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Music and Liturgy, Identity and Formation is a one-of-a-kind book about All Saints Moda Church in Istanbul. In this book, Sue Whittaker explores the ways Dr. Turgay Ücal, the MBB founding pastor, has intuitively blended Christian faith and the local urban culture. Indigenous songs and adaptations of Reformed liturgy work together to enable worshipers to feel comfortable with Christianity. Images, customs, and gestures guide seekers into new ways to pray and live their lives. Turgay’s theologically sound approach provides a welcoming Christian home for Muslims searching to connect to Allah/God. For thirty years, the practices and strategies detailed in this book have merged to clearly present the gospel message in culturally appropriate ways. The principles of the All Saints Moda Church model of inculturation can be applied to Christian ministry among Muslims in all countries and cultures worldwide.
Focusing on three entertainers who have become national icons Martin Stokes offers a portrait of Turkish identity that is very different from the official version of anthems and flags. In particular, he discusses how a Turkish concept of love has been developed through the work of the singers and the public reaction to them.
This research is focused on three Istanbulite composers, Leyla Hanımefendi, Nazife Aral-Güran, and Yüksel Koptagel, who lived and produced in consecutive and overlapping periods, from the Tanzimat Era of the Ottoman Empire to the Turkish Republic of the 1980s. It explores the composers' productive and creative conditions through the socio-political environments of their times, their familial and educational backgrounds, and the social spaces in which they lived and worked. The institutionalisation of Western music and the education thereof occupy a significant place in understanding the composers' relationships with Western music, the bonds they established with polyphonic music, and the development of their musical personalities as a consequence of their education, resultant from the opportunities provided by such developments. This study conjointly examines herstory and music historiography by employing alternative materials and creating its own narrative.
Om turkisk musik utanför Turkiet.
This book explores the multiple effects of globalization on urban and rural communities, providing anthropological case studies from postsocialist Bulgaria. As globalization has been studied largely in urban contexts, the aim of this volume is to shift attention to the under-examined countryside and analyse how transnational links are transforming relations between cities, towns and villages. The volume also challenges undifferentiated notions of ‘the countryside’, calling for an awareness of rural economic and social disparities which are often only associated with urban environments. The work focuses on how the ‘urban’ and ‘rural’ have been reconfigured following the end of socialism and the advent of globalization, in socioeconomic, as well as political, ideological and cultural terms.
How do marginalized communities speak back to power when they are excluded from political processes and socially denigrated? In what ways do they use music to sound out their unique histories and empower themselves? How can we hear their voices behind stereotyped and exaggerated portrayals promoted by mainstream communities, record producers and government officials? Sounding Roman: Music and Performing Identity in Western Turkey explores these questions through a historically-grounded and ethnographic study of Turkish Roman ("Gypsies") from the Ottoman period up to the present. Drawing on extensive ethnographic fieldwork (1995 to the present), collected oral histories, historical documents of popular culture (recordings, images, song texts, theatrical scripts), legal and administrative documents, this book takes a hard look at historical processes by which Roman are stereotyped as and denigrated as "çingene"---a derogatory group name equivalent to the English term, "gypsy", and explores creative musical ways by which Roman have forged new musical forms as a means to create and assert new social identities. Sounding Roman presents detailed musical analysis of Turkish Roman musical genres and styles, set within social, historical and political contexts of musical performances. By moving from Byzantine and Ottoman social contexts, we witness the reciprocal construction of ethnic identity of both Roman and Turk through music in the 20th century. From neighborhood weddings held in the streets, informal music lessons, to recording studios and concert stages, the book traces the dynamic negotiation of social identity with new musical sounds. Through a detailed ethnography of Turkish Roman ("Gypsy") musical practices from the Ottoman period to the present, this work investigates the power of music to configure new social identities and pathways for political action, while testing the limits of cultural representation to effect meaningful social change.
Survivors of the Armenian genocide of 1915 and their descendants have used music to adjust to a life in exile and counter fears of obscurity. In this nuanced and richly detailed study, Sylvia Angelique Alajaji shows how the boundaries of Armenian music and identity have been continually redrawn: from the identification of folk music with an emergent Armenian nationalism under Ottoman rule to the early postgenocide diaspora community of Armenian musicians in New York, a more self-consciously nationalist musical tradition that emerged in Armenian communities in Lebanon, and more recent clashes over music and politics in California. Alajaji offers a critical look at the complex and multilayered forces that shape identity within communities in exile, demonstrating that music is deeply enmeshed in these processes. Multimedia components available online include video and audio recordings to accompany each case study.
The Migration Conference 2017 hosted by Harokopio University, Athens from 23 to 26 August. The 5th conference in our series, the 2017 Conference was probably the largest scholarly gathering on migration with a global scope. Human mobility, border management, integration and security, diversity and minorities as well as spatial patterns, identity and economic implications have dominated the public agenda and gave an extra impetus for the study of movers and non-movers over the last decade or so. Throughout the program of the Migration Conference you will find various key thematic areas are covered in about 400 presentations by about 400 colleagues coming from all around the world from Australia to Canada, China to Mexico, South Africa to Finland. We are also proud to bring you opportunities to meet with some of the leading scholars in the field. Our line of keynote speakers include Saskia Sassen, Oded Stark, Giuseppe Sciortino, Neli Esipova, and Yüksel Pazarkaya.
This handbook, the first of its kind, provides a rich overview of the socio-political issues and dynamics impacting Turkey’s diasporic groups and diaspora policymaking. Turkey constitutes an important case study in the field of diaspora studies with a diaspora population of around 6.5 million. This handbook therefore brings together emerging and established scholars to explore the central issues, actors, and processes relating to Turkey’s diasporic groups and diaspora outreach. Taken together, the historical and contemporary analyses presented in this volume provide readers a multi-lens perspective on the trajectories of Turkey’s diasporic communities and diaspora policymaking in a wide range of regional contexts, including Europe, North America, and Oceania. The handbook comprises six analytical parts: Contextualising Turkey’s diasporas: past and present Localisation, transnational belongings, and identity Governing diasporas Micro-spaces and everyday practices Cultural production, aesthetics, and creativity Country-specific perspectives The volume offers insights into the debates and processes that structure each of these thematic clusters, but also provides a comprehensive overview of the dynamics shaping Turkey’s diverse diaspora populations today. The contributions encompass a range of disciplines, including anthropology, history, human geography, political science, international relations, and sociology, and the volume will be vital reading for anyone interested in Turkey, the Middle East, and diasporas.