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Dieses historische Buch kann zahlreiche Tippfehler und fehlende Textpassagen aufweisen. Kaufer konnen in der Regel eine kostenlose eingescannte Kopie des originalen Buches vom Verleger herunterladen (ohne Tippfehler). Ohne Indizes. Nicht dargestellt. 1801 edition. Auszug: ...with the hand, as the chambriere served to teach him to go forward for the heels; in a few days he will both follow the hand and slee from the heel, if the sirst aids are given with that degree of judgement and discretion that ought to be used with young horses. Want of care and patience in the beginning is the source of the greater part of the vices and disorders which horses fall into. When the horse begins to obey with readiness, and determines without hesitation, either to turn for the hand, or to go forward for the heels, or to change hands, as we suppose him to have been taught, then his temper is to be examined, that the trot may be proportioned to his disposition and powers. Horses are in general of two dispositions, some retain their strength and are for the most part light in hand, others abandon themselves, and are commonly heavy in hand. Those which naturally hold back, must be put to the extended full-trot to open the shoulders and supple the haunches: on the contrary those which trot heavy in hand and pull hard, must be put to the high and shorttrot, to prepare them to keep themselves together; but both must be trained to the equal and sirm trot, without dragging the haunches, and the lesson must be kept up, with the fame vigour from the beginning to the end, taking care however not to let it be too long. It must not be the object of the sirst lessons, to form the mouth, or to settle the head of the horse; this is not to be attempted besore he is unstiffened, and has acquired the habit of turning easily to cither hand; by these means the sensibility of the mouth will be preserved. The bridon is excellent in the beginning, because it rests but very slightly on the bars, and...
First published in 1733, A Treatise upon Horsemanship is a classic work on the art of riding. Written by François Robichon de La Guérinière, a master of the equestrian arts, this book provides a detailed guide to everything from basic riding techniques to advanced training methods. This new translation, by W. Frazer, captures the beauty and elegance of La Guérinière's prose, making it accessible to a new generation of riders and horse lovers. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A novel, interdisciplinary exploration of the relative contributions of rigidity and flexibility in the adoption, maintenance, and evolution of technical traditions. Techniques can either be used in rigid, stereotypical ways or in flexibly adaptive ways, or in some combination of the two. The Evolution of Techniques, edited by Mathieu Charbonneau, addresses the impacts of both flexibility and rigidity on how techniques are used, transformed, and reconstructed, at varying social and temporal scales. The multidisciplinary contributors demonstrate the important role of the varied learning contexts and social configurations involved in the transmission, use, and evolution of techniques. They explore the diversity of cognitive, behavioral, sociocultural, and ecological mechanisms that promote and constrain technical flexibility and rigidity, proposing a deeper picture of the enablers of, and obstacles to, technical transmission and change. In line with the extended evolutionary synthesis, the book proposes a more inclusive and materially grounded conception of technical evolution in terms of promiscuous, dynamic, and multidirectional causal processes. Offering new evidence and novel theoretical perspectives, the contributors deploy a diversity of methods, including ethnographies, field and laboratory experiments, cladistics and phylogenetic tree building, historiography, and philosophical analysis. Examples of the wide range of topics covered include field experiments with potters from five cultures, stability and change in Paleolithic toolmaking, why children lack flexibility when making tools, and cultural techniques in nonhuman animals. The volume’s three thematic sections are: · Timescales of technical rigidity and flexibility · Rigid copying to flexible reconstruction · Exogenous factors of technical rigidity and flexibility The volume closes with a discussion by philosopher Kim Sterelny. Contributors Rita Astuti, Adam Howell Boyette, Blandine Bril, Josep Call, Mathieu Charbonneau, Arianna Curioni, Nicola Cutting, Bert De Munck, György Gergely, Anne-Lise Goujon, Ildikó Király, Catherine Lara, Sébastien Manem, Luke McEllin, Helena Miton, Giulio Ongaro, Sarah Pope-Caldwell, Valentine Roux, Manon Schweinfurth, Dan Sperber, Kim Sterelny, Dietrich Stout, James W. A. Strachan, Sadie Tenpas
As we all know, there is a kind of lazy pleasure in useless and out-of-the-way erudition-The compilation and translation of this volume have given us a great deal of such pleasure; we hope the reader will share some of the fun we felt when ransacking the