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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1907 edition. Excerpt: ... GOOD HOPE. "Good Hope " for this good land yet, If we would but dare and do; If we would but stand with ready hand To grasp ere the blessings go. "Good Hope" for this good land yet, If we would but stay life-streams, Which will past us flow while we, too slow, Stand rapt on the bank in dreams. "Good Hope" for this good land yet, If we would but cease to hope That the rain will drop and bring a crop While we idly sit and mope. "Good Hope" for this good land yet, If we work, e'en while we wait For the sun and rain to ripen grain We have sown, then left to fate. "Good Hope " for this good land yet, If we use each heav'n-sent gift As a means to an end, and do not spend Our best without care and thrift. "Good Hope " for this good land yet, If we live and struggle still To a better life, through toil and strife, With a stout heart and strong will. "Good Hope" for this good land yet, If our faith be active trust, And not blind belief, which, at each grief, Still mourns that what must be must. "Good Hope" for this good land yet, If we would but trust in God, And the Christ who came and took our name To bless, not to turn the sod. William Rodger Thomson. THE POET. The poet walks entranced o'er earth, And, dreaming-, touches Nature's strings, And calls grand harmonies to birth; Men listen wond'ring as he sings. He goeth oft to wild retreats, Where Nature broods in solitude; There, in the Muses' haunted seats, Enrapt he stands--as if he view'd Strange visions on the face of heav'n. His eye rolls o'er the boundless blue, And then, as if his sight had giv'n Wings to his soul, he soareth through Th' empyrean vault, and upward flies To scan deep mysteries, unseen By common souls, whose earth-bound eyes Are blinded with the dazzling sheen Of glorious...
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
"Teachers' bulletin", vol. 4- issued as part of v. 23, no. 9-
South Africa's unique history has produced literatures in many languages, in both oral and written forms, reflecting the diversity in the cultural histories and experiences of its people. The Cambridge History offers a comprehensive, multi-authored history of South African literature in all eleven official languages (and more minor ones) of the country, produced by a team of over forty international experts, including contributors from all of the major regions and language groups of South Africa. It will provide a complete portrait of South Africa's literary production, organised as a chronological history from the oral traditions existing before colonial settlement, to the post-apartheid revision of the past. In a field marked by controversy, this volume is more fully representative than any existing account of South Africa's literary history. It will make a unique contribution to Commonwealth, international and postcolonial studies and serve as a definitive reference work for decades to come.