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Framed in the backdrop of a nationwide media frenzy and a public mad with the hope of finding the multi-million dollar coin, this is the story of America's most eccentric and famous collectors, persistent reporters searching for the truth, shameless profiteers, and agents of the Smithsonian Institute desperate to stay above the fray. Enterprising collectors spared no expense over the decades advertising to purchase a 1913 Liberty Head nickel, prompting generations of collectors to search cans of coins and old collections they inherited, all for the hope of finding the prized 1913 Liberty Head nickel. In the end, it was an anonymous heiress with an old envelope, upon which was written the word fake, that held the truth. With that envelope and the coin inside, six of the world's most respected coin experts sat in a small room under the vigilant watch of armed guards. Few expected what they found. And what they found rewrote numismatic history...
Museums have moved beyond exclusively collections-based missions, and the economics of museums have tightened considerably. As a result, the tenor of the discussion around the practice of deaccessioning and use of its proceeds has become livelier, if not strident. While the professional associations continue to expect adherence to their standards, Boards of Trustees are looking at museum collections as assets that can potentially be monetized to support the museum’s mission or ensure its survival. As museum professionals and trustees engage in these discussions and make critical decisions for their institutions, they will benefit from a deeper understanding of the complex and nuanced aspects of deaccessioning, which this book presents anew. Is It Okay to Sell the Monet? provides background on deaccessioning and disposal of deaccessioned objects and a context for changes in the field brought about by expanding missions and contracting resources. It includes an important discussion on how museums might utilize collections in new ways that benefit their visitors and communities. It provides practical guidance on the process of disposing of objects and explores the ethical standards of professional museum associations—examining their history, relevancy, and practical effect. It also delves into the complicated legal issues that sometimes challenge these ethical rules. Finally, it analyzes high profile museum case studies with important takeaways that will be useful for museums faced with similar circumstances.