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“I don't think I'm easy to talk about. I've got a very irregular head. And I'm not anything that you think I am anyway.”—Syd Barrett’s last interview, Rolling Stone, 1971 Roger Keith “Syd” Barrett (1946–2006) was, by all accounts, the very definition of a golden boy. Blessed with good looks and a natural aptitude for painting and music, he was a charismatic, elfin child beloved by all, who fast became a teenage leader in Cambridge, England, where a burgeoning bohemian scene was flourishing in the early 1960s. Along with three friends and collaborators—Roger Waters, Richard Wright, and Nick Mason—he formed what would soon become Pink Floyd, and rock ’n’ roll was never the same. Starting as a typical British cover band aping approximations of American rhythm ’n’ blues, they soon pioneered an entirely new sound, and British psychedelic rock was born. With early, trippy, Barrett-penned pop hits such as “Arnold Layne” (about a clothesline-thieving cross-dresser) and “See Emily Play” (written specifically for the epochal “Games For May” concert), Pink Floyd, with Syd Barrett as their main creative visionary, captured the zeitgeist of “Swinging” London in all its Technicolor glory. But there was a dark side to all this new-found freedom. Barrett, like so many around him, began ingesting large quantities of a revolutionary new drug, LSD, and his already-fragile mental state—coupled with a personality inherently unsuited to the life of a pop star—began to unravel. The once bright-eyed lad was quickly replaced, seemingly overnight, by a glowering, sinister, dead-eyed shadow of his former self, given to erratic, highly eccentric, reclusive, and sometimes violent behavior. Inevitably sacked from the band, Barrett retreated from London to his mother’s house in Cambridge, where he would remain until his death, only rarely seen or heard, further fueling the mystery. In the meantime, Pink Floyd emerged from the underground to become one of the biggest international rock bands of all time, releasing multi-platinum albums, many that dealt thematically with the loss of their friend Syd Barrett: The Dark Side of the Moon, Wish You Were Here, and The Wall are all, on many levels, about him. In A Very Irregular Head, journalist Rob Chapman lifts the veil of secrecy that has surrounded the legend of Syd Barrett for nearly four decades, drawing on exclusive access to family, friends, archives, journals, letters, and artwork to create the definitive portrait of a brilliant and tragic artist. Besides capturing all the promise of Barrett’s youthful years, Chapman challenges the oft-held notion that Barrett was a hopelessly lost recluse in his later years, and creates a portrait of a true British eccentric who is rightfully placed within a rich literary lineage that stretches through Kenneth Graham, Hilaire Belloc, Edward Lear, Lewis Carroll, John Lennon, David Bowie, and on up to the pioneers of Britpop. A tragic, affectionate, and compelling portrait of a singular artist, A Very Irregular Head will stand as the authoritative word on this very English genius for years to come.
Syd Barrett was the lead guitarist, vocalist, and principle songwriter in the original line up of Pink Floyd. During his brief time with the band (1966-68) he was the driving force behind the unit. After he left the band he made just two further solo albums which were both released in 1970, before withdrawing from public view to lead a quiet, and occasionally troubled life in Cambridge, the town of his birth. Rob Chapman's book is the first authoritative and exhaustively researched biography of Syd Barrett that fully celebrates his life and legacy as a musician, lyricist and artist, and which highlights the influence that he continues to have over contemporary bands and music fans alike.
A revealing investigation into the life of a reclusive cult genius. Syd Barrett was Pink Floyd's founder, singer, guitarist and principal composer, who left the group in 1968 amidst tales of acid-induced madness. Barrett's brief flash of erratic brilliance is now the stuff of rock legend, and his post-Floyd recordings have become cult classics. Revised in 2006, this book draws on years on research to relate the story of an epic rock tragedy.
Featuring 56 songs and a foreword by Pink Floyd's first manager, Peter Jenner, and an introduction by Rob Chapman (author of Syd Barrett: A Very Irregular Head), this beautifully illustrated and official book compiles Syd's extraordinary lyrics together for the very first time.
Syd Barrett was an English composer and purveyor of some of the most intriguing music ever written. Famous before his twentieth birthday, Barrett led the charge of psychedelia onstage at London's famed UFO club. With a Fender Telecaster and a primitive Binson echo unit, Barrett liberated the guitar from being, in critic Simon Reynolds' words, 'a riff machine, and turned it into a texture and timbre generator.' His inspired celestial flights of improvisation, and his more structured and whimsical short songs indicated a mind of unusual inventiveness. Chief in Barrett's mind was a Zen-like insistence on spontaneity; each performance had to be unique, and Barrett strived to push his music farther and farther out into the zone of complete abstraction. This in-depth analysis of Pink Floyd founding member Syd Barrett's life and work is the product of years of extensive research. Lost in the Woods traces Syd's swift evolution from precocious young art student to acid-fuelled psychedelic rock star, and examines the myriad musical and literary influences that he utilised in composing his hypnotic, groundbreaking songs. A never-forgotten casualty of the excesses, innovations, and idealism of the 1960s, Syd Barrett is one of the most heavily mythologized men in rock, and Lost in the Woods offers a rare portrayal of a unique spirit in freefall.
In Psychedelia and Other Colours, acclaimed author Rob Chapman explores in crystalline detail the history, precedents and cultural impact of LSD, from the earliest experiments in painting with light and immersive environments to the thriving avant-garde scene that existed in San Francisco even before the Grateful Dead and the Fillmore Auditorium. In the UK, he documents an entirely different history, and one that has never been told before. It has its roots in fairy tales and fairgrounds, the music hall and the dead of Flanders fields, in the Festival of Britain and that peculiarly British strand of surrealism that culminated in the Magical Mystery Tour. Sitars and Sergeant Pepper, surfadelica and the Soft Machine, light shows and love-ins - the mind-expanding effects of acid were to redefine popular culture as we know it. Psychedelia and Other Colours documents these utopian reverberations - and the dark side of their moon - in a perfect portrait.
Beautiful, charismatic, prodigiously talented, Syd Barrett in 1966 invented the British psychedelic scene - founding Pink Floyd, writing and singing on the band's first album - before collapsing into madness two years later.
A deliciously entertaining new series by the bestselling author of The No. 1 Ladies’ Detective Agency The many fans of Precious Ramotswe will find further cause for celebration in the protagonist of Alexander McCall Smith’s irresistibly funny trilogy, the eminent (if shamefully under-read) philologist Professor Dr. Mortiz-Maria von Igelfeld of the Institute at Regensburg. Unnaturally tall, hypersensitive to slights, and oblivious to his own frequent gaucheries, von Igelfeld is engaged in a never-ending quest to win the respect he knows is due him. Portuguese Irregular Verbs follows the Professor from a busman’s holiday researching old Irish obscenities to a flirtation with a desirable lady dentist. In The Finer Points of Sausage Dogs, von Igelfeld practices veterinary medicine without a license, transports relics for a schismatically challenged Coptic prelate and is mobbed by marriage-minded widows on board a Mediterranean cruise ship. In At the Villa of Reduced Circumstances, the final novel in the trilogy, we find our hero suffering the slings of academic intrigue as a visiting fellow at Cambridge, and the slings of outrageous fortune in an eventful Columbian adventure.
A compelling biography of SoundCloud sensation and rising star XXXTENTACION -- from his candid songwriting and connection with fans to his tragic death. At the age of twenty, rapper Jahseh Dwayne Onfroy-aka XXXTENTACION-was gunned down during an attempted robbery on the streets of Deerfield Beach, Florida, mere months after signing a $10 million record deal with Empire Music. A rising star in the world of SoundCloud rap, XXXTENTACION achieved stellar levels of success without the benefit of a major label or radio airtime, and flourished via his passionate and unfettered connection to his fans. In Look at Me!, journalist Jonathan Reiss charts the tumultuous life and unguarded songwriting of the SoundCloud sensation. Unlike most rap on the platform, XXXTENTACION's music didn't dwell on money, partying, and getting high. He wrote about depression, suicide, and other mental health issues, topics that led to an outpouring of posthumous appreciation from his devoted fanbase. It was XXXTENTACION's vulnerability that helped him stand apart from artists obsessed with being successful and "cool." Yet these insecurities also stemmed from-and contributed to-his fair share of troubles, including repeated run-ins with the law during his teen years, a disturbing proclivity toward violence, and a prison sentence that overlapped with the release of his first single. Through the memories of the people who knew him best, Look at Me! maps out the true story of an unlikely cultural icon and elucidates what it was about him that touched the post-millennial generation so deeply.
Black Crowes drummer and cofounder Steve Gorman shares the band's inside story in this behind-the-scenes biography, from their supernova stardom in the '90s to exhilarating encounters with industry legends. "This book is literally the Angela's Ashes of rock memoirs. .. I absolutely loved this book." -BILL BURR, comedian "I couldn't put the book down-absolutely unbelievable read!" -JOHN MCENROE, New York Times bestselling author of But Seriously and You Cannot Be Serious "I honestly couldn't put [this book] down. Made me nostalgic, sad, and happy too." -CHRIS SHIFLETT, lead guitarist of Foo Fighters "Essential reading for rock fans everywhere." -BRIAN KOPPELMAN, co-creator and showrunner of Billions For more than two decades, The Black Crowes topped the charts, graced the cover of Rolling Stone, and reigned supreme over MTV and radio waves alike with hits like "Hard to Handle," "She Talks to Angels," and "Remedy." But as the old cliché goes, stardom can be fleeting, and the group's success slowly dwindled as the band members got caught up in the rock star world and lost sight of their musical ambition. On any given night, they could be the best band you ever saw-or the most combative. Then, one last rift in 2013 proved insurmountable for the band to survive. After that, The Black Crowes would fly no more. Founding member Steve Gorman was there for all of it-the coke- and weed-fueled tours; the tumultuous recording sessions; the incessant fighting between brothers Chris and Rich Robinson; the backstage hangs with legends like Robert Plant, Jimmy Page, and the Rolling Stones. As the band's drummer and voice of reason, he tried to keep The Black Crowes together musically and emotionally. In Hard ToHandle-the first account of this great American rock band's beginning, middle, and end-Gorman explains just how impossible that job was with great insight, candor, and humor. They don't make bands like The Black Crowes anymore: crazy, brilliant, self-destructive, inspiring, and, ultimately, not built to last. But, man, what a ride it was while it lasted.