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Make Tracks to the Stars! 0 Ye civilized of Earth: send forth your outcasts, your primitive throwbacks, your religious fundamentalists, your sexual separatists¾and heck, you can even toss in your totalitarian crackpots in the bargain. Pack them all in sealed habitats, rocket them into space, and pronounce good riddance to those lunatics, oddballs and losers! But if you happen to be an alien explorer stranded on that ship and looking to find a way home Well then, your one chance lies in seeking out the true iconoclasts in a sea of nutcase societies¾for verily, it is only the absolutely original and terminally weird who shall inherit the stars! At the publisher's request, this title is sold without DRM (Digital Rights Management). "[T]he sharpest moments in this giddy entertainment are those where [Flint and Freer] blithely skewer human mores." ¾Publisher's Weekly on Rats, Bats & Vats
A chronological list of the best fantasy provides a brief history of the genre and a description of each work's background
A repackaged edition of the revered author’s definitive collection of short fiction, which explores enduring spiritual and science fiction themes such as space, time, reality, fantasy, God, and the fate of humankind. From C.S. Lewis—the great British writer, scholar, lay theologian, broadcaster, Christian apologist, and author of Mere Christianity, The Screwtape Letters, The Great Divorce, The Chronicles of Narnia, and many other beloved classics—comes a collection of his dazzling short fiction. This collection of futuristic fiction includes a breathtaking science fiction story written early in his career in which Cambridge intellectuals witness the breach of space-time through a chronoscope—a telescope that looks not just into another world, but into another time. As powerful, inventive, and profound as his theological and philosophical works, The Dark Tower reveals another side of Lewis’s creative mind and his longtime fascination with reality and spirituality. It is ideal reading for fans of J. R. R. Tolkien, Lewis’s longtime friend and colleague.
M. John Harrison is a cartographer of the liminal. His work sits at the boundaries between genres – horror and science fiction, fantasy and travel writing – just as his characters occupy the no man’s land between the spatial and the spiritual. Here, in his first collection of short fiction for over 15 years, we see the master of the New Wave present unsettling visions of contemporary urban Britain, as well as supernatural parodies of the wider, political landscape. From gelatinous aliens taking over the world’s financial capitals, to the middle-aged man escaping the pressures of fatherhood by going missing in his own house… these are weird stories for weird times. ‘M. John Harrison’s slippery, subversive stories mix the eerie and familiar into beguiling, alarming marvels. No one writes quite like him; no one I can think of writes such flawless sentences, or uses them to such disorientating effect.’ – Olivia Laing, author of The Lonely City ‘These stories map a rediscovered fictional hinterland, one tucked behind the glossier edifices of modernity and genre with views down alleyways into pubs and flats where Patrick Hamilton glares balefully at J. G. Ballard.’ – Will Eaves, author of This is Paradise ‘M. John Harrison moves elegantly, passionately, from genre to genre, his prose lucent and wise, his stories published as SF or as fantasy, as horror or as mainstream fiction. In each playing field, he wins awards, and makes it look so easy. His prose is deceptively simple, each word considered and placed where it can sink deepest and do the most damage.’ – Neil Gaiman, author of American Gods ‘With an austere and deeply moving humanism, M. John Harrison proves what only those crippled by respectability still doubt – that science fiction can be literature, of the very greatest kind.’ – China Miéville, author of Perdido Street Station
Set eighty years in the future, this novel by the best-selling author Michael O'Brien is about an expedition sent from the planet Earth to Alpha Centauri, the star closest to our solar system. The Kosmos, a great ship that the central character Neil de Hoyos describes as a "flying city", is immense in size and capable of more than half light-speed. Hoyos is a Nobel Prize winning physicist who has played a major role in designing the ship. Hoyos has signed on as a passenger because he desires to escape the seemingly benign totalitarian government that controls everything on his home planet. He is a skeptical and quirky misanthropic humanist with old tragedies, loves, and hatreds that are secreted in his memory. The surprises that await him on the voyage-and its destination-will shatter all of his assumptions and point him to a true new horizon. Science fiction and fantasy literature are genres that have become dominant forces in contemporary worldwide culture. Our fascination with the near-angelic powers of new technology, its benefits and dangers, its potential for obsession and catastrophe, raises vital questions that this work explores about human nature and the cosmos, about man's image of himself and where he is going-and why he seeks to go there.
When the nuclear-powered submarine USS Triton was commissioned in November 1959, its commanding officer, Captain Edward L. Beach, planned a routine shakedown cruise in the North Atlantic. Two weeks before the scheduled cruise, however, Beach was summoned to Washington and told of the immediate necessity to prove the reliability of the Rickover-conceived submarine. His new secret orders were to take the Triton around the world, entirely submerged the total distance. This is Beach's gripping firsthand account of what went on during the 36,000 nautical-mile voyage whose record for speed and endurance still stands today. It brings to life the many tense events in the historic journey: the malfunction of the essential fathometer that indicated the location of undersea mountains and shallow waters, the sudden agonizing illness of a senior petty officer, and the serious problems with the ship's main hydraulic oil system. Intensely dramatic, Beach's chronicle also describes the psychological stresses of the journey and some touching moments shared by the crew. A skillful story teller, he recounts the experience in such detail that readers feel they have been along for the ride of a lifetime.
Terry Brooks. David Eddings. George R. R. Martin. Robin Hobb. The top names in modern fantasy all acknowledge J. R. R. Tolkien as their role model, the author whose work inspired them to create their own epics. But what writers influenced Tolkien himself? Here, internationally recognized Tolkien expert Douglas A. Anderson has gathered the fiction of authors who sparked Tolkien’s imagination in a collection destined to become a classic in its own right. Andrew Lang’s romantic swashbuckler, “The Story of Sigurd,” features magic rings, an enchanted sword, and a brave hero loved by two beautiful women— and cursed by a ferocious dragon. Tolkien read E. A. Wyke-Smith’s “The Marvelous Land of Snergs” to his children, delighting in these charming tales of a pixieish people “only slightly taller than the average table.” Also appearing in this collection is a never-before-published gem by David Lindsay, author of Voyage to Arcturus, a novel which Tolkien praised highly both as a thriller and as a work of philosophy, religion, and morals. In stories packed with magical journeys, conflicted heroes, and terrible beasts, this extraordinary volume is one that no fan of fantasy or Tolkien should be without. These tales just might inspire a new generation of creative writers. Tales Before Tolkien: 22 Magical Stories “The Elves” by Ludwig Tieck “The Golden Key” by George Macdonald “Puss-Cat Mew” by E. H. Knatchbull-Hugessen “The Griffin and the Minor Canon” by Frank R. Stockton “The Demon Pope” by Richard Garnett “The Story of Sigurd” by Andrew Lang “The Folk of the Mountain Door” by William Morris “Black Heart and White Heart” by H. Rider Haggard “The Dragon Tamers” by E. Nesbit “The Far Islands” by John Buchan “The Drawn Arrow” by Clemence Housman “The Enchanted Buffalo” by L. Frank Baum “Chu-bu and Sheemish” by Lord Dunsany “The Baumhoff Explosive” by William Hope Hodgson “The Regent of the North” by Kenneth Morris “The Coming of the Terror” by Arthur Machen “The Elf Trap” by Francis Stevens “The Thin Queen of Elfhame” by James Branch Cabell “The Woman of the Wood” by A. Merritt “Golithos the Ogre” by E. A. Wyke-Smith “The Story of Alwina” by Austin Tappan Wright “A Christmas Play” by David Lindsay
Ranked 2nd [after James Joyce's Ulysses] on the Modern Library's list of "The 100 Best Novels" Ranked 46th on the French Le Monde's list of "The 100 Best Novels in the World” The Great Gatsby is the anthem of the Jazz Age, the decadent twenties' seminal work, and the ultimate novel about the American Dream. It doesn't matter how many times it's adapted into film. Or theater. Or opera. It's through F. Scott Fitzgerald's masterful prose that the story of the ruthless and extravagant Jay Gatsby, narrated by the honest Nick Carraway, continues to live on as the great American classic. F. SCOTT FITZGERALD [1896-1940] was an American author, born in St. Paul, Minnesota. His legendary marriage to Zelda Montgomery, along with their acquaintances with notable figures such as Gertrude Stein and Ernest Hemingway, and their lifestyle in 1920s Paris, has become iconic. A master of the short story genre, it is logical that his most famous novel is also his shortest: The Great Gatsby [1925].