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A comprehensive study of walking canes from around the world, dating from the distant past to the modern-day. The book presents a historical context on both practical and ceremonial usage. At the same time, specially shot pictures showcase the celebrated A&D Collection of canes, while enlightening prose demonstrates the cane's enduring relevance to society. More than just a mobility aid, the cane has held numerous offices of significance. From the staff of the legendary Monkey King in the classic Chinese Journey to the West, or the stylised crosiers carried by high-ranking prelates from the Roman Catholic church, to the truncheon wielded by Mr Punch in puppet shows, canes are embedded in the culture of almost every country around the globe. Roving the map with one hand and thumbing through history books with the other, A Virtual History of Walking Canes and Sticks seeks not only to introduce the collector to the diverse wealth of canes available but also to entertain the casual reader. Intermingled with over 800 full-colour pictures are descriptions of gadget canes for tradesmen, squirting canes for pranksters, and glamorous Art Nouveau canes for the dapper gentlemen of the '20s. Informative and meticulously researched, this book paves an accessible route into a niche subject while paying homage to our ongoing relationship with canes. This story stretches back as far as history itself.
Over 760 color photographs display hundreds of canes & walking sticks, including formal canes with gold, silver, & ivory handles. System sticks have objects hidden in shafts & handles. Relic canes from shipwrecks and exotic canes come from around the globe. Folk art sticks are numerous. The text weaves historical tales through the narrative, bringing these objects to life. A bibliography, index, and values in captions are included.
Here is an updated edition of Joan Nunn's detailed survey of costume in the Western world over the past eight centuries. She not only gives the reader a vivid visual impression of the clothes themselves, but also outlines the historical and social background and the changes in manufacturing techniques and fashionable life that have influenced the way costume has developed and the manner in which it has been worn. The book is illustrated throughout with hundreds of line drawings.
"Carve beautiful wildlife walking sticks with step-by-step projects, ready-to-use patterns, an inspirational color photo gallery, and advice on wood sourcing and finishing"--Publisher's description.
Much more than a study of walking sticks as antiques and collectibles, this fascinating book also explores the myths and symbols associated with sticks and canes. Noting that apes use sticks as tools, to humans the stick is also a form of power. Batons, clubs, dueling sticks, scepters, staffs, and magic wands are cited and discussed showing the ancient association of sticks with authority, piety, strength, wisdom, and the supernatural; a chapter is devoted to famous canes in history and literature; and photographs and illustrations throughout present canes of various woods, decoration, and rarity.
Told in their separate voices, sixteen-year-old Prince Oliver, who wants to break free of his fairy-tale existence, and fifteen-year-old Delilah, a loner obsessed with Prince Oliver and the book in which he exists, work together to seek his freedom.
· A valuable guide to learning how to wood carving whimsical figures and objects in tree bark · Provides a complete step-by-step project for carving a magical tree house · Offers expert advice on bark carving basics, tools, techniques, finishing tips, and other fundamental topics · Includes an inspirational gallery of completed works, including wood spirits, animals, tree houses, and more · Written by award-winning carver Rick Jensen and carver/photographer Jack A. Williams
The walking stick is a convenient and formidable weapon in the hands of a man trained to use it. With the carry and use of firearms and knives gradually becoming more restricted by law, the stick is becoming an increasingly viable implement of practical self-defense for ordinary citizens. This book by "an officer of the Indian Police" is an extraordinary example of a practical martial art text of the early 20th century. The entire range of defensive and offensive skills is discussed and demonstrated, including guards, strikes, combinations, counterattacks, feints and tricks, double-handed techniques and training drills.
The stereotype of Zen Buddhism as a minimalistic or even immaterial meditative tradition persists in the Euro-American cultural imagination. This volume calls attention to the vast range of "stuff" in Zen by highlighting the material abundance and iconic range of the Soto, Rinzai, and Obaku sects in Japan. Chapters on beads, bowls, buildings, staffs, statues, rags, robes, and even retail commodities in America all shed new light on overlooked items of lay and monastic practice in both historical and contemporary perspectives. Nine authors from the cognate fields of art history, religious studies, and the history of material culture analyze these "Zen matters" in all four senses of the phrase: the interdisciplinary study of Zen's matters (objects and images) ultimately speaks to larger Zen matters (ideas, ideals) that matter (in the predicate sense) to both male and female practitioners, often because such matters (economic considerations) help to ensure the cultural and institutional survival of the tradition. Zen and Material Culture expands the study of Japanese Zen Buddhism to include material inquiry as an important complement to mainly textual, institutional, or ritual studies. It also broadens the traditional purview of art history by incorporating the visual culture of everyday Zen objects and images into the canon of recognized masterpieces by elite artists. Finally, the volume extends Japanese material and visual cultural studies into new research territory by taking up Zen's rich trove of materia liturgica and supplementing the largely secular approach to studying Japanese popular culture. This groundbreaking volume will be a resource for anyone whose interests lie at the intersection of Zen art, architecture, history, ritual, tea ceremony, women's studies, and the fine line between Buddhist materiality and materialism.