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The devil you know is never the one you should trust. Special Agent Patrick Collins is dispatched to Chicago, chasing a lead on the Morrígan's staff for the joint task force. Needing a cover for his presence in the Windy City, Patrick is ordered to investigate a politician running for mayor. In the lead up to election day, not everything is what it seems in a city where playing to win means appeasing the gods first and the electorate second. But Chicago brings its own set of problems outside the case: a stand-offish local god pack, a missing immortal, and Patrick's twin sister. Fighting Hannah and the Dominion Sect provides Patrick with a sinister reminder that some blood ties can never be cut. Left behind in New York City, Jonothon de Vere finds himself targeted by hunters who will go through anyone to kill him-including the packs under his protection. With a bounty on his head, Jono is forced to make a choice that Patrick would never approve of. Doing so risks breaking the trust he's built with the man he loves, but not acting will give the rival New York City god pack leverage Jono can't afford to give up. When Patrick and Jono reunite in Chicago, Patrick must confront the fraying of a relationship he's come to rely on for his own sanity. But fixing their personal problems will have to wait-because Niflheim is clawing at the shores of Lake Michigan and the dead are hungry. A Vigil in the Mourning is a 102k word m/m urban fantasy with a gay romantic subplot and a HFN ending. It is a direct sequel to A Crown of Iron & Silver. Reading the first book in the series would be helpful in enjoying this one.
The devil you know is never the one you should trust. Special Agent Patrick Collins is dispatched to Chicago, chasing a lead on the Morrígan's staff for the joint task force. Needing a cover for his presence in the Windy City, Patrick is ordered to investigate a politician running for mayor. In the lead up to election day, not everything is what it seems in a city where playing to win means appeasing the gods first and the electorate second. But Chicago brings its own set of problems outside the case: a stand-offish local god pack, a missing immortal, and Patrick's twin sister. Fighting Hannah and the Dominion Sect provides Patrick with a sinister reminder that some blood ties can never be cut. Left behind in New York City, Jonothon de Vere finds himself targeted by hunters who will go through anyone to kill him-including the packs under his protection. With a bounty on his head, Jono is forced to make a choice that Patrick would never approve of. Doing so risks breaking the trust he's built with the man he loves, but not acting will give the rival New York City god pack leverage Jono can't afford to give up. When Patrick and Jono reunite in Chicago, Patrick must confront the fraying of a relationship he's come to rely on for his own sanity. But fixing their personal problems will have to wait-because Niflheim is clawing at the shores of Lake Michigan and the dead are hungry.
Forgiveness is a hollow prayer you only hear in your dreams. Patrick Collins has spent years handling cases as a special agent for the Supernatural Operations Agency, even as his secret standing in the preternatural world has changed. He should have confessed to his role as co-leader of the New York City god pack when he and Jonothon de Vere took up the mantle months ago, but he didn't. Now that split loyalty will cost him at a time when he can least afford it. Outmaneuvered, framed for murder, and targeted by the Dominion Sect, Patrick has to face a past full of lies to regain his freedom. Revealing the truth means he'll need to give up the life that has defined him. Everything he's fought to build with his pack is at stake, and losing them isn't a price Patrick is willing to pay, but some choices aren't his to make. Jono knows they can't cede any more territory if they want to win the god pack civil war spilling into the streets of New York City. But the souls of werecreatures are free for the taking when demons come to town and angels sing a warning no one can ignore. When Jono's worst fear comes to life, and he loses the one person he can't live without, the only option left is to fight. Facing down the demons of their past and the ones in their present, Patrick and Jono will learn the hard way that some sins never wash away clean. An Echo in the Sorrow is a 118k word m/m urban fantasy with a gay romantic subplot. It is a direct sequel to On the Wings of War. Reading the first book in the series would be helpful in enjoying this one.
“A touching and provocative exploration of the latest research on animal minds and animal emotions” from the renowned anthropologist and author (The Washington Post). Scientists have long cautioned against anthropomorphizing animals, arguing that it limits our ability to truly comprehend the lives of other creatures. Recently, however, things have begun to shift in the other direction, and anthropologist Barbara J. King is at the forefront of that movement, arguing strenuously that we can—and should—attend to animal emotions. With How Animals Grieve, she draws our attention to the specific case of grief, and relates story after story—from fieldsites, farms, homes, and more—of animals mourning lost companions, mates, or friends. King tells of elephants surrounding their matriarch as she weakens and dies, and, in the following days, attending to her corpse as if holding a vigil. A housecat loses her sister, from whom she’s never before been parted, and spends weeks pacing the apartment, wailing plaintively. A baboon loses her daughter to a predator and sinks into grief. In each case, King uses her anthropological training to interpret and try to explain what we see—to help us understand this animal grief properly, as something neither the same as nor wholly different from the human experience of loss. The resulting book is both daring and down-to-earth, strikingly ambitious even as it’s careful to acknowledge the limits of our understanding. Through the moving stories she chronicles and analyzes so beautifully, King brings us closer to the animals with whom we share a planet, and helps us see our own experiences, attachments, and emotions as part of a larger web of life, death, love, and loss.
"In the sentence ‘She's no longer suffering,' to what, to whom does ‘she' refer? What does that present tense mean?" —Roland Barthes, from his diary The day after his mother's death in October 1977, Roland Barthes began a diary of mourning. For nearly two years, the legendary French theorist wrote about a solitude new to him; about the ebb and flow of sadness; about the slow pace of mourning, and life reclaimed through writing. Named a Top 10 Book of 2010 by The New York Times and one of the Best Books of 2010 by Slate and The Times Literary Supplement, Mourning Diary is a major discovery in Roland Barthes's work: a skeleton key to the themes he tackled throughout his life, as well as a unique study of grief—intimate, deeply moving, and universal.
When the gods come calling, you don't get to say no. Patrick Collins is three years into a career as a special agent for the Supernatural Operations Agency when the gods come calling to collect a soul debt he owes them. An immortal has gone missing in New York City and bodies are showing up in the wake of demon-led ritual killings that Patrick recognizes all too easily from his nightmares. Unable to walk away, Patrick finds himself once again facing off against mercenary magic users belonging to the Dominion Sect. Standing his ground alone has never been a winning option in Patrick's experience, but it's been years since he's had a partner he could trust. Looking for allies in all the wrong places, Patrick discovers the Dominion Sect's next target is the same werewolf the Fates themselves have thrown into his path. Patrick has been inexplicably attracted to the man from their first meeting, but desire has no place in war. That doesn't stop Patrick from wanting what he shouldn't have. Jonothon de Vere is gorgeous, dangerous, and nothing but trouble-to the case, to the fight against every hell, and ultimately, to Patrick's heart and soul. In the end, all debts must be paid, and Patrick can only do what he does best-cheat death.
In this original and trenchant work, Christina Sharpe interrogates literary, visual, cinematic, and quotidian representations of Black life that comprise what she calls the "orthography of the wake." Activating multiple registers of "wake"—the path behind a ship, keeping watch with the dead, coming to consciousness—Sharpe illustrates how Black lives are swept up and animated by the afterlives of slavery, and she delineates what survives despite such insistent violence and negation. Initiating and describing a theory and method of reading the metaphors and materiality of "the wake," "the ship," "the hold," and "the weather," Sharpe shows how the sign of the slave ship marks and haunts contemporary Black life in the diaspora and how the specter of the hold produces conditions of containment, regulation, and punishment, but also something in excess of them. In the weather, Sharpe situates anti-Blackness and white supremacy as the total climate that produces premature Black death as normative. Formulating the wake and "wake work" as sites of artistic production, resistance, consciousness, and possibility for living in diaspora, In the Wake offers a way forward.
Remembering the dead will always give them life. The coveted Morrígan's staff is up for sale on the black market to the highest bidder, and SOA Special Agent Patrick Collins will do whatever it takes to ensure the Dominion Sect doesn't get their hands on it. Returning the weapon to its rightful owner is another step on the long road toward clearing Patrick's soul debt, but he won't walk it alone. Jonothon de Vere won't let him. Obeying the gods means Patrick must travel to London. For Jono, it means facing a past he thought he'd left behind forever. His return to England isn't welcome, and neither is their pack, but Jono and Patrick will face the antagonism together. Politics aside, their priority must be the mission, but the bone-chilling secret they uncover in the London god pack will have far-reaching repercussions no one can ignore. A race against time takes Patrick and Jono from the streets of London to the bright lights of Paris, where hospitality is thin on the ground, the air is filled with whispered prayers for the missing, and the Morrígan's staff will end up in the one place it should never have gone--a graveyard.For beneath Paris lie the long-forgotten dead, and when they rise to walk again, the living can only hope to die. On the Wings of War is a 109k word m/m urban fantasy with a gay romantic subplot and a HFN ending. It is a direct sequel to A Vigil in the Mourning. Reading the first book in the series would be helpful in enjoying this one.
Death is the last lover you will ever know. SOA Special Agent Patrick Collins has lived a life full of lies, and it has finally caught up with him. There's no denying his past any longer, not after giving up the truth to save himself from a murder charge. But truth alone can't set Patrick free, and time is running out to stop the Dominion Sect from turning his father into a god. Jonothon de Vere knows survival isn't a guarantee, but he's desperate to keep Patrick safe, even as hope slips through his fingers. With the future unknown, Jono will follow Patrick wherever he goes, even to Salem, where a family reunion reveals a bitter secret that was never going to stay buried. With New York City under control of their god pack, Patrick and Jono must fall back on every alliance they've brokered to fill the front lines of a war coming directly to the city streets. The veil is always thinnest on Samhain, and what awaits them on the other side is the stuff of nightmares. For when it tears, all hell will break loose, and the gods will be summoned to face a reckoning the world isn't ready for. The stakes have never been higher, failure has never been so deadly, and the Fates have never been kind to heroes. Patrick knows that better than anyone-because everything has a price, every debt always comes due, and it's finally time for Patrick to pay his.
Macabre tales of death and mourning in Victorian America.