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The metal artist offers tips on tools, the creative process, and life as an artist and includes color photographs of selected works from his thirty-plus years of sculpting.5NjBwBT
A metal sculptor for over 30 years, Henry Harvey has created works that reside in public and private collections around the world. Now, with wit and style, Harvey divulges a rare, no-holds-barred accounting of the world of metal sculpting, from the lighting of a torch, to techniques, patinas, and a candid insight into the genesis of his sculpture. A number of projects are illustrated and explained in exquisite detail, making this an absolute must for everyone contemplating becoming a sculptor. It is richly illustrated.
"The first female Japanese metalwork artist designated by Japan as a Living National Treasure for her high level of mastery of artistic skills tells her life story and describes in detail the traditions, techniques, and tools of her craft. Includes color and black and white photos and extensive glossary"--
“Insightful . . . should be on the bookshelf of anyone interested in contemporary art on the continent of Africa, its politics, its display, its economics.” —African Arts Art World City focuses on contemporary art and artists in the city of Dakar, a famously thriving art metropolis in the West African nation of Senegal. Joanna Grabski illuminates how artists earn their livelihoods from the city’s resources, possibilities, and connections. She examines how and why they produce and exhibit their work and how they make an art scene and transact with art world mediators such as curators, journalists, critics, art lovers, and collectors from near and far. Grabski shows that Dakar-based artists participate in a platform that has a global reach. They extend Dakar’s creative economy and the city’s urban vibe into an “art world city.” “In her fine-grained analysis, Joanna Grabski demonstrates the ways that the urban environment and the sites of art production, exhibition, and sale imbricate one another to constitute Dakar as an Art World City.” —Mary Jo Arnoldi, Curator, Anthropology, National Museum of Natural History, Smithsonian “A valuable addition to the anthropology of cities and of art worlds. It stretches and revises the notion of art world to include multiple scales, and illustrates how the city enables simultaneous engagement for artists with local, national, Pan-African, and global discourses and platforms.” —City & Society “A beautiful book. The photographs, most of which are by the author, are stunning.” —College Art Association Reviews
With fresh insight into what the great works meant when they were created and why they appeal to us now, here is a vivid tour of painting, sculpture, and architecture, past and present. "Illuminating . . . a notable accomplishment".--The New York Times. Illustrated.
Terman: the lost solider unable to help the people he has encountered who have no memory. Lian: the son of Therman who is destined to battle against the repressive House of Ellon and uphold his father's gift of naming. Anya: the daughter of He Who Leads, Lian, she is an unpredictable youth living in dangerous times, but one who is destined to follow in the footsteps of her courageous family. Albion: a vivid story of the struggles of a people who strive for knowledge and release from a life of enforced drudgery. Book Two in the Albion Series. About The World: “. . . brilliantly executed, surreal fantasy which should be regarded as a classic of the genre.” —New Zealand Sunday Times
156 pages of metal sculpture techniques explaining, in detail, how over 300 plus art commission contracts were completed, including gallery shows and relations, architecture, and model (maquette) building, and commission contract suggestions that you can take to a your lawyer to personalize for you.-from Amazon.com.
See Live Nude Models Transformed Into Statues A Sky-High Flight of Imagination! When a photographer¿s imagination really soars, a book like this one is created. Imagine posing live models like museum statues, and transforming their photographs back into statues! Then, place them in exotic digital backgrounds. The result is 240 genuinely stunning photographs in a coffee table book that will deliver many hours of enchanting viewing. Living Nude Statues: Live Models Transformed Into Statues began as a search for great poses for models. Naturally, the most admired poses are found in museums, so photos of nude female statues from museums around the world were used as posing guides. With this collection of statue poses to use with the models, wonderful images were created. Then, a question arose: what it would be like to turn these photographs of models in statue poses back into statues again, using photo manipulation techniques? By teaming up with a photographer who has exceptional Photoshop skills, wondering became wonderment at the results. The twelve professional models featured in this volume are from the greater Phoenix, Arizona area. Each model is featured on twenty pages in the book. Each set of photographs is shown on facing pages with the studio shot on the left and its transformation into a statue on the right.
Scholars from ancient and early modern studies, art history, literary criticism, philosophy, and the history of science explore the interplay between nature, science, and art in influential ancient texts and their reception in the Renaissance.
Landforms are a fast-developing art form that enjoy a wide following today, because of their multiple uses and their enveloping beauty. As formal landscapes that often arise from necessity - recycling a coal site for human use or making new use of excess earth - they are a pleasure to walk over and through. In this collection of his recent work, Charles Jencks explains his particular approach to the landform. Like the prehistoric earthworks of Britain that have been an inspiration, such as Stonehenge, his landforms contain cosmic symbolism, and they draw together sculpture, epigraphy, water, gardens, scrap metal and architecture. They address perennial themes - identity, patterns of nature, death and the power of life - but in a contemporary way, based on the insights of science. So Jencks portrays universal aspects of DNA, the spacetime warp of a black hole, the extraordinary way cells divide and unite and some basic forms of life. Other designs include sharp comments on recent events: a water garden of war in France critiques the 2003 invasion of Iraq using 'waterpults' and 'hose-guns' among other interactive features; a white garden made from birch trees, flying bones and computer graphics deals with some fatal consequences of modernity. Jencks addresses, with wit and irony, some of the strange possibilities that arise with extra-large landforms. Northumberlandia, perhaps the largest human figure ever made, presents the question of which body parts one can walk on safely, which are dangerous and which need to be suppressed. What became perhaps the heaviest work of art in the world, at 20 million tons, was also the opportunity to transform a large open-cast mine into a dynamic landscape of giant mounds and sculpted lakes. As in his The Garden of Cosmic Speculation, to which this book is a sequel, Jencks seeks to define a new landscape iconography based on forms and themes that may be eternal, in the sense that they crystallise nature's laws, some of which have been recently discovered. To see a world in a grain of sand was a poetic quest of William Blake and, in a different sense, to find the universe in a ritual landscape was a goal of prehistoric cultures. Jencks allies these spiritual affinities with the view of science that stresses the common patterns that underlie all parts of the cosmos, thus making them like our home planet, and the universe in a landscape.