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This vivid portrait of life in the music halls of early-20th-century Paris was drawn from the personal experiences of the author of Gigi. Colette's novel, first published in 1911, reflects her adventures as an itinerant cafe dancer as well as her struggles balancing respectability and artistic freedom.
From 1905 to the crash of 1929, Sam Shubert (1874-1905) and his brothers Lee (1874-1953) and J. J. (1878-1963), despite poor beginnings and near-illiteracy, created a theater monopoly unrivaled in history. Their ruthless business tactics and showmanship made 42nd Street the heart of American popular theater and won them the most sought-after stars of the day, including Al Jolson, Carmen Miranda, Eddie Cantor, Fanny Brice, Mae West, and Fred Astaire.
"Each player is discussed in a brief biography, followed by a complete list of every play and character they performed in New York. Also included are plays and musicals that were heading to New York but closed before opening. Cast replacements are indicated as well as Tony nominations and awards. Within Enter the Players, each actor comes alive as his or her career is revealed step-by-step, role-by-role. This book is an invaluable reference work and provides hours of fascinating browsing for anyone who loves theatre."--BOOK JACKET.
The forty years 1880 to 1920 marked the golden age of the American theatre as a national institution, a time when actors moved from being players outside the boundaries of respectable society to being significant figures in the social landscape. As the only book that provides an overview of the late nineteenth- and early twentieth-century theatre, Actors and American Culture is also the only study of the legitimate stage that overtly attempts to connect actors and their work to the wider aspects of American life.
Tombstone, Arizona, is forever associated with Wyatt Earp, Bat Masterson, Doc Holliday, and the legendary OK Corral gunfight that made it a cultural symbol of the Old West. The town’s most iconic and storied original building is the Bird Cage Theater—a stunning example of late nineteenth-century variety theaters that were a staple in entertainment around the globe. The modest interior that was once filled with orchestra music, cigar smoke, laughter and whistles, and cheers and jeers is now an empty canvas for the echoes of the past. Every year tens of thousands of tourists are welcomed through its doors to experience an atmosphere that begs wonder and imagination. Private and public tours of its interior have inspired questions, evolving lore, and conflicting stories. In recent decades its history has been fabricated from modern myth, romantic fiction, and pure fantasy. Now, for the first time, historical researcher and author Michael Paul Mihaljevich has pieced together the real story of the Bird Cage. It began in the months leading up to the OK Corral gunfight in 1881, when property owner William J. Hutchinson engaged in a violent three-way property war between lot-owning citizens, a corrupt townsite company, and greedy mine owner Ed Field just to erect the building. After its construction was completed, Hutchinson kicked off a ten-year performance run that saw more than 250 world-traveling entertainers bring their array of acts to the people of Tombstone in scenes of classic western romance. When mines faltered and the local economy edged toward death, it was the Bird Cage that became the key player in the twentieth-century revival that established Tombstone as a tourist Mecca and rescued it from near desertion.