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In a literary tour de force, Charles L. Mee Jr. interweaves images and impressions from his life with political reflections inspired by a meeting with former Nixon aide H. R. Haldeman. The meeting—to discuss the possibility of collaborating with Haldeman on a book about his White House experience—becomes the vehicle for Mee’s probing of his own political perceptions. Here, exposed to the scrutiny of an unsparing journalistic eye, are the deep feelings of loss and failure that the Nixon debacle engendered in those Americans who came of age during Kennedy’s “Camelot” and marched to the anti-Vietnam anthems of the Johnson era. Mee writes with moving authenticity of his Midwest-Catholic boyhood and family roots reaching back to the Plymouth settlement; he vividly recounts the physical and psychological pain of a near-fatal battle with polio at age fourteen and his intellectual awakening during convalescence But the most pivotal reminiscences are of his student years at Harvard and his experiences aas an editor/writer/activist in the 1960s. There is wonderment and bewilderment in Mee’s telling of this time. Along with others of his generation, he asks: “What happened? Who were the real betrayers of the dream?”
This Workbook is a collection of exercises and case studies designed to serve as a companion to Reading Argumentative Texts: Analytic Tools to Improve Understanding. The exercises and case studies track each of the chapters of Reading and provide opportunities for students to hone their skills at using the analytic tools presented in Reading, and to acquire additional analytic tools and concepts. These tools are illustrated through the analysis of complete essays from the mass media, speeches, a sermon, and passages from academic works. The approach is flexible and practical and avoids academic jargon and specific theories of argumentation. As is the case with Reading, this Workbook is grounded in two principles. First, that the meaning of an argumentative text is to be found in the statements that constitute the argument itself, in other statements that are more or less directly related to the argument, and in the structure and context of the text. Accordingly, while this book discusses the analysis of arguments, argument-types, and errors in argumentation (fallacies), it focuses equally on the other sources of meaning of a text. Second, there is no single, authoritative reading of an argumentative text. The interplay of these two premises informs the view that analyzing and understanding an argumentative text is an art and that, within certain well-defined parameters, there are “better” and “worse” readings of a text and not “right” or “wrong” readings. The principal sources of meaning discussed include: (1) the structure of the text (and so the book examines six types of introductions and teaches how to outline and summarize), (2) key sentences, phrases, and words in a text (so the book discusses ambiguity, the difference between factual and normative statements, irony, and rhetoric), (3) context (intellectual, social, political, cultural, and physical context), and (4) the logical connections between terms in an argument (including the four different types of arguments, fallacies, and the distinction between necessary and sufficient conditions). The book is designed to be used in late high school or early college critical reading, critical thinking, rhetoric, or writing courses.
Angels in the American Theater: Patrons, Patronage, and Philanthropy examines the significant roles that theater patrons have played in shaping and developing theater in the United States. Because box office income rarely covers the cost of production, other sources are vital. Angels—financial investors and backers—have a tremendous impact on what happens on stage, often determining with the power and influence of their money what is conceived, produced, and performed. But in spite of their influence, very little has been written about these philanthropists. Composed of sixteen essays and fifteen illustrations, Angels in the American Theater explores not only how donors became angels but also their backgrounds, motivations, policies, limitations, support, and successes and failures. Subjects range from millionaires Otto Kahn and the Lewisohn sisters to foundation giants Ford, Rockefeller, Disney, and Clear Channel. The first book to focus on theater philanthropy, Angels in the American Theater employs both a historical and a chronological format and focuses on individual patrons, foundations, and corporations.
In this classic of American biography, based upon thousands of original documents, many never previously published, the prize-winning historian Geoffrey C. Ward tells the dramatic story of Franklin Roosevelt’s unlikely rise from cloistered youth to the brink of the presidency with a richness of detail and vivid sense of time, place, and personality usually found only in fiction. In these pages, FDR comes alive as a fond but absent father and an often unfeeling husband--the story of Eleanor Roosevelt’s struggle to build a life independent of him is chronicled in full–as well as a charming but pampered patrician trying to find his way in the sweaty world of everyday politics and all-too willing willing to abandon allies and jettison principle if he thinks it will help him move up the political ladder. But somehow he also finds within himself the courage and resourcefulness to come back from a paralysis that would have crushed a less resilient man and then go on to meet and master the two gravest crises of his time.
Two aliens have wandered Earth for centuries. The Changeling has survived by adapting the forms of many different organisms. The Chameleon destroys anything or anyone that threatens it. Now, a sunken relic that holds the key to their origins calls to them to take them home—but the Chameleon has decided there's only room for one. Camouflage delivers a riveting exploration of alien presence and the eternal quest for identity.
Walking Isn't Everything was written by Jean Denecke about her experience of living with polio. This book discusses what it was like to get polio, her experiences with various hospitals and doctors, and her experience in the Roosevelt Foundation facility in Warm Springs, Georgia. Giving a glimpse of how the delivery of medical services have changed since the polio epidemics of the early 1950s, the book describes what it was like to be a woman with a disability in that era. Even though she was hospitalized for a long time, after going to Warm Springs, she was able to return to her home where she continued in her role as a wife and mother, and later started her own business. Walking Isn't Everything is more than just a biography of one remarkable woman - it is a story of courage, determination, and love.
For nearly thirty years, Greil Marcus has written a remarkable column called “Real Life Rock Top Ten.” It has been a laboratory where he has fearlessly explored and wittily dissected an enormous variety of cultural artifacts, from songs to books to movies to advertisements. Taken together, his musings, reflections, and sallies amount to a subtle and implicit theory of how cultural objects fall through time and circumstance and often deliver unintended consequences, both in the present and in the future. Real Life Rock reveals the critic in full: direct, erudite, funny, fierce, vivid, uninhibited, and possessing an unerring instinct for art and fraud. The result is an indispensable volume packed with startling arguments and casual brilliance.
Polio was the most dreaded childhood disease of twentieth-century America. Every summer during the 1940s and 1950s, parents were terrorized by the thought that polio might cripple their children. They warned their children not to drink from public fountains, to avoid swimming pools, and to stay away from movie theaters and other crowded places. Whenever and wherever polio struck, hospitals filled with victims of the virus. Many experienced only temporary paralysis, but others faced a lifetime of disability. Living with Polio is the first book to focus primarily on the personal stories of the men and women who had acute polio and lived with its crippling consequences. Writing from personal experience, polio survivor Daniel J. Wilson shapes this impassioned book with the testimonials of more than one hundred polio victims, focusing on the years between 1930 and 1960. He traces the entire life experience of the survivors—from the alarming diagnosis all the way to the recent development of post-polio syndrome, a condition in which the symptoms of the disease may return two or three decades after they originally surfaced. Living with Polio follows every physical and emotional stage of the disease: the loneliness of long separations from family and friends suffered by hospitalized victims; the rehabilitation facilitieswhere survivors spent a full year or more painfully trying to regain the use of their paralyzed muscles; and then the return home, where they were faced with readjusting to school or work with the aid of braces, crutches, or wheelchairs while their families faced the difficult responsibilities of caring for and supporting a child or spouse with a disability. Poignant and gripping, Living with Polio is a compelling history of the enduring physical and psychological experience of polio straight from the rarely heard voices of its survivors.