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It makes people positively ache with happiness. It puts the roses back in their cheeks and the itch back in their blood. "It" is the Scholes Virus - proper medical term for what used to be called, out of mawkish ignorance but with uncanny prescience, the "love bug". Professor Trevor Scholes has discovered, isolated and classified every variety of the infection that now bears his name. One variety, B79/K, is so rare that the odds are fifty thousand to one against two compatible carriers meeting. So of course Giles Cranston and Tamsin McGillivray meet . . .
Oliver Reed may not have been Britain's biggest film star - for a period in the early 70s he came within a hairsbreadth of replacing Sean Connery as James Bond - but he is an august member of that small band of people, like George Best and Eric Morecambe, who transcended their chosen medium, became too big for it even, and grew into cultural icons. For the first time Reed's close family has agreed to collaborate on a project about the man himself. The result is a fascinating new insight into a man seen by many as merely a brawling, boozing hellraiser. And yet he was so much more than this. For behind that image, which all too often he played up to in public, was a vastly complex individual, a man of deep passions and loyalty but also deep-rooted vulnerability and insecurities. Why was a proud, patriotic, intelligent, successful and erudite man so obsessed about proving himself to others, time and time again? Although the Reed myth is of Homeric proportions, he remains a national treasure and somewhat peculiar icon. Praise for other books by Robert Sellers: Hellraisers: The Life and Inebriated Times of Richard Burton, Richard Harris, Peter O'Toole, and Oliver Reed: 'So wonderfully captures the wanton belligerence of both binging and stardom you almost feel the guys themselves are telling the tales.' GQ. Vic Armstrong: The True Adventures of the World's Greatest Stuntman: 'This is the best and most original behind-the-scenes book I have read in years, gripping and revealing.' Roger Lewis, Daily Mail. Don't Let the Bastards Grind You Down: '...a rollicking good read... Sellers has done well to capture a vivid snapshot of this exciting time.' Lynn Barber, Sunday Times.
An archaeology of lunacy is a materially focused exploration of the first wave of public asylum building in Britain and Ireland, which took place during the late-Georgian and early Victorian period. Examining architecture and material culture, the book proposes that the familiar asylum archetype, usually attributed to the Victorians, was in fact developed much earlier. It looks at the planning and construction of the first public asylums and assesses the extent to which popular ideas about reformed management practices for the insane were applied at ground level. Crucially, it moves beyond doctors and reformers, repopulating the asylum with the myriad characters that made up its everyday existence: keepers, clerks and patients. Contributing to archaeological scholarship on institutions of confinement, the book is aimed at academics, students and general readers interested in the material environment of the historic lunatic asylum.
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.