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A Voice from the South was published in 1892 by Anna Julia Cooper, an educator who was one of the first two African-American women to be awarded a master’s degree. Since then it has been recognized as one of the first works of Black feminist theory. Setting forth a perspective that would be described as “intersectional” in contemporary terms, Cooper explores her own lived experience as an educated African-American woman, and advocates for the education of African-American women as a necessary means of achieving racial equality. However, her marked emphasis on women’s roles in the household has been critiqued by later theorists as a concession to the 19th century “cult of domesticity”—or, alternatively, a strategic engagement with the dominant cultural view towards women in her time. A Voice from the South continues to be read and analyzed today for its pioneering role in African-American female scholarship. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
Recently Anna Julia Cooper has emerged as the most important classic writer in the tradition of African American feminist thought. Mary Helen Washington described Cooper's work as "the most precise, forceful, well-argued statement of black feminist thought to come out of the nineteenth century." This is the first collection of all of Cooper's major writings, including many never before published. It includes all of the essays from her famous book, A Voice from the South, in addition to many other essays and letters accessible only in archives until now. The organization of this important new collection lends itself to a clearer understanding of the major themes and contributions of Cooper's thought, her development as a thinker and writer, and the critiques and controversies surrounding her work. Lemert and Bhan introduce Cooper as an activist, settlement founder, school teacher, college president, linguist, and scholar—a life that paralleled the prodigious accomplishments of W.E.B. Du Bois in so many ways.
Vivian M. May explores the theoretical and political contributions of Anna Julia Cooper, a renowned Black feminist scholar, educator and activist whose ideas deserve far more attention than they have received. Drawing on Africana and feminist theory, May places Cooper's theorizing in its historical contexts and offers new ways to interpret the evolution of Cooper's visionary politics, subversive methodology, and defiant philosophical outlook. Rejecting notions that Cooper was an elitist duped by dominant ideologies, May contends that Cooper's ambiguity, code-switching, and irony should be understood as strategies of a radical methodology of dissent. May shows how across six decades of work, Cooper traced history's silences and delineated the workings of power and inequality in an array of contexts, from science to literature, economics to popular culture, religion to the law, education to social work, and from the political to the personal. May emphasizes that Cooper eschewed all forms of mastery and called for critical consciousness and collective action on the part of marginalized people at home and abroad. She concludes that in using a border-crossing, intersectional approach, Cooper successfully argues for theorizing from experience, develops inclusive methods of liberation, and crafts a vision of a fundamentally egalitarian social imaginary.
Stephens was a black reporter for the black newspaper Weekly Anglo-African when the Civil War broke out. He joined the 54th Massachusetts, the first black Union regiment. Promoted to sergeant, he stormed Battery Wagner with his regiment. Surviving the Union defeat, Stephens served with the 54th through the end of the war.
A collection of essential writings from the iconic foremother of Black women's intellectual history, feminism, and activism, who helped pave the way for modern social justice movements like Black Lives Matter and Say Her Name A Penguin Classic The Portable Anna Julia Cooper brings together, for the first time, Anna Julia Cooper's major collection of essays, A Voice from the South, along with several previously unpublished poems, plays, journalism and selected correspondences, including over thirty previously unpublished letters between Anna Julia Cooper and W. E. B. Du Bois. The Portable Anna Julia Cooper will introduce a new generation of readers to an educator, public intellectual, and community activist whose prescient insights and eloquent prose underlie some of the most important developments in modern American intellectual thought and African American social and political activism. Recognized as the iconic foremother of Black women's intellectual history and activism, Cooper (1858-1964) penned one of the most forceful and enduring statements of Black feminist thought to come of out of the nineteenth century. Attention to her work has grown exponentially over the years--her words have been memorialized in the US passport and, in 2009, she was commemorated with a US postal stamp. Cooper's writings on the centrality of Black girls and women to our larger national discourse has proved especially prescient in this moment of Black Lives Matter, Say Her Name, and the recent protests that have shaken the nation.
First published in 1978, and winning the Martin Luther King Memorial Prize for that year, Finding a Voice established a new discourse on South Asian women's lives and struggles in Britain. This new edition includes a preface by Meena Kandasamy, some historic photographs, and a remarkable new chapter by young South Asian women.
Anna Julia Cooper's dissertation, "L'Attitude de la France à l'égard de l'esclavage pendant la revolution," offered a bold interpretation of the French Revolution. In it, she examined the relations between the 18th-century revolutionists in Paris and the representatives and inhabitants of the richest of French colonies, San Domingue. Historian Frances R. Keller now makes this unique work available in English for students and scholars alike. Through Keller's interpretive essays, one is able to better understand the incredible story of Anna Julia Cooper and the importance and originality of her scholarship.
This is a true story narrated by the author, Gabriel Richards. Giving Love a Voice is an account of a whirlwind love affair, unbelievable financial accomplishments with monumental setbacks. The account covers catastrophic illness endured by his wife and youngest daughter. Richards spells out how an understanding of metaphysical laws helped them cope with adversities that would be considered epic in life. It is a story about how they came to learn about the true meaning of unconditional love. It shows the incredible healing power of love and why love without action is dead. This memoir tells of how the lead doctor of a medical team told Gabe to put his wife’s body in an institution and try and go on with his life. At the time she was totally paralyzed, blind, mute and assumed deaf. Richards identifies the lifestyles, attitudes, and/or the general lack of understanding that may contribute to the onset of illness and offers solutions that have worked for them. The Richards’ story is proof that with the right attitude, enough love and a faith in God, people can overcome almost any challenge. To love and to be loved are among the greatest gifts in life. In Giving Love a Voice, the stage is set for a love story that began in 1972 and continues today.
• The perfect time for a reissue: In October 2009, PBS will air a ninety-minute primetime special on Joan Baez as part of the Emmy Award-winning American Masters series. Told often from Baez’s perspective, but supported by a rich performance and historical archive, the documentary centers on her career as a musician, power as an artist, those who influenced her, and those she championed. She will also be on a 27-city U.S. tour starting July 2009.. • A musical force and a catalyst for social change: At the age of eighteen Baez was an international star with a Time magazine cover story; fifty years later she has thirty-three albums to her credit. She also marched alongside Martin Luther King, Jr., was jailed for supporting the draft resistance, and sang in the first Amnesty International tour. An extraordinary woman who has led an eventful life, Baez’s memoir is as honest, unpretentious, and courageous as she is. .
A posthumously published self-assessment by the former president of the Academy of Arts and Letters includes coverage of such topics as his father's depression and the dynamics of life inside and outside of his society circles. By the author of The Rector of Justin.