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&Lsquo;Chidambaram Illuminates The Crucial Interface Between Economics And Politics . . . His Style Is Simple, Austere, Impressive . . . There Is Much That I Enjoyed In This Book&Rsquo; &Mdash;Meghnad Desai In Indian Express &Lsquo;Economics Is The Science Of The Possible Made To Look Like The Art Of The Impossible&Rsquo; Is A Definition That Would Strike A Chord With Any Finance Minister Of India Who, Every Year, Has To Perform The Great Indian Hope Trick. Otherwise Known As The Budget&Mdash;A Careful Balancing Act Between Revenue And Expenditure, Tax Rates And Tax Sops, Growth And Equity, Reforms And The Status Quo.&Nbsp;Within These Constraints, However, There Is Much That A Finance Minister Can Actually Accomplish, As P. Chidambaram, One Of India&Rsquo;S Most Accomplished Economists And Commentators, Shows In A View From The Outside, A Collection Of Columns That Assesses The Promises And Performance Of The Nda Government In The Period 2002&Ndash;2004. The Columns, Originally Published In The Indian Express And The Financial Express,Reflect The Views Of Chidambaram,&Nbsp;Finance Minister Between 1996 And 1998 And Again From 2004 Onwards, On A Range Of Issues That Remain Important Regardless Of The Government In Power. They Also Provide Snapshots Of The Indian Economy In Good Times And Bad. This Collection Covers Subjects Such As Agriculture, Reforms, Budgets, Forex Reserves, Economic Growth And Tax Policies.&Nbsp;It Also Offers Perceptive Political Analyses And Some Telling Comments On Social Issues. Far More Than Mere Reactions To Developments During That Period, Chidambaram Provides The Reader With An Extraordinarily Clear Understanding Of The Problems Underlying The Indian Economy&Mdash;And Its Politics&Mdash;And Ways Of Solving Them. Reviews &Lsquo;There Is A Lot Of Wisdom In This Book, As Well As Entertainment&Rsquo;&Mdash; Gurcharan Das In Outlook
A revised and updated paperback edition of a title first published in 1975, which shows how to preserve and improve the facade of any house, from suburban semi to moated castle, and keep it in tune with its period. With a foreword by the Duke of Gloucester.
From the hosts of Bravo's Backyard Envy comes a beautifully photographed guide to converting your outdoor space into an enviable oasis, whether you have a backyard, brownstone patio, or three-season porch. Dubbed the "plantfluencers" by the New York Times, Mel Brasier, Garrett Magee, and James DeSantis, owners of the Manscapers landscaping company, do more than plant, mulch, and manicure a garden; they look at the space just as interior designers do a room, considering the aesthetics and the way people live in it. Now they show you how to apply familiar interior design principles to your outdoors, including: Deciding on a concept to help direct the mood of your space "Zoning" your space into functional areas, such as for lounging, cooking, or entertaining Defining the areas with furniture and hardscaping like fencing, decking, pools, planters, pergolas, and pathways Bringing in the green, including plants that are both functional (privacy shrubs and shade trees) and decorative (pretty perennials, climbers, and textural grasses) Adding the finishing touches: the pillows, throws, hurricane lanterns, and other details that will make you want to linger long after sunset Plus, you'll have information on hiring a contractor and landscaper and the specific materials and plants the Manscapers love to use in their designs. No matter how big or small your exterior space, this ultimate guide to landscape design will help you bring the comfort of the indoors outside.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1983. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived
In this book Rob Walker offers an original analysis of the relationship between twentieth-century theories of international relations, and the political theory of civil society since the early modern period. He views theories of international relations both as an ideological expression of the modern state, and as a clear indication of the difficulties of thinking about a world politics characterized by profound spatiotemporal accelerations. International relations theories should be seen, the author argues, more as aspects of contemporary world politics than as explanations of contemporary world politics. These theories are examined in the light of recent debates about modernity and post-modernity, sovereignty and political identity, and the limits of modern social and political theory. This book is a major contribution to the field of critical international relations, and will be of interest to social and political theorists and political scientists, as well as students and scholars of international relations.
Lots of people have inner strength, but one girl wears hers as a bear outside. Some folks have a lion inside, Or a tiger. Not me. I wear my bear on the outside. In this imaginative picture book by Jane Yolen, acclaimed author of many distinguished children's books including Owl Moon and How do Dinosaurs Say Goodnight, a girl explores the many ways she expresses herself by imagining that she wears a bear as her personal protective shell. They go everywhere and do everything together. The Bear is like a suit of armor and a partner all in one, protecting her from bullies and giving her strength to be bold when she needs it. In turn, she listens to and takes care of the Bear. Jane Yolen's story beautifully portrays the relationships we have with our inner-selves, encouraging readers to stay in touch with and wear these qualities with pride. Her text is paired with the spritely art of Jen Corace, illustrator of bestseller Little Pea, Small World, and Brave Jane Austen.
"The first curricular-focused outdoor learning textbook for prospective and practising K-12 teachers, this book provides both academic justification and practical support for educators working in a wide variety of environments and with diverse populations of students to incorporate more meaningful outdoor learning opportunities into their daily teaching activities. Learning Outside the Classroom is not a set of prescriptive activities that can be read and used uncritically. The idea of adaptation for personal relevance is central. All teachers are capable of enhancing their students' learning experiences by systematically and progressively incorporating ventures outside the classroom into their lessons. The principles and examples presented in this book are intended to be adapted by teachers to suit the needs of their students in ways that draw upon content offered by the local landscape and its natural and built heritage. Nor is this book just about outdoor learning; it's about good teaching -- wherever it takes place. It is about helping teachers devise and use the tools with which they can address the largely uncontested assumption that legitimate learning only occurs within four walls. Learning outside the classroom affords teachers the privilege of helping and the joy of observing students in a process of intellectual, emotional, and social growth that can last a lifetime"-- Provided by publisher.
A FINANCIAL TIMES, I PAPER AND STYLIST BOOK OF THE YEAR 'In his absorbing book about the lost and the gone, Peter Ross takes us from Flanders Fields to Milltown to Kensal Green, to melancholy islands and surprisingly lively ossuaries . . . a considered and moving book on the timely subject of how the dead are remembered, and how they go on working below the surface of our lives.' - Hilary Mantel 'Ross is a wonderfully evocative writer, deftly capturing a sense of place and history, while bringing a deep humanity to his subject. He has written a delightful book.' - The Guardian 'The pages burst with life and anecdote while also examining our relationship with remembrance.' - Financial Times (best travel books of 2020) 'Among the year's most surprising "sleeper" successes is A Tomb with a View. In a year with so much death, it may have initially seemed a hard sell, but the author's humanity has instead acted as a beacon of light in the darkness.' -The Sunday Times 'Fascinating . . . Ross makes a likeably idiosyncratic guide and one finishes the book feeling strangely optimistic about the inevitable.' - The Observer 'Ross has written [a] lively elegy to Britain's best burial grounds.' - Evening Standard (*Best New Books of Autumn 2020*) 'One of the non-fiction books of the year.' - The i paper (*2020 Best Books for Christmas*) 'Brilliant.' - Stylist (*Best Christmas books for Christmas 2020*) 'Never has a book about death been so full of life. James Joyce and Charles Dickens would've loved it - a book that reveals much gravity in the humour and many stories in the graveyard. It also reveals Peter Ross to be among the best non-fiction writers in the country.' - Andrew O'Hagan For readers of The Salt Path, Mudlarking, Ghostland, Kathleen Jamie and Robert Macfarlane. Enter a grave new world of fascination and delight as award-winning writer Peter Ross uncovers the stories and glories of graveyards. Who are London's outcast dead and why is David Bowie their guardian angel? What is the remarkable truth about Phoebe Hessel, who disguised herself as a man to fight alongside her sweetheart, and went on to live in the reigns of five monarchs? Why is a Bristol cemetery the perfect wedding venue for goths? All of these sorrowful mysteries - and many more - are answered in A Tomb With A View, a book for anyone who has ever wandered through a field of crooked headstones and wondered about the lives and deaths of those who lie beneath.
What do we want and need from our public spaces? As the world emerges from the profound limitations imposed by the COVID-19 crisis, this reader offers a range of possibilities from the domain of art. With contributions from twenty-five leading Australian and international artists, writers and curators including Cuban artist and activist Tania Bruguera, Indonesian artist collective ruangrupa, British art historian and critic Claire Bishop and Gunditjmara artist and senior knowledge custodian Vicki Couzens, Let's Go Outside is a timely examination of creative practices in the public realm. From negotiating space in the settler-colonial context of Australia to responding to crises in the United States, Hong Kong and New Zealand, the reader's essays, case studies, interviews and visual contributions reveal how ideas and practices associated with remembrance, public history, urban regeneration, communality, accessibility and activism are challenging and innovating art in the public domain. Let's Go Outside takes up questions from the successful 2019 symposium Let's Go Outside: Making Art Public, presented by Monash University Museum of Art and Monash Art Projects (MAP), and reflects on the growing interest in making and presenting art outside of conventional gallery contexts. Contributors: Michelle Antoinette, Alison Atkinson-Phillips, Claire Bishop, Daniel Browning, Tania Bruguera, Danny Butt, Clara Cheung, Madeleine Collie, Emily Cormack, Vicki Couzens, Sean Dockray, Mel Dodd, Felicity Fenner, Blair French, Brian Fuata, Mish Grigor, Oscar Ho Hing-kay, Jonathan Jones, Callum McGrath, Grace McQuilten, Carmen Papalia, Nikos Papastergiadis, Sam Petersen, ruangrupa, Zara Stanhope
Color Outside the Lines brings together diverse, talented YA voices, including Samira Ahmed, Adam Silvera, Anna-Marie McLemore, Lori Lee, and Elsie Chapman, to reflect on interracial relationships. While focusing predominantly on POC voices, the anthology also includes LGBTQ+, religious, minority, and disability intersectionality, and it's stories range in tone and genre, from light-hearted contemporary to darker fantasy.