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In Yesterdays Reflections, author Albert F. Schmid invites us to consider the various holidays that are celebrated throughout the year. He provides interesting facts about each holiday and includes the religious origins of them where relevant because many of our holidays have a religious connection. He also explains important points about the holidays, such as why Easter is always on a Sunday and why Thanksgiving is always on the fourth Thursday in November. In addition, he includes devotionals on topics ranging from Contentment to God Is Where Love Is. Each devotional includes the pertinent Scriptures, a story to illustrate the point being made, and Schmids comments. For example, The Rear View Mirror tells the story of Grace, who remembers her fathers advice for driving in the snow: find a snow plow and follow it. When she encounters a blizzard, she does this; an hour later, the driver stops to make certain she is all right, as he had plowed a large parking lot, was moving on to the next business, and was concerned when he noticed that she was following him. We often become comfortable thinking that we can just follow the snow plow when in truth we need to learn to trust God and let Him lead the way. Yesterdays Reflections is an inspiring collection that reminds us that we are Christs ambassadors and that God expects each of us to live and act as though He is making His appeal through us. The best sermons are not preached; they are lived.
France (1837) was the third volume published in Cooper's Gleanings in Europe series, but first in the chronology of his European experience. Less sequential than his other travel narratives, France distills his impressions of French and European culture during his first two years abroad. Exhibiting many qualities of the familiar essay, it considers a wide range of topics of interest to Cooper, his friends, and potential readers in the United States. As a celebrity thoroughly at home in the brilliant society of Bourbon Paris, Cooper was able to provide fascinating glimpses of personalities, spectacles, institutions, and manners--from his distinctly American perspective. Indeed, as Professor Philbrick remarks, "No other of Cooper's works, perhaps, brings us closer to his speaking voice or puts us more directly in contact with the man himself, with all his idiosyncratic preoccupations, his quick resentments, his restless curiosity, his surprising humor, and his nobility of principle." The reader of this edition is brought even closer to Cooper in the draft of a hitherto unpublished letter, probably intended for this book, which illustrates Cooper's grasp of the still finer points of French customs and attitudes.
Rhode Island reporter Hallie Ahern needs her next story to land on the front page if she wants to keep her job. The new execs at the Morning Chronicle are cutting back the staff, and Hallie, the newest member of the investigative team, could be one of the first to go. A one-car accident, even one that resulted in the death of a young mother of three, normally wouldn't be front-page material. But because Hallie witnessed it while coming home late on a rainy spring night, she can't get it out of her mind. With a little luck and a lot of digging, Hallie's good instincts put her on the trail of a much bigger story. And to get it, she'll to have to take some risks, but this time the stakes couldn't be any higher or more deadly. A breakneck ride through Providence's crime world and a powerful look at Hallie's daily struggle with gambling addiction, Yesterday's Fatal will have readers holding on tight.
Ilya and Melanie wrote a collection of poems to each other from the time they first read each other’s work to the time Ilya came to Australia to be with Melanie.
Making Your Memories with Rock & Roll and Doo-Wop: The Music and Artists of the 1950s and Early 1960s digs back through the catalogue of popular music and brings to life the solo artists, duos, and groups whose music once filled the airwaves and turntables with rock & roll and doo-wop. The Doctor of Doo-Wop, J.C. De Ladurantey, brings his expertise, honed by hosting a weekly radio show, “Making Your Memories,” to his revelation of the backstories of these trendsetting artists. Until the British Invasion in mid 1963 changed the direction of American music, the sounds created by the artists profiled in Making Your Memories with Rock & Roll and Doo-Wop shaped the entertainment soundtrack of a generation. This music history shares the little-known details of the lives of these artists, the history of the period, the distinctiveness of the music, and the power and influence of the songs’ lyrics. Making Your Memories with Rock & Roll and Doo-Wop: The Music and Artists of the 1950s and Early 1960s will leave echoes of the time’s memorable songs in your mind’s ear and their lyrics on the tip of your tongue. You’ll discover a fresh desire to find the recordings and give them another “spin” on your “record player,” even if your digital music lives in the cloud.
Rock music of all varieties has been influenced by classical music and vice versa, both in the form of direct quotes and in the form of borrowings of style, composition, and instrumentation. The average listener may be unaware of the many links between rock music and the classics. One might remember a few examples, such as Walter Murphy's chart-topping "A Fifth of Beethoven" or Eric Carmen's "All by Myself," but pass them off as interesting anomalies. However, the influence of the classics on rock music is pervasive and grows from a long line of precedents. This second supplement to Janell R. Duxbury's original 1985 discography, Rockin' the Classics and Classicizin' the Rock, brings the earlier work and first supplement up-to-date with hundreds of new entries documenting recently released or newly discovered examples of the interconnection between these musical genres. Duxbury details nearly 700 new examples of recorded rock instrumentals and songs that borrow musical themes from the classics. Variations range from contemporary renditions of complete classical works to brief classical quotes or phrases subtly incorporated into rock compositions. Duxbury also gives additional examples of recorded orchestral versions of songs originally composed and/or written by rock artists. In these examples, the musical style varies from strict classical interpretations to pop-style orchestral renditions. The second supplement then expands Duxbury's original compilation of sound recordings and live performances of rock groups performing with established orchestras and choruses, selected samples of recorded rock music that simulate baroque or classical sound/structure, examples of the manifest influence of rock on classical music, and instances of rock artists and classical artists switching roles. Lastly, this discography updates the 1985 version and the first supplement with new information, expanded details, and minor corrections to the earlier works. An extended list of selected non-rock background examples is included in several new appendixes. The Preface is updated. A general index includes the names of classical composers, rock artists and groups, orchestras, choruses, orchestra conductors, sound recording producers, and song or instrumental titles. With its incomparable scope and content, this supplement, together with Duxbury's previous discography, and its first supplement will be appreciated by students, researchers, record collectors, trivia buffs, music industry employees, and fans of rock music and the classics.
At the end of the previous book in The Johnny Skull Series – “The Great Sicilian Rabbit Hunter” – Johnny discovers a fortune in gold and cash in an abandoned coal mine. He then proceeds to give many of his friends a gift of $20,000, but he remains the anonymous gift giver. “A Tribute To His Heroes” – the fifth in The Johnny Skull Series – follows the recipients of the gifts and how their new wealth affects their lives. Returning to the story line are many of the characters from the previous four books of the series, including Emily and Cimmaron, Rocky, Diego, Trudie and Marlie, Sheriff Webb, Helga, Sarah and Vanessa, Richie, Omaline, Saundra and Jenny, Greta, and Xerxes, the Persian. New characters include an ex-Marine and an undercover Israeli operative. A sub-plot of the story is the murder of a radical Muslim cleric, how that murder intertwines the lives of several of the characters, and the international intrigue that builds upon that incident. * * * “Reading this book was like taking a trip down memory lane and visiting old friends. The Johnny Skull Series just keeps getting better and better.” – Jack Paige, Ph.D., Literary Consultant
Carmel-by-the-Sea, The Early Years (1903-1913) describes the establishment of Carmel-by-the-Sea, California, along with an overview of the history of the Carmel Mission and the Monterey Peninsula. The book's emphasis is on the development of Carmel as a Bohemian artists' and writers' colony at the start of the 20th century. The town's first decade of existence is described: the businesses and services offered, and the residential architecture. There are biographies of the well-known Bohemian artists, writers, poets, builders, and other notable residents and visitors in the early 1900's. This original group of settlers, the majority of whom came from Northern California's Bay Area, were distinctive individuals, who were drawn to the coastal village by its scenic beauty and the inspiration it provided for their intellectual pursuits. They set the tone that made Carmel-by-the-Sea a Bohemian enclave on the West Coast, and distinguished it as a unique place. These early residents and visitors left a significant and lasting impact on the future of the seaside town, which in turn attracted other creative talents to the area, through the years and still to this day. Carmel-by-the-Sea, The Early Years (1903-1913), preserves the literary, artistic, cultural, and architectural heritage of Carmel and the Monterey Peninsula region.