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Up to the current day, matters of sexual morality—including contraception, abortion, premarital sex, and gay marriage—have polarized the Catholic Church. In the wake of the turmoil of the 1960s, when liberal theologians challenged the Church’s traditional views on the subject, a schism has opened. Much of the world, and many Catholics themselves, believe that the views of each camp are clear and well defined. As Mark Judge reveals in this trenchant and illuminating defense of the teachings of his Church, this is far from the case. Without sensationalism, Judge is candid here about his personal journey from the playgrounds of the sexual revolution to his eventual belief in the need to combine sexuality with love and commitment to another person, not as an end in itself but rather as a particularly direct means of opening oneself up to God’s love. He also sees support for the Christian theology on love in a seemingly unlikely place: rock music. He delves into the Church’s teachings on sexual matters, going back to the time of Saint Augustine, Saint Thomas Aquinas, Saint John of the Cross, and Pope John Paul II while also acquainting us with more contemporary voices from within the Church—as well as from the pop charts.
Up to the current day, matters of sexual morality--including contraception, abortion, premarital sex, and gay marriage--have polarized the Catholic Church. In the wake of the turmoil of the 1960s, when liberal theologians challenged the Church's traditional views on the subject, a schism has opened. Much of the world, and many Catholics themselves, believe that the views of each camp are clear and well defined. As Mark Judge reveals in this trenchant and illuminating defense of the teachings of his Church, this is far from the case. Without sensationalism, Judge is candid here about his personal journey from the playgrounds of the sexual revolution to his eventual belief in the need to combine sexuality with love and commitment to another person, not as an end in itself but rather as a particularly direct means of opening oneself up to God's love. He also sees support for the Christian theology on love in a seemingly unlikely place: rock music. He delves into the Church's teachings on sexual matters, going back to the time of Saint Augustine, Saint Thomas Aquinas, Saint John of the Cross, and Pope John Paul II while also acquainting us with more contemporary voices from within the Church--as well as from the pop charts.
In these essays the saints appear as paradoxes: like T.S. Eliot's St. Thomas Becket, they have felt "a tremor of bliss," but they must fight all-too-mortal battles with despair, social indifference, and hardness of heart.
ints have served to inspire, enlighten, and enrich. In this moving as well as challenging collection of essays, a highly distinguished group of writers explores the deep and varying responses the saints inspire in readers today. They will be cherished by anyone seeking a contemporary perspective on the saints.
Elie tells the story of four modern American Catholics who made literature out of their search for God: Thomas Merton; Dorothy Day; Walker Percy; and Flannery OConnor.
The award-winning author of "Eliot's Early Years" combines new material--including scores of recently discovered letters--with the best of her earlier work in a single volume that addresses Eliot's anti-Semitism as well as his misogyny. of photos.
Ditsky closely examines thirteen modern plays to elaborate patterns of "Christ-presence" as sacrificial victim, teacher, redeemer, benefactor, or martyr in a study ranging in time from Isben's The Wild Duck to Albee's The Zoo Story and Arden's Sergeant Musgrave's Dance.
Since 451 A.D., at the Council of Chalcedon, Christians have prayed a credo—a short summary of their belief—during Mass which begins: “I believe in God, the Father Almighty, Maker of Heaven and earth and of all things seen and unseen.” With that belief, they see the unseen: God, His Blessed Mother, the Angels, the Saints, and Satan, the fallen Archangel. This touching memoir asserts the fact that we live in two different worlds—the ever-changing one we see with our human eyes and the ever-constant one we see with our eyes of faith. Seen and Unseen Worlds: Private Memoirs of a Former Jesuit is a very human introduction to living faith by a young man who was part of the Society of Jesus (the Jesuits) for nearly twelve years. The book culminates with Murray’s decision to leave the Society in 1956. This book is for people of all religions and ages because it deals with life, destiny, the world we know, and the world we cannot yet know.
"This collection of essays devoted to the centrality of place in the short stories and novels of some of the twentieth century's most famous American writers was conceived as a way to honor the life and career of Walter Sullivan, an author for whom place was central both in his fiction and in his critical writing. The works explored in this volume range from the Middle West realism of Fitzgerald and Powers to the wilderness vision of Faulkner and the historical and political fiction of Warren." --Book Jacket.