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Tragedy strikes Rosie Taylor when her ill mother dies aboard the clipper ship transporting her and her family from England to Australia. Not too long after, her father becomes engaged to a passenger on board, a woman to whom Rosie takes a disliking. But growing up in Victoria, amongst some of the passengers who came over on the boat, isn't so bad, especially after she meets a young boy named Rory. Years later when her father leaves town, Rosie takes different jobs to make ends meet. Things start looking up when a local river skipper asks for her hand in marriage, but as she's sailing down the river with him she runs into her childhood friend, Rory, and emotions that weren't there before come to the surface.
In Yorkshire in 1839, widow Clemma Laird meets Dr. Paul Baine, who is rumored to have an immoral medical practice, but when Clemma discovers how he has been seeking atonement for his past sins, she is able to help him accept Christ's salvation.
In her study of the married couple as the smallest political unit, Phyllis Rose uses the marriages of five Victorian writers who wrote about their own lives with unusual candor: Charles Dickens, John Ruskin, Thomas Carlyle, John Stuart Mill, and George Eliot--née Marian Evans.
First published in 1937, this woodworking classic reveals a fascinating look into the social structure of a 19th-century English town and a carpenter's place in it. Encapsulating a time prior to power tools and mass production, when woodworkers made virtually everything, Walter Rose writes eloquently on a number of topics, including running a country business; the carpenter's shop; working on a farm, new home, and windmill; undertaking; and furniture repairs. Manifesting the importance of skill and the attitudes of the craftsman to his tools and work, this book will be of great interest to any carpenter or woodworker with an appreciation for the history of their craft.
Tragedy strikes Rosie Taylor when her ill mother dies aboard the clipper ship transporting her and her family from England to Australia. Not long after, her father becomes engaged to a passenger on board, a woman to whom Rosie takes a dislike. But growing up in Victoria, amongst some of the passengers who came over on the boat, isn't so bad, especially after she meets a young boy named Rory. Years later, when her father leaves town, Rosie takes different jobs to make ends meet. Things start looking up when a local river skipper asks for her hand in marriage, but as she's sailing down the river.
The nineteenth century was a period of science and imagery: when scientific theories and discoveries challenged longstanding boundaries between animal, plant, and human, and when art and visual culture produced new notions about the place of the human in the natural world. Just as scientists relied on graphic representation to conceptualize their ideas, artists moved seamlessly between scientific debate and creative expression to support or contradict popular scientific theories--such as Darwin's theory of evolution and sexual selection--deliberately drawing on concepts in ways that allowed them to refute popular claims or disrupt conventional knowledges. Focusing on the close kinship between the arts and sciences during the Victorian period, the art historians contributing to this volume reveal the unique ways in which nineteenth-century British and American visual culture participated in making science, and in which science informed art at a crucial moment in the history of the development of the modern world. Together, they explore topics in geology, meteorology, medicine, anatomy, evolution, and zoology, as well as a range of media from photography to oil painting. They remind us that science and art are not tightly compartmentalized, separate influences. Rather, these are fields that share forms, manifest as waves, layers, lines, or geometries; that invest in the idea of the evolution of form; and that generate surprisingly kindred responses, such as pain, pleasure, empathy, and sympathy.
"Vintage roses encompass both the true 'old' roses and the best of the 'modern' roses, developed to celebrate the classic, ageless, enduring beauty of the old varieties. The 60 specially selected specimens include those that have the best visual appearance and most fragrant perfume, and are also easy to grow and produce beautiful flowers for cutting"--Amazon.com.
This journal features a vintage collage by artist Tiffany Toland-Scott on the cover and 150 pages inside. Includes lined and blank pages to give you room for your thoughts and sketches or photographs.
"What flower did she most resemble?... A rose! Certainly... strong, vigorous, self-asserting... yet shapely, perfect in outline and development, exquisite, enchanting in its never fully realized tints, yet compelling the admiration of every one, and recalling its admirers again and again by the unspoken appeal of its own perfection-its unvarying radiance." -John Habberton, 1876.All hail the Queen of Flowers! In this collection of Victorian writings on roses, brief prose remarks, lovely poetry and engaging short stories are gathered together -all with nature's most perfect blossom as their central theme. From poetry on the fragrant beauty of roses, to tales ranging from a ghost story about roses as omens to a romance of love among the roses, this collection will delight anyone who dreams of being surrounded by roses.A perfect gift for weddings, birthdays... or your own sunny afternoon!