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This collection of humorous essays explores such quirky topics as disastrous home repairs, ("A Trip to the Hardware Store"), an unfortunate dinner party ("Dinner is Served"), the truth about lazy people ("Lazy Bones"), the weird life of a debt collector ("Your Account is Past Due") and obsessions with gadgets ("Gadget Girl"). You'll also learn how surreal the aging process is ("Where Did the Time Go?"), why you shouldn't judge a person by their job ("Beyond Belief"), and how to complicate simple transactions ("High Finance"). Like the author's first book of essays, I'm Not Talking About You, Of Course..., these essays will give your spirit a lift and leave you smiling.
This collection of humorous essays explores such quirky topics as disastrous home repairs, ("A Trip to the Hardware Store"), an unfortunate dinner party ("Dinner is Served"), the truth about lazy people ("Lazy Bones"), the weird life of a debt collector ("Your Account is Past Due") and obsessions with gadgets ("Gadget Girl"). You'll also learn how surreal the aging process is ("Where Did the Time Go?"), why you shouldn't judge a person by their job ("Beyond Belief"), and how to complicate simple transactions ("High Finance"). Like the author's first book of essays, I'm Not Talking About You, Of Course..., these essays will give your spirit a lift and leave you smiling. This is the large print edition of A Trip to the Hardware Store And Other Calamities, with a larger font / typeface for easier reading.
Winner of the "Indie Book of the Day" award and Honorable Mention for non-fiction humor in the "Readers' Favorite" Contest. At 8,000 words, this collection of humorous essays explores such quirky topics as: disastrous home repairs, ("A Trip to the Hardware Store"), an unfortunate dinner party ("Dinner is Served"), the truth about lazy people ("Lazy Bones"), the weird life of a debt collector ("Your Account is Past Due") and obsessions with gadgets ("Gadget Girl"). Other essays examine how surreal the aging process is ("Where Did the Time Go?"), why you shouldn't judge a person by their job ("Beyond Belief"), and how to complicate simple transactions ("High Finance"). Like the author's first work, "I'm Not Talking About You, Of Course...," these essays will give your spirit a lift and leave you smiling.
Winner of the "Indie Book of the Day" award, this short collection of humorous essays explores such quirky topics as annoying pet people ("I'm Not Talking About You, Of Course"), analyzing your inner child ("Irrational Fears") and how to live like the Amish in the aftermath of a hurricane ("A Jolt of Electricity"). Included are also stories of just how much damage can be caused by a sneeze ("It All Started with a Loud Sneeze"), why it is so complicated to buy a tube of toothpaste ("Ask Me No Questions"), how not to prepare dinner ("Martha, I Let You Down"), making new friends ("Friends in Low Places"), how a parent's obsessive hobbies can become an inescapable vortex ("Crazy Hobbies"), and why spending the night in a sleep clinic is like being abducted by probing aliens ("Nightmare at the Sleep Clinic"). If you don't see yourself in one of these entertaining essays, then I'm not talking about you, of course...
June 14, 1903, was a typical, hot Sunday in Heppner, a small farm town in northeastern Oregon. People went to church, ate dinner, and relaxed with family and friends. But late that afternoon, calamity struck when a violent thunderstorm brought heavy rain and hail to the mountains and bare hills south of town. When the fierce downpour reached Heppner, people gathered their children and hurried inside. Most everyone closed their doors and windows against the racket. The thunder and pounding hail masked the sound of something they likely could not have imagined: a roaring, two-story wall of water raging toward town. Within an hour, one of every five people in the prosperous town of 1,300 would lose their lives as the floodwaters pulled apart and carried away nearly everything in their path. The center of town was devastated. Enormous drifts of debris, tangled around bodies, snaked down the valley. The telegraph was down, the railroads were out, and the mayor was in Portland. Stunned survivors bent immediately to the dreadful tasks of searching for loved ones and carrying bodies to a makeshift morgue in the bank. By the next afternoon, thousands of individuals and communities had rushed to the town's aid, an outpouring of generosity that enabled the self-reliant citizens of Heppner to undertake the town's recovery. In Calamity, Joann Green Byrd, a native of eastern Oregon, carefully documents this poignant story, illustrating that even the smallest acts have consequences - good or bad. She draws on a wealth of primary sources, including a moving collection of photographs, to paint a rare picture of how a small town in the West coped with disaster at the turn of the twentieth century.
Johnny Wainwright is a bush pilot repo man struggling to make a living in Seward, Alaska. When he reclaims stolen equipment from remote Johnstone Bay, the trouble begins. Bush airplanes, murdering thieves, and a beautiful Learjet pilot fill Johnnys days during a life and death struggle in Prince William Sound.
"Disaster Planning for the Clinical Practice discusses how to overcome both natural and man-made disasters, identifies the necessary procedures for restarting your practice after a disaster has occurred, and explains how to prepare a real disaster plan. You will find true-life case studies, questions you will need to answer, and dozens of templates and forms for implementing your disaster plan immediately and effectively. Protect your practice - large or small - by using this valuable and timely resource."--BOOK JACKET.
The most personal writing yet to come from a noted scholar of race: a bold and moving look at race, gender, aging, and immigration that examines, through lenses both intimate and political, what it means to be an Asian American woman living in America today. Part memoir, part cultural criticism, part history, Anne Anlin Cheng’s original essays focus on art, politics, and popular culture. Through personal stories woven with a keen eye and an open heart, Cheng summons up the grief, love, anger, and humor in negotiating the realities of being a scholar, an immigrant Asian American woman, a cancer patient, a wife of a white man, and a mother of biracial children . . . all in the midst of the (extra)ordinary stresses of recent years. Ordinary Disasters explores with lyricism and surgical precision the often difficult-to-articulate consequences of race, gender, migration, and empire. It is the story of Chinese mothers and daughters, of race and nationality, of ambition and gender, of memory and forgetting, and the intricate ways in which we struggle for interracial and intergenerational intimacies in a world where there can be no seamless identity.