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This unique and beautifully presented book includes almost one hundred prints in all media, from 1991 to the present, with a stress on experimental, collaborative and serial works. William Kentridge's distinctive use of light and shadow and silhouettes, his concern with memory and perspective, and his absorption in literary texts, are all strongly in evidence throughout this book, which provides new insights into the working methods of this prolific artist. Kentridge is internationally acclaimed for his drawings, films and theatre and opera productions. He is also an innovative and prolific printmaker; he started his career studying etching at the Johannesburg Art Foundation, and printmaking has remained central to his work ever since. Over the past 25 years, he has produced more than three hundred prints - etchings, engravings, aquatints, silkscreens, linocuts and lithographs - often experimenting with challenging formats and combinations of printing techniques to create highly-worked, intensely atmospheric imagery. Kentridge is producing 40 new prints for the accompanying exhibition some of which will be illustrated in this book. His prints range in scale from intimate etchings and drypoints to linocuts on rice paper and canvas measuring 2.5 metres high. Also featured is Portage (2000), an accordion-folded multi-panelled book, 4 metres long, with torn paper silhouetted figures dancing across unbound pages of the French encyclopedia Le Nouveau Larousse Illustre. The procession is one of Kentridge's great themes, ultimately a symbol of humanity's journey through life.
Examines the many reasons and motivations for the destruction of books throughout history, citing specific acts from the smashing of ancient Sumerian tablets to the looting of libraries in post-war Iraq.
'O arquivo universal e outros arquivos' é formado por imagens da exposição homônima, realizada no Centro Cultural Banco do Brasil do Rio de Janeiro entre julho e setembro de 2003, e também por trabalhos desenvolvidos diretamente para a publicação, compondo uma súmula da obra da artista. Aliado aos cuidados de impressão, o conceito autoral da edição torna este volume uma autêntica obra de arte.
This fascinating book highlights the roles symbols have played throughout history and how they have shaped our understanding of the world.
"Traces the development of numerical systems in Sumerian, Egyptian, Greek, Roman, Chinese, Babylonian, and Mayan cultures, and examines the origins of the Hindu-Arabic numerals we use today"--Back cover.
Originally published in 1794, this comprehensive work covers the natural history of the world, including human history and prehistory. Presented in a clear and concise manner, this book is a must-read for anyone interested in the natural world. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.