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Semantics of Chinese Questions is the first major study of Chinese questions, especially wh-questions, within the framework of Alternative Semantics. It takes an interface approach to study the syntax, semantics, and phonology of questions and proposes a phonological scope-marking strategy in Chinese questions, based upon experimental data. It also incorporates historical linguistic data regarding the grammaticalization of sentence-final particles such as –ne and –ma to study the formal diachronic semantics of questions. Primarily suitable for scholars in the field of Chinese linguistics, this book makes new theoretical contributions to the study of questions.
Vol. 34 includes "Special tariff conference issue" Nov. 6, 1925.
Benefits of book which distinguish it from others: • Strictly as per the latest Syllabus and pattern • Latest Solved Papers 2022 (Shift 1 to 3) with explanations • Three Sections are as follows- Verbal Ability & Reading comprehension (VARC), Data Interpretation & Logical Reasoning (DILR) and Quantitative Aptitude (QA). • Chapter wise and Topic wise introduction to enable quick revision and systematic flow of concepts in Revision Notes on all three sections. • Previous Years’ (1990-2008 & 2017-2022) Exam Questions to facilitate focused study • CAT Success Story • Tips to crack the CAT Exam in the first Attempt • How to use this Book? • CAT Score Vs Percentile • CAT 2022 & 2021 – All three sessions’ papers section wise for understanding pattern and type of the questions. • Focussed Practice from 3 Sample Question Papers of CAT. • CAT Section-wise Trend and Chapter Analysis • Answer key with Explanation for perfect concept understanding • Valuable insights – tips, tricks and short Cuts • Mind Maps to provoke new ideas • Boost Memory skills with Mnemonics • Concept wise Videos in QR codes for Digital Learning Experience
Breaking out of the dominance of Anglo-American scholarship, this volume centralises East Asian philosophical traditions to explore cross-cultural perspectives in the field of global justice studies. By bringing together diverse traditions of thinking about justice that contrasts East Asian and Western thinkers' traditions, it avoids the shortcomings of narrow and one-sided conceptualisations of global justice. A range of contributors from East Asia, Europe, and the US who are conversant with both Western and East Asian philosophical traditions provide a rich engagement with contemporary issues relating to global justice. The book opens with a section devoted to the methodological challenges specific to cross-cultural approaches to justice, including the universalism/particularism debate and the conditions of the possibility of cross-cultural comparisons. Part II explores how major East Asian philosophical traditions-including Confucianism, Legalism, Daoism and Buddhism-consider issues related to global justice. The essays in Part III adopt a cross-cultural and/or comparative perspective on justice, enabling the readers to appreciate similarities and differences between the East Asian and Western perspectives on justice, and to appreciate cultural variation. Key applied issues in global justice, such as epistemic injustice, human rights, women's rights, nationalism, religious pluralism, coercion, corruption and post-colonial justice, receive full consideration in the final section of this indispensable reference work for understandings of global justice in East Asia specifically and cross-culturally.
Using a case study based approach, Weissmann analyses the post-Cold War East Asian security setting to demonstrate why there is a paradoxical inter-state peace. He points out processes that have been important for the creation of a continuing relative peace in East Asia, as well as conflict prevention and peacebuilding mechanisms.
"East-West Montage possesses a unique vision that promises to push discussions of globalization, cultural production, ethnic identity, and bodily metaphors in powerful new directions. Ma is to be praised for his sound scholarship and innovative interpretations. Indeed where others specialize in either the collection of details or the unpacking of text, Ma weaves a strong analytic exegesis rooted in thorough research." —Richard King, Washington State University Approximately twelve hours’ difference lies between New York and Beijing: The West and the East are, literally, night and day apart. Yet East-West Montage crosscuts the two in the manner of adjacent filmic shots to accentuate their montage-like complementarity. It examines the intersection between East and West—the Asian diaspora (or more specifically Asian bodies in diaspora) and the cultural expressions by and about people of Asian descent on both sides of the Pacific. Following the introduction "Establishing Shots," the book is divided into seven intercuts, which in turn subdivide into dialectically paired chapters focusing on specific body parts or attributes. The range of material examined is broad and rich: the iconography of the opium den in film noir, the writings of Asian American novelists, the swordplay and kung fu film, Japanese anime, the "Korean Wave" (including soap operas like Winter Sonata and the cult thriller Oldboy), Rogers and Hammerstein’s Orientalist musicals, the comic Blackhawk, the superstar status of the Dalai Lama, and the demise of Hmong refugees and Chinese retirees in the U.S. Highly original and immensely readable,East-West Montage will appeal to many working in a range of disciplines, including Asian studies, Asian American studies, cultural studies, ethnic studies, film studies, popular culture, and literary criticism.
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