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In the last third of the eighteenth-century, Bristol and Nantes were two of the most active commercial ports of England and France, despite a slowdown of their economy. Their economies were based primarily on the maritime trade, but they developed alongside Atlantic industries that attracted many migrants, both male and female, from the surrounding countryside and from abroad. The busy urban environment, the high number of sailors and single men migrating to the port, and the decline of female house based proto-industries, were factors encouraging the development of prostitution. How prostitution is perceived in the context of social control and urban change is key to understanding the evolving attitudes to gender and sexuality in the eighteenth century. In this comparative study, Marion Pluskota offers an analysis of the lives of prostitutes that looks beyond a purely criminal perspective, and which encompasses their roles within their families, relationships and social networks. Using police and judicial records, she provides a valuable corrective to the narrow analysis of prostitutes in terms of immorality or deviance. The unique forms of development and problems faced by port cities in the early modern period make them particularly interesting subjects for comparative history. This book is well suited for those who study social history, gender and women’s history.
In Policing the City, Harris seeks to explain the transformation of criminal justice, particularly the transformation of policing, between the 1780s and 1830s in the City of London. As utilitarian legal reformers argued that criminal deterrence ought to be based on certain and rational punishment rather than random execution, they also had to control the discretionary authority of enforcement. This meant in theory and practice the centralization of policing in the 1830s, and the end of local policing, which was seen as corrupt, inefficient, and unsuitable for rational criminal justice. Revolutionary changes in policing began locally, however, in the 1780s. Such local changes preceded and inspired national reforms, and local policing up to the centralizing measures of the 1830s remained dynamic, responsive, and locally accountable right until its demise. Anxiety about policing had as much to do with the social origins of the police as it did about the origins of criminality, and control over the discretionary authority of watchmen and constables played a larger role in criminal justice reform than the nature of crime. The national, metropolitan, and City police reforms of the late 1830s were thus the culmination of a contentious argument over the meanings of justice, efficiency, and order, rather than its beginning. Harris's evidence reveals how what we've come to think of as "modern" policing evolved out of local practice and reflects shifts in wider debates about crime, justice, and discretionary authority.
Traditionally, the history of detective stories as a literary genre begins in the 19th century with the works of Edgar Allan Poe, Charles Dickens, Wilkie Collins, Emile Gaboriau and a handful of other writers. The 19th century was actually awash in detective stories, though many, like the so-called detective notebooks, are so rare that they lay beyond the reach of even the most dedicated readers. This volume surveys the first 50 years of the detective story in 19th century America and England, examining not only major works, but also the lesser known--including contemporary pseudo-biographies, magazines, story papers, and newspapers--only recently accessible through new media. By rewriting the history of the mystery genre, this study opens up new avenues for literary exploration. Instructors considering this book for use in a course may request an examination copy here.
This study offers a radical reassessment of a crucial period of political and cultural history. By looking at some 400 songs, many of which are made available to hear, and at their writers, singers, and audiences, it questions both our relationship with song, and ordinary Britons' relationship with Napoleon, the war, and the idea of Britain itself.