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Oral history gives history back to the people in their own words. And in giving a past, it also helps them towards a future of their own making. Oral history and life stories help to create a truer picture of the past and the changing present, documenting the lives and feelings of all kinds of people, many otherwise hidden from history. It explores personal and family relationships and uncovers the secret cultures of work. It connects public and private experience, and it highlights the experiences of migrating between cultures. At the same time it can bring courage to the old, meaning to communities, and contact between generations. Sometimes it can offer a path for healing divided communities and those with traumatic memories. Without it the history and sociology of our time would be poor and narrow. In this fourth edition of his pioneering work, fully revised with Joanna Bornat, Paul Thompson challenges the accepted myths of historical scholarship. He discusses the reliability of oral evidence in comparison with other sources and considers the social context of its development. He looks at the relationship between memory, the self and identity. He traces oral history through its own past and weighs up the recent achievements of a movement which has become international, with notably strong developments in North America, Europe, Australia, Latin America, South Africa and the Far East, despite resistance from more conservative academics. This new edition combines the classic text of The Voice of the Past with many new sections, including especially the worldwide development of different forms of oral history and the parallel memory boom, as well as discussions of theory in oral history and of memory, trauma and reconciliation. It offers a deep social and historical interpretation along with succinct practical advice on designing and carrying out a project, The Voice of the Past remains an invaluable tool for anyone setting out to use oral history and life stories to construct a more authentic and balanced record of the past and the present.
Islam within Judaism and Christianity is a truth, truth that is clear and bright in the midst of a dark world that has lost its way through misunderstands that are guided by Satan. This book will remove the veil off of God's concealed messages, and it will impact the twisted long life of preaching that was used for indecent political power and financial gains, causing billions of innocent lives lost throughout history. Through "Islam within Judaism and Christianity" I would like to introduce you to the messages of God from the holy Bible and The Quran so that you can discover that we are all followers of Moses, Jesus and Mohammed. We are one nation that belongs to the same one God, so we may consider changing our attention from striking one another to striking our one enemy, Satan! This is a book that assists you in better understanding one another in pursuit of making our world a better place and doing it together. Ahmed S. Yousef, PT. Ph.D.
A Voice from the South was published in 1892 by Anna Julia Cooper, an educator who was one of the first two African-American women to be awarded a master’s degree. Since then it has been recognized as one of the first works of Black feminist theory. Setting forth a perspective that would be described as “intersectional” in contemporary terms, Cooper explores her own lived experience as an educated African-American woman, and advocates for the education of African-American women as a necessary means of achieving racial equality. However, her marked emphasis on women’s roles in the household has been critiqued by later theorists as a concession to the 19th century “cult of domesticity”—or, alternatively, a strategic engagement with the dominant cultural view towards women in her time. A Voice from the South continues to be read and analyzed today for its pioneering role in African-American female scholarship. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
This is me, this is my story of abuse in the home and how the trauma has impacted my young and adult life. It may not always be easy reading but I believe that, in the end, it is a story about healing and hope. I write about the most intense and horrendous part of my recovery from the many years of sexual and violent abuse I suffered in my childhood, from two family members. For many years I could not look at, or even acknowledge those buried memories, choosing instead to soothe myself with food, alcohol, drugs etc. When I could no longer ignore my trauma and began to feel its full effect, I wanted to take my own life. I wrote the book for my two sons as at this time. I realised if I did not survive they would never know the true story behind my ending. I wanted to acknowledge that just because I am now a specialist worker in Domestic Abuse I have not been immune to living with the trauma of the past, I am also human like any other woman and have a story like many victims of violence. Recovery is not forgetting it happened or shutting it out, it is being brave, being vulnerable and being heard. I hope my story will encourage others to believe that we can heal, we can find our voice. I am the living proof that you can. I hope this book will resonate with other survivors or family member's who have been directly or indirectly impacted by abuse. You are the expert on your own life no one else.Be kind x
A dazzling and devastating memoir exploring breakdown and obsessive love, in a voice unlike any other
"Kanzas" Territory in 1855 is a difficult place to settle, particularly for a 13-year-old poet like Lucy Thomkins. Between the proslavery Border Ruffians and Insiders like her father who are determined to make Kansas a free state (not to mention the snakes and the dust storms), it's hard to be heard, no matter your age.But after Lucy makes two new friends - a local Indian boy and a girl whose family helps runaway slaves - she makes choices to prove to herself and others that words and poems are meaningless without action behind them.
A new, philosophically grounded theory of the voice—the voice as the lever of thought, as one of the paramount embodiments of the psychoanalytic object. Plutarch tells the story of a man who plucked a nightingale and finding but little to eat exclaimed: "You are just a voice and nothing more." Plucking the feathers of meaning that cover the voice, dismantling the body from which the voice seems to emanate, resisting the Sirens' song of fascination with the voice, concentrating on "the voice and nothing more": this is the difficult task that philosopher Mladen Dolar relentlessly pursues in this seminal work. The voice did not figure as a major philosophical topic until the 1960s, when Derrida and Lacan separately proposed it as a central theoretical concern. In A Voice and Nothing More Dolar goes beyond Derrida's idea of "phonocentrism" and revives and develops Lacan's claim that the voice is one of the paramount embodiments of the psychoanalytic object (objet a). Dolar proposes that, apart from the two commonly understood uses of the voice as a vehicle of meaning and as a source of aesthetic admiration, there is a third level of understanding: the voice as an object that can be seen as the lever of thought. He investigates the object voice on a number of different levels—the linguistics of the voice, the metaphysics of the voice, the ethics of the voice (with the voice of conscience), the paradoxical relation between the voice and the body, the politics of the voice—and he scrutinizes the uses of the voice in Freud and Kafka. With this foundational work, Dolar gives us a philosophically grounded theory of the voice as a Lacanian object-cause.
Finding your voice can be used as a resource by actors at all levels, form students and young professionals to established and experienced actors. Drama teachers in schools and committed amateur actors who want to increase their vocal skills and understanding will also find it invaluable.
This classic series has inspired nearly 2 million readers. Both loyal fans and new readers will want the latest edition of this beloved series. This edition includes a foreword from the publisher, a preface from Francine Rivers and discussion questions suitable for personal and group use. #1 A Voice in the Wind: This first book in the classic best-selling Mark of the Lion series brings readers back to the first century and introduces them to a character they will never forget-Hadassah. Torn by her love for a handsome aristocrat, a young slave girl clings to her faith in the living God for deliverance from the forces of decadent Rome.