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Illustrated with black-and-white photos that evoke an era of glamor and fantasy and utilizing firsthand accounts from past and present employees and patrons, this book is the first to detail both the decline and the revival of the urban picture palace. 27 photos.
A sweeping yet intimate narrative about the last hundred years of turbulent European history, as seen through one of Mitteleuropa’s greatest houses—and the lives of its occupants When Norman Eisen moved into the US ambassador’s residence in Prague, returning to the land his mother had fled after the Holocaust, he was startled to discover swastikas hidden beneath the furniture in his new home. These symbols of Nazi Germany were remnants of the residence’s forgotten history, and evidence that we never live far from the past. From that discovery unspooled the twisting, captivating tale of four of the remarkable people who had called this palace home. Their story is Europe’s, and The Last Palace chronicles the upheavals that transformed the continent over the past century. There was the optimistic Jewish financial baron, Otto Petschek, who built the palace after World War I as a statement of his faith in democracy, only to have that faith shattered; Rudolf Toussaint, the cultured, compromised German general who occupied the palace during World War II, ultimately putting his life at risk to save the house and Prague itself from destruction; Laurence Steinhardt, the first postwar US ambassador whose quixotic struggle to keep the palace out of Communist hands was paired with his pitched efforts to rescue the country from Soviet domination; and Shirley Temple Black, an eyewitness to the crushing of the 1968 Prague Spring by Soviet tanks, who determined to return to Prague and help end totalitarianism—and did just that as US ambassador in 1989. Weaving in the life of Eisen’s own mother to demonstrate how those without power and privilege moved through history, The Last Palace tells the dramatic and surprisingly cyclical tale of the triumph of liberal democracy.
“A Middle Eastern heart-of-darkness tale that flows like a dream . . . Crackling with razor-sharp humor” (The New York Times). At the dawn of the twentieth century, a young Lebanese explorer leaves the Levant for the wilds of Africa, encountering an eccentric English colonel in Sudan and enlisting in his service. In this lush chronicle of far-flung adventure, the military recruit crosses paths with a compatriot who has dismantled a sumptuous palace in Tripoli and is transporting it across the continent on a camel caravan. The protagonist soon takes charge of this hoard of architectural fragments, ferrying the dismantled landmark through Sudan, Egypt, and the Arabian Peninsula, attempting to return to his native Beirut with this moveable real estate. Along the way, he will encounter skeptic sheikhs, suspicious tribal leaders, bountiful feasts, pilgrims bound for Mecca, and T. E. Lawrence in a tent—in this “utterly charming” novel that was a recipient of the Académie Française’s François Mauriac Prize (Library Journal). “Renders the complex social landscape of the Middle East and North Africa with subtlety and finesse . . . Yet one doesn’t need to care about the region’s history, or its present-day contexts, to enjoy Moving the Palace.” —The Wall Street Journal
The Nineteenth century and after (London)
Back in print after a decade, Brokedown Palace is a stand-alone fantasy in the world of Steven Brust's bestselling Vlad Taltos novels. Once upon a time...far to the East of the Dragaeran Empire, four brothers ruled in Fenario: King Laszlo, a good man—though perhaps a little mad; Prince Andor, a clever man—though perhaps a little shallow; Prince Vilmos, a strong man—though perhaps a little stupid; and Prince Miklos, the youngest brother, perhaps a little—no, a lot-stubborn. Once upon a time there were four brothers—and a goddess, a wizard, an enigmatic talking stallion, a very hungry dragon—and a crumbling, broken-down palace with hungry jhereg circling overhead. And then... At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.