this book also functions as an ongoing 'practitioner's toolkit' (including useful bibliographical resources) and a guide to avenues for future work. Archival work in modernist studies has revolutionised the discipline in the past two decades, fuelled by innovative and ambitious scholarly editing projects and a growing interest in fresh types of archival sources and evidence that can re-contextualise modernist writing. Several theoretical trends have prompted this development, including the focus on compositional process within genetic manuscript studies, the emphasis on book history, little magazines, and wider publishing contexts, and the emphasis on new material evidence and global and 'non-canonical' authors and networks within the 'New Modernist Studies'. This book provides a guide to the variety of new archival research that will point to fresh avenues and connect the methodologies and resources being developed across modernist studies. Offering a variety of single-author case studies on recent archival developments and editing projects, including Samuel Beckett, Hart Crane, H.D., James Joyce, Dorothy Richardson, May Sinclair and Virginia Woolf, it also offers a range of thematic essays that examine an array of underused sources as well as the challenges facing archival researchers of modernism
The intellectual and cultural impact of British and Irish writers cannot be assessed without reference to their reception in European countries. These essays, prepared by an international team of scholars, critics and translators, record the ways in which W. B. Yeats has been translated, evaluated and emulated in different national and linguistic areas of continental Europe. There is a remarkable split between the often politicized reception in Eastern European countries but also Spain on the one hand, and the more sober scholarly response in Western Europe on the other. Yeats's Irishness and the pre-eminence of his lyrical work have posed continuous challenges. Three further essays describe the widely divergent reactions to Yeats in his native Ireland, during his lifetime and up to the most recent years.
Recounts the life of the Irish poet and nationalist, describes his relationships with his contemporaries, and traces his interest in the occult.
"The Wanderings of Oisin" is a narrative poem by W. B. Yeats that delves into themes of aging, nostalgia, and the passage of time. Drawing from Irish mythology and legend, the poem follows the ancient hero Oisin, who returns to Ireland after spending three centuries in the mythical land of Tír na nÓg with the fairy princess Niamh. As Oisin recounts his adventures and reflects on the changes that have occurred in his absence, he grapples with a sense of displacement and loss in a world vastly different from the one he knew. Through vivid descriptions and lyrical language, Yeats evokes a sense of longing for a glorious past while also exploring the inevitable dissonance between memory and reality. The poem captures the tension between the desire for eternal youth and the reality of mortality, as Oisin comes to terms with the transient nature of life and the inevitability of change. "The Wanderings of Oisin" stands as a poignant meditation on the passage of time, the complexities of memory, and the enduring power of myth and storytelling.
Table of contents
This book asserts that Oscar Wilde (1854 – 1900) was a major precursor of W.B. Yeats (1865 – 1939), and shows how Wilde’s image and intellect set in train a powerful influence within Yeats’s creative imagination that remained active throughout the poet’s life. The intellectual concepts, metaphysical speculations and artistic symbols and images which Yeats appropriated from Wilde changed the poet’s perspective and informed the imaginative system of beliefs that Yeats formulated as the basis of his dramatic and poetic work. Section One, 'Influence and Identity' (1888 – 1895), explores the personal relationship of these two writers, their nationality and historical context as factors in influence. Section Two, 'Mask and Image' (1888 – 1917), traces the creative process leading to Yeats’s construction of the antithetical mask, and his ideas on image, in relation to the role of Wilde as his precursor. Finally, 'Salomé: Symbolism, Dance and Theories of Being' (1891 – 1939) concentrates on the immense influence that Wilde’s symbolist play, Salomé, wrought on Yeats’s imaginative work and creative sensibility.