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VOYAGES IN KALEIDOSCOPE is a little dadaist style book which undeniably reveals the Great Work. It is a must for all those involled in some form of Inner Work or practical Qabalah - the journeymen who seek the uncharted realms, the maze with its own order and images in kaleidoscope. The book was originally published in French, in the autumn of 1919. Shortly after publication in Paris, all copies of the book were confiscated and pulped. A few copies were overseen. Translated into English for the first time, it is now offered through Inner Garden Press. Enjoy this poetic little novel.
Our future depends very much on how we respond to three great challenges of the new century, all of which threaten to increase social inequality: first, how we adapt institutions to the new role of women; second, how we prepare our children for the knowledge economy; and, third, how we respond to the new demography.
"Patience helps you endure all the troubles and issues that bother you. When you reach a stage, where the only remaining option is to release the things that are clinging on to you and pause your life, you feel enlightened and feel the positive impact of the change, and you no longer see yourself a victim of life. Kaleidoscope - Colours of Life is a tapestry of inspiring stories, suggestive poignant thoughts and ideologies that serve as a guide in every stage of life. Interlaced with threads of experiences of life and the lessons learnt from them, the book depicts seven inspiring stories weaved into the magnificent array of a rainbow. Charting the various shades of life, the book further highlights the ups and downs of each of the characters, who are embedded here as a metaphor for a rainbow, in the patio of a plethora of circumstances. By sharing wisdom, experiences and insights, Kaleidoscope - Colours of Life intends to deliver a message that will inspire and empower the readers to sense happiness and contentment, and help them to navigate life as a truly confident individual."
This study argues for Hogg's centrality to British Romanticism, resituating his work in relation to many of his more famous Romantic contemporaries. Hogg creates a unique literary style which, the author argues, is best described as 'kaleidoscopic' in view of its similarities with David Brewster's kaleidoscope, invented in 1816.
Why do so many operas end in suicide, murder, and death? Why do many characters in large-scale operas exhibit neurotic behaviors worthy of psychoanalysis? Why are the legendary grands operas - much celebrated in their time - so seldom performed today?