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Why do we still get misty-eyed about England's green and pleasant land? What explains our obsession with country houses - from the National Trust to Downton Abbey? Why do we still dream of a place in the country? In this delightul book Roy Strong explores the definition of Englishness. Celebrating our literature, music, art, gardening and drama, Strong identifies those icons and traditions that still speak to us - it is a vision of England that is inclusive and relevant for everybody living in the country today.
The unlikely king who saved England. Down swept the Vikings from the frigid North. Across the English coastlands and countryside they raided, torched, murdered, and destroyed all in their path. Farmers, monks, and soldiers all fell bloody under the Viking sword, hammer, and axe. Then, when the hour was most desperate, came an unlikely hero. King Alfred rallied the battered and bedraggled kingdoms of Britain and after decades of plotting, praying, and persisting, finally triumphed over the invaders. Alfred's victory reverberates to this day: He sparked a literary renaissance, restructured Britain's roadways, revised the legal codes, and revived Christian learning and worship. It was Alfred's accomplishments that laid the groundwork for Britian's later glories and triumphs in literature, liturgy, and liberty. "Ben Merkle tells the sort of mythic adventure story that stirs the imagination and races the heart?and all the more so knowing that it is altogether true!" ?George Grant, author of The Last Crusader and The Blood of the Moon
This book reveals the ways in which seventeenth-century poets used models of vision taken from philosophy, theology, scientific optics, political polemic and the visual arts to scrutinize the nature of individual perceptions and to examine poetry’s own relation to truth. Drawing on archival research, Poetry and Vision in Early Modern England brings together an innovative selection of texts and images to construct a new interdisciplinary context for interpreting the poetry of Cavendish, Traherne, Marvell and Milton. Each chapter presents a reappraisal of vision in the work of one of these authors, and these case studies also combine to offer a broader consideration of the ways that conceptions of seeing were used in poetry to explore the relations between the ‘inward’ life of the viewer and the ‘outward’ reality that lies beyond; terms that are shown to have been closely linked, through ideas about sight, with the emergence of the fundamental modern categories of the ‘subjective’ and ‘objective’. This book will be of interest to literary scholars, art historians and historians of science.
This volume is the first to explore the breadth of vision types in late medieval English lay spirituality. Analyzing 1000+ accounts, it proposes that visions buttressed five core dynamics (relating to purgatory, saints, demons, sacramental faith, and the Church's authority).
How the most powerful country in the UK was forged by invasion and conquest, and is fractured by its north-south divide. The Shortest History books deliver thousands of years of history in one riveting, fast-paced read. England—begetter of parliaments and globe-spanning empires, star of beloved period dramas, and home of the House of Windsor—is not quite the stalwart island fortress that many of us imagine. Riven by an ancient fault line that predates even the Romans, its fate has ever been bound up with that of its neighbors; and for the past millennia, it has harbored a class system like nowhere else on Earth. This bracing tour of the most powerful country in the United Kingdom reveals an England repeatedly invaded and constantly reinvented—yet always fractured by its very own Mason-Dixon Line. It carries us swiftly through centuries of conflict between Crown and Parliament (starring the Magna Carta), America’s War of Independence, the rise and fall of empire, two World Wars, and England’s break from the EU. We discover: why the American colonists of 1776 believed that they were the true Anglo-Saxons how the British Empire was undermined from within why Winston Churchill said the UK could only be saved by splitting up England itself and how populism spawned Brexit and its “new elite.” The Shortest History of England brings all this and more to prescient life—offering the most direct, compelling route to understanding the country behind today’s headlines.
An exploration of white working-class English men, showing how and why some have been captured by the far-right and what the left can do about it. IS THE WHITE WORKING CLASS RIGHT-WING? AND IS IT RIGHT-WING TO EVEN SPEAK OF A "WHITE WORKING CLASS"? In recent decades, as class consciousness has been suppressed and eroded, many white working-class men have turned their backs on the left in favour of the right and the far-right. Why is this? A Small Man's England is a polemic aimed at the structures of hierarchy that ceaselessly maintain power across Britain and elsewhere, and a call for multicultural solidarity amongst the working class. In analysing the roles that class, race, masculinity and nationality play in neoliberal Britain, Sissons offers a solution to the indoctrination of white working-class English men by the right and the far-right, and explores how working-class people can collectively shape a "Common England" -- a country based on equality and justice for all.
In 1999, while working as his Literary Secretary, the Earl of Burford, a descendant of the 3rd Earl of Southampton (Shakespeare’s patron) and of the 17th Earl of Oxford and heir to the Dukedom of St Albans, made a selection of Nicholas Hagger’s poems that celebrates places in England, conveys his mystical awareness of the unity of the universe and places him in the visionary tradition of William Blake, the poet of ‘Jerusalem’ and “England’s green and pleasant land”. Soon after Visions of England was completed the Earl of Burford came to international attention when he leapt onto the Woolsack of the House of Lords in a principled protest against the Blair Government’s plan to abolish hereditary peers’ voting rights, which led to 92 remaining in the Lords. A few months later he left Nicholas Hagger’s employ and the selection was buried under papers for nearly 20 years. In 2018 Nicholas Hagger came across Visions of England while preparing papers to send to his archive. It now seemed as if the selection had been made with Brexit in mind. The places are full of English history and culture, and the poems are prophetic in their anticipation of England’s new spirit of independence. These poems convey Englishness with a freshness and vividness that startle. The Earl of Burford is a prominent lecturer and biographer, and his selection is noteworthy for the metaphysical perspective he brings out in Nicholas Hagger’s profound poems whose traditional qualities constantly surprise and delight.
BOOKER PRIZE FINALIST • From the internationally acclaimed bestselling author The Sense of an Ending comes a "wickedly funny” novel (The New York Times) about an idyllic land of make-believe in England that gets horribly and hilariously out of hand. Imagine an England where all the pubs are quaint, where the Windsors behave themselves (mostly), where the cliffs of Dover are actually white, and where Robin Hood and his merry men really are merry. This is precisely what visionary tycoon, Sir Jack Pitman, seeks to accomplish on the Isle of Wight, a "destination" where tourists can find replicas of Big Ben (half size), Princess Di's grave, and even Harrod's (conveniently located inside the tower of London). Martha Cochrane, hired as one of Sir Jack's resident "no-people," ably assists him in realizing his dream. But when things go awry, Martha develops her own vision of the perfect England. Julian Barnes delights us with a novel that is at once a philosophical inquiry, a burst of mischief, and a moving elegy about authenticity and nationality.
A study of place, identity, music, politics and regionalism which calls for a radical restructuring of the British Isles. In the early twenty-first century, "Englishness" suddenly became a hot topic. A rash of art exhibitions, pop albums and coffee table books arrived on the scene, all desperate to recover England’s lost national soul. But when we sweep away the patriotic stereotypes, we begin to see that England is a country that does not — and perhaps should not — exist in any essential sense. In this provocative text combining polemic and memoir, Alex Niven argues that the map of the British Isles should be torn apart completely as we look towards a time of radical political reform. Rejecting outdated nationalisms, Niven argues for a renovated model of culture and governance for the islands — a fluid, dynamic version of regionalism preparing the way for a new "dream archipelago".