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Starring Oona Chaplin as a V.A.D. (Voluntary Aid Detachment), and Suranne Jones and Hermione Norris as trained nurses, The Crimson Field is a gripping drama set in a tented hospital on the coast of France, where plucky real-life V.A.D. Olive Dent served two years of the Great War, and kept this extraordinarily vivid diary of day-to-day life – ever cheerful through the bitter cold, the chilblains, hunger and exhaustion. Resilient, courageous and resourceful, nurses, doctors and patients alike do their best to support each other. A Christmas fancy-dress ball, a concert performed by a stoic orchestra covered in bandages, church services held in a marquee and letters from Blighty all keep spirits up in camp, as wounded soldiers suffer terribly with quiet dignity on the makeshift wards, and nurses rush round tirelessly to make them as comfortable as possible. With original illustrations throughout by fellow V.A.D.s, Olive’s memoir is a fascinating period piece, a rare first-hand account of this little-known story, which will resonate very strongly with viewers of The Crimson Field.
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. The First World War was the first ‘total war’. Its industrial weaponry damaged millions of men and drove whole armies underground into dangerously unhealthy trenches. Many were killed. Many more suffered terrible, life-threatening injuries: wound infections such as gas gangrene and tetanus, exposure to extremes of temperature, emotional trauma and systemic disease. In an effort to alleviate this suffering, tens of thousands of women volunteered to serve as nurses. Of these, some were experienced professionals, while others had undergone only minimal training. But regardless of their preparation, they would all gain a unique understanding of the conditions of industrial warfare. Until recently their contributions, both to the saving of lives and to our understanding of warfare, have remained largely hidden from view. By combining biographical research with textual analysis, Nurse writers of the great war opens a window onto their insights into the nature of nursing and the impact of warfare.
This book brings together a collection of works by scholars who have produced some of the most innovative and influential work on the topic of First World War nursing in the last ten years. The contributors employ an interdisciplinary collaborative approach that takes into account multiple facets of Allied wartime nursing: historical contexts (history of the profession, recruitment, teaching, different national socio-political contexts), popular cultural stereotypes (in propaganda, popular culture) and longstanding gender norms (woman-as-nurturer). They draw on a wide range of hitherto neglected historical sources, including diaries, novels, letters and material culture. The result is a fully-rounded new study of nurses’ unique and compelling perspectives on the unprecedented experiences of the First World War.
The true story of Allied nursing in the First World War, offering a compelling account of nurses' wartime experiences and a clear appraisal of their work and its contribution to the Allied cause.
The major unsung humanitarian role of British civilians and charities in the Great War and the tremendous bravery and suffering of the volunteers.
The iconic relief organization’s activities over a half century of history, through wars, epidemics, and other disasters: “Well-researched . . . fascinating.” —Julia F. Irwin, Bulletin of the History of Medicine In dark skirts and bloodied boots, Clara Barton fearlessly ventured onto Civil War battlefields to tend to wounded soldiers. She later worked with civilians in Europe during the Franco-Prussian War, lobbied legislators to ratify the Geneva conventions, and founded and ran the American Red Cross. The American Red Cross from Clara Barton to the New Deal tells the story of the charitable organization from its start in 1881, through its humanitarian aid during wars, natural disasters, and the Depression, to its relief efforts of the 1930s. Marian Moser Jones illustrates the tension between the organization’s founding principles of humanity and neutrality and the political, economic, and moral pressures that sometimes caused it to favor one group at the expense of another. This book tells the stories of: • U.S. natural disasters such as the Jacksonville yellow fever epidemic of 1888, the Sea Islands hurricane of 1893, and the 1906 San Francisco earthquake • crises abroad, including the 1892 Russian famine and the Armenian massacres of 1895–96 • efforts to help civilians affected by the civil war in Cuba • power struggles within the American Red Cross leadership and subsequent alliances with the American government • the organization’s expansion during World War I • race riots and massacres in East St. Louis, Chicago, and Tulsa between 1917 and 1921 • help for African American and white Southerners after the Mississippi flood of 1927 • relief projects during the Dust Bowl and after the New Deal An epilogue relates the history of the American Red Cross since the beginning of World War II and illuminates the organization’s current practices and international reputation.
The evocative diaries of a young nurse stationed in northern France during the First World War, published for the first time. A rare insight into the great war for fans of CALL THE MIDWIFE. In April 1915, Dorothea Crewdson, a newly trained Red Cross nurse, and her best friend Christie, received instructions to leave for Le Tréport in northern France. Filled with excitement at the prospect of her first paid job, Dorothea began writing a diary. 'Who knows how long we shall really be out here? Seems a good chance from all reports of the campaigns being ended before winter but all is uncertain.' Dorothea would go on to witness and record some of the worst tragedy of the First World War at first hand, though somehow always maintaining her optimism, curiosity and high spirits throughout. The pages of her diaries sparkle with warmth and humour as she describes the day-to-day realities and frustrations of nursing near the frontline of the battlefields, or the pleasure of a beautiful sunset, or a trip 'joy-riding' in the French countryside on one of her precious days off. One day she might be gossiping about her fellow nurses, or confessing to writing her diary while on shift on the ward, or illustrating the scene of the tents collapsing around them on a windy night in one of her vivid sketches. In another entry she describes picking shells out of the beds on the ward after a terrifying air raid (winning a medal for her bravery in the process). Nearly a hundred years on, what shines out above all from the pages of these extraordinarily evocative diaries is a courageous, spirited, compassionate young woman, whose story is made all the more poignant by her tragically premature death at the end of the war just before she was due to return home.
Florence Nightingale is famous as the “lady with the lamp” in the Crimean War, 1854—56. There is a massive amount of literature on this work, but, as editor Lynn McDonald shows, it is often erroneous, and films and press reporting on it have been even less accurate. The Crimean War reports on Nightingale’s correspondence from the war hospitals and on the staggering amount of work she did post-war to ensure that the appalling death rate from disease (higher than that from bullets) did not recur. This volume contains much on Nightingale’s efforts to achieve real reforms. Her well-known, and relatively “sanitized”, evidence to the royal commission on the war is compared with her confidential, much franker, and very thorough Notes on the Health of the British Army, where the full horrors of disease and neglect are laid out, with the names of those responsible.
This war has been described as "Months of boredom, punctuated by moments of intense fright." The writer of these sketches has experienced many "months of boredom," in a French military field hospital, situated ten kilometres behind the lines, in Belgium. During these months, the lines have not moved, either forward or backward, but have remained dead-locked, in one position. Undoubtedly, up and down the long-reaching kilometres of "Front" there has been action, and "moments of intense fright" have produced glorious deeds of valour, courage, devotion, and nobility. But when there is little or no action, there is a stagnant place, and in a stagnant place there is much ugliness. Much ugliness is churned up in the wake of mighty, moving forces. We are witnessing a phase in the evolution of humanity, a phase called War-and the slow, onward progress stirs up the slime in the shallows, and this is the Backwash of War. It is very ugly. There are many little lives foaming up in the backwash. They are loosened by the sweeping current, and float to the surface, detached from their environment, and one glimpses them, weak, hideous, repellent. After the war, they will consolidate again into the condition called Peace. After this war, there will be many other wars, and in the intervals there will be peace. So it will alternate for many generations. By examining the things cast up in the backwash, we can gauge the progress of humanity. When clean little lives, when clean little souls boil up in the backwash, they will consolidate, after the final war, into a peace that shall endure. But not till then.