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A Troubleshooting Guide for Writers: Strategies and Process is a brief rhetoric and reference for academic and business writers that provides over 280 specific writing strategies for solving problems at every stage of the writing process--from idea generation through editing. The book's practical approach not only helps writers with the broad challenges of planning and organization, but also with the specific challenges of style and grammar.
A Troubleshooting Guide for Writers is a compendium of strategies for handling all aspects of writing, from prewriting through editing. Designed for use independently by students as a resource book or as an in-class text, A Troubleshooting Guide for Writers helps students discover specific strategies for improving their writing processes and for solving specific writing problems.
With The Artist's Date Book, Julia Cameron and Elizabeth Cameron Evans gave readers an illustrated book of provocative tasks to guide them in the Artists' date. Now, Supplies provides an owner's and driver's manual of spiritual wisdom for the creative drive. Highlighted with illustrations by Elizabeth Cameron Evans and text by Julia Cameron, this is a whimsical, entertaining, and inspiring volume that leads readers toward authentic growth, to renewal, and confidence.
The new Concise St. Martins Guide provides streamlined coverage of the six most commonly assigned genres in first-year compositionremembering events, writing profiles, explaining concepts, arguing a position, proposing a solution, and justifying an evaluation. The Concise Guide leads students through the writing process: "Guides to Reading" equip students to analyze a genres basic features, and Axelrod and Coopers distinctive "Guides to Writing" help students apply their analysis of reading to the development of their own writing projects. With more hands-on activities for critical reading and working with sources, greater emphasis on the rhetorical situation, and a fresh new design to show students the strategies they need at a glance, the Concise Guide helps students accomplish their writing goals from start to finish.
Struggling to structure your book series? Learn how to make a series work for you: increase reader engagement and take advantage of the built-in marketing potential a series gives you. Are you unsure which series structure is best for you? Or are you several books into a series, but you’re stuck? Do you want to expand your literary universe but aren’t sure how to do it? Perhaps you have a series languishing in your backlist, and you need ideas on how to market it. Get the knowledge you need to make smart decisions about your series with How to Write a Series. You’ll learn: The three basic types of series The benefits and drawbacks of writing each type of series Tips for extending your series beyond your original plan Ideas for creating spinoffs and expanding your literary universe How to know when it’s time to end a series How to save time writing your series and how to keep track of details How to deal with the problems that result from being locked into a story world How to refresh your interest in a series if you’ve grown bored Creative ways to market your series I’ve been writing for fifteen years as both a hybrid and independent author. I’ve published over twenty-five fiction books in four different series. Everything I’ve learned about writing a series has been through trial and error. I hope my lessons-learned will give you a shortcut when it comes to writing your series plus tips for troubleshooting problems and ideas for promoting your series. Unlock the power of a series in your author career with How To Write a Series.
The bestselling Emotion Thesaurus, often hailed as “the gold standard for writers” and credited with transforming how writers craft emotion, has now been expanded to include 56 new entries! One of the biggest struggles for writers is how to convey emotion to readers in a unique and compelling way. When showing our characters’ feelings, we often use the first idea that comes to mind, and they end up smiling, nodding, and frowning too much. If you need inspiration for creating characters’ emotional responses that are personalized and evocative, this ultimate show-don’t-tell guide for emotion can help. It includes: • Body language cues, thoughts, and visceral responses for over 130 emotions that cover a range of intensity from mild to severe, providing innumerable options for individualizing a character’s reactions • A breakdown of the biggest emotion-related writing problems and how to overcome them • Advice on what should be done before drafting to make sure your characters’ emotions will be realistic and consistent • Instruction for how to show hidden feelings and emotional subtext through dialogue and nonverbal cues • And much more! The Emotion Thesaurus, in its easy-to-navigate list format, will inspire you to create stronger, fresher character expressions and engage readers from your first page to your last.
The comprehensive resource for helping students succeed in the full variety of assignments they’ll face in first-year writing courses.
The fifteenth volume in the Art of series takes an expansive view of revision—on the page and in life In The Art of Revision: The Last Word, Peter Ho Davies takes up an often discussed yet frequently misunderstood subject. He begins by addressing the invisibility of revision—even though it’s an essential part of the writing process, readers typically only see a final draft, leaving the practice shrouded in mystery. To combat this, Davies pulls examples from his novels The Welsh Girl and The Fortunes, as well as from the work of other writers, including Flannery O’Connor, Carmen Machado, and Raymond Carver, shedding light on this slippery subject. Davies also looks beyond literature to work that has been adapted or rewritten, such as books made into films, stories rewritten by another author, and the practice of retconning in comics and film. In an affecting frame story, Davies recounts the story of a violent encounter in his youth, which he then retells over the years, culminating in a final telling at the funeral of his father. In this way, the book arrives at an exhilarating mode of thinking about revision—that it is the writer who must change, as well as the writing. The result is a book that is as useful as it is moving, one that asks writers to reflect upon themselves and their writing.
Whether you have years of teaching experience or are new to the classroom, you and your students can count on The St. Martin’s Guide to Writing to provide the thoroughly class-tested support you need for first-year composition, with a rhetoric, an array of engaging readings, a research manual, and a handbook, all in a single book — and available online in LaunchPad. Thousands of instructors and their students rely on the Guide’s proven approach because it works: Acclaimed step-by-step reading and writing guides to 9 different genres offer sure-fire invention that get students started and revision strategies that help them develop their writing. The new edition continues in its mission to serve a diverse audience of schools and students with an improved, accessible design, new support for reflection that encourages transfer, and a new Student’s Companion for students taking co-requisite or ALP courses.
Working It Out is a unique text that conveniently provides 240 specific writing strategies covering the full range of the writing process, not only helping writers prepare and organize their papers but also helping them to overcome specific challenges - for example, Chapter Eight: "I Can't Think of the Right Word" - and by overcoming these challenges to develop an effective approach to writing.