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"Anthony and Greg, two U.S. soldiers during the Vietnam War, find themselves stationed in Bangkok, Thailand. Chailai and Pensri struggle to survive in a city full of predators. When their worlds collide, the foursome form a family, only to be threatened by the work the young men must perform for the U.S. Army."--Publisher's description.
From the New York Times bestselling author of Deacon King Kong and The Good Lord Bird, winner of the National Book Award for Fiction: The modern classic that Oprah.com calls one of the best memoirs of a generation and that launched James McBride's literary career. More than two years on The New York Times bestseller list. As a boy in Brooklyn's Red Hook projects, James McBride knew his mother was different. But when he asked her about it, she'd simply say 'I'm light-skinned.' Later he wondered if he was different too, and asked his mother if he was black or white. 'You're a human being! Educate yourself or you'll be a nobody!' she snapped back. And when James asked about God, she told him 'God is the color of water.' This is the remarkable story of an eccentric and determined woman: a rabbi's daughter, born in Poland and raised in the Deep South who fled to Harlem, married a black preacher, founded a Baptist church and put twelve children through college. A celebration of resilience, faith and forgiveness, The Color of Water is an eloquent exploration of what family really means.
From the bestselling author of Deacon King Kong and the National Book Award-winning The Good Lord Bird: The modern classic that spent more than two years on The New York Times bestseller list and that Oprah.com calls one of the best memoirs of a generation. Who is Ruth McBride Jordan? A self-declared "light-skinned" woman evasive about her ethnicity, yet steadfast in her love for her twelve black children. James McBride, journalist, musician, and son, explores his mother's past, as well as his own upbringing and heritage, in a poignant and powerful debut, The Color Of Water: A Black Man's Tribute to His White Mother. The son of a black minister and a woman who would not admit she was white, James McBride grew up in "orchestrated chaos" with his eleven siblings in the poor, all-black projects of Red Hook, Brooklyn. "Mommy," a fiercely protective woman with "dark eyes full of pep and fire," herded her brood to Manhattan's free cultural events, sent them off on buses to the best (and mainly Jewish) schools, demanded good grades, and commanded respect. As a young man, McBride saw his mother as a source of embarrassment, worry, and confusion—and reached thirty before he began to discover the truth about her early life and long-buried pain. In The Color of Water, McBride retraces his mother's footsteps and, through her searing and spirited voice, recreates her remarkable story. The daughter of a failed itinerant Orthodox rabbi, she was born Rachel Shilsky (actually Ruchel Dwara Zylska) in Poland on April 1, 1921. Fleeing pogroms, her family emigrated to America and ultimately settled in Suffolk, Virginia, a small town where anti-Semitism and racial tensions ran high. With candor and immediacy, Ruth describes her parents' loveless marriage; her fragile, handicapped mother; her cruel, sexually-abusive father; and the rest of the family and life she abandoned. At seventeen, after fleeing Virginia and settling in New York City, Ruth married a black minister and founded the all- black New Brown Memorial Baptist Church in her Red Hook living room. "God is the color of water," Ruth McBride taught her children, firmly convinced that life's blessings and life's values transcend race. Twice widowed, and continually confronting overwhelming adversity and racism, Ruth's determination, drive and discipline saw her dozen children through college—and most through graduate school. At age 65, she herself received a degree in social work from Temple University. Interspersed throughout his mother's compelling narrative, McBride shares candid recollections of his own experiences as a mixed-race child of poverty, his flirtations with drugs and violence, and his eventual self- realization and professional success. The Color of Water touches readers of all colors as a vivid portrait of growing up, a haunting meditation on race and identity, and a lyrical valentine to a mother from her son.
In this inspirational and humorous collection of essays, author John Dietsch sees his addiction to and passion for fishing as a parable that can help us shift from compulsive thinking to mindfulness and a closer connection to God. From creating fishing scenes on the set of A River Runs Through It in Montana, to directing fly fishing shows in New Zealand and from exploring deep canyons in California to guiding in Colorado, John shares his experiences and asks the question: what are we really fishing for? Through John’s journeys across the globe, we discover that the same pursuit in fishing—of what is elusive but attainable—can be applied to our own spiritual journey. In the end, Dietsch uncovers his own truth under the rocks of a childhood river, recognizing the loss of both his brothers as the path of acceptance and faith that is graced by waters.
When it first appeared in Erma Bombeck's Mother's Day column in 1974, When God Created Mothers was an instant success, clipped from newspapers, tucked into purses, and tacked onto refrigerators all over America. Now in this beautiful keepsake edition, Bombeck's moving words are paired with original art that bring to life the warm portrait of motherhood contained within.An angel marvels at the detail and overtime that the good Lord is putting into his creation of mothers. Despite the six pairs of hands and the three pairs of eyes that every mother needs, the angel thinks she has discovered a flaw:"There's a leak," she pronounced. "I told you that you were trying to put too much into this model.""It's not a leak," said the Lord. "It's a tear.""What's it for?""It's for joy, sadness, disappointment, pain, loneliness and pride.""You are a genius," said the angel.The Lord looked somber, "I didn't put it there."Every mother will treasure this moving tribute, penned by America's most beloved expert on motherhood.
Examines the state of African poetry today, the continuing influence of Africa's pioneer poets, today's new generation of poets, and their work in written poetry and in the spoken word, continuing oral indigenous traditions. Almost half a century after ALT 6 and thirty-three years after ALT 16, what is the state of poetry and poetics in Africa? This volume of ALT highlights major developments and continuities in the practice of the art of poetry in the continent. Contributions analyse new frontiers in the traditional African epic and the Yoruba oríkì genre and innovations in form and theme, such as 'spoken word poetry' shared on digital media and pandemic poetry in the wake of COVID-19. They compare and contrast the work of Romeo Oriogun, Christopher Okigbo, and Gabriel Okara and of T.S. Eliot and Kofi Anyidoho. Other essays examine the complexities of translation from Ewe into English and the development of oral African poetry, underscoring its dynamism and the centrality of performance. The volume also includes interviews with poets Kofi Anyidoho, Kwame Dawes, and Kehinde Akano and tributes to Ama Ata Aidoo. Altogether, it highlights the richness and vibrancy of contemporary praxis and points to future directions in the field.
Harriet Sherwood has always adored her grandmother. But when Harriet decides to follow her footsteps to fight for social justice, she certainly never expected her efforts to land her in jail. Nor did she expect her childhood enemy and notorious school bully, Tommy O'Reilly, to be the arresting officer. Languishing in a jail cell, Harriet has plenty of time to sift through the memories of the three generations of women who have preceded her. As each story emerges, the strength of her family--and their deep faith in the God of justice and righteousness--brings Harriet to discovery of her own goals and motives for pursuing them.
The second anthology from Compass Flower Press, Boundless contains sixteen short stories from writers across North America. These prize-winning authors include Evan Guilford-Blake (first place), Anneliese Schultz, Linda Johnson, Peggy DeKay, Julia Simpson-Urrutia, Bill Mesce, Jr., Ellen Birkett Morris, Dawn Paul, Donna Volkenannt, Von Pittman, Matthue Roth, Rosemary McKinley, Sharon Buzzard, Mary Pacifico Curtis, Ida Bettis Fogle, and Marcia Calhoun Forecki. The span of fiction adn creative nonfiction work falls into several genres. The editor for the project was David G. Collins.