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A wide and varied selection of myths from various African tribes south of the Sahara.
In A Treasury of Afro-American Folklore, esteemed novelist and folklorist Harold Courlander brings together another extensive and unique collection of tales, recollections, epics, traditions, beliefs, myths, historical chronicles, and songs, this time from the numerous black cultures of the New World. This remarkable exploration, which covers the unwritten traditions and literature of the Spanish-, French-, and English-speaking islands of the Caribbean, the areas of Central and South America inhabited by people of African descent, and the black communities of the United States, brings to light amazing tales of scoundrels, heroes, rollicking adventures, and friendship, descriptions of cult life around which many traditions and beliefs flowed, insight into the social scene in places where black and white ideas intermingled and became Afro-American, and much more. With a focus on the interconnectedness of cultural inheritances throughout the Afro-American region as well as the local divergences, A Treasury of Afro-American Folklore eloquently demonstrates the powerful cultural influence of Africa on this side of the Atlantic. Book jacket.
Highlights the diverse oral traditions of the African American cultures of the New World.
African Folk Tales By: Kwaku A. Adoboli The author picked up his love of folk tales from his father and his uncle, Okuma Totokpuiti Gamega. In the evening, the kids and some adults sat in a circle around the storytellers listening to the tales. The audience was alive and active, interjecting short songs, remarks, and dances as the tales progressed. Folk tales are for entertainment. That is why the songs and dances come in. The tellers themselves may sing and dance. The children are allowed to tell their tales. Folk tales also teach lessons in obedience, loyalty, forgiveness, justice, and more. Folk tales encompass oral literature, adages, grammar, and dos and don’ts of the language. The tales are meant to teach the young people the customs and norms of their society. They are different from oral history. Oral histories are more involved and cover the behaviors and experiences of the people. The author’s father told these tales with animation, joy, and happiness in three languages: IGO, EWE, and TWI. The tales are universal and can be told in any language. Interpret and propound wisdoms to children and adults in any society. The Western World is aware of the famous African drums, rhythms, and songs. Now the author brings you the unique folk tales. They are not poems to repeat word by word. They are not told the same way twice. The readers can embellish and adjust them to given situations, use them in entertainment, or in expounding moral lessons. Folk tales are for action and are full of active verbs. All the American based tales were originated by the author.
Collection of traditional folk tales introduces a host of interesting people and unusual animals — among them "The Cricket and the Toad," "The Tortoise and His Broken Shell," and "The Boy in the Drum."
Entertaining stories handed down from generation to generation among tribal cultures include "The Magic Crocodile," "The Hare and the Crownbird," "The Boy in the Drum," 15 others. 19 illustrations.
This beautifully illustrated title introduces readers to the imaginative and exciting world of African mythology. The story of creation from the Yoruba of West Africa, the tale of Anansi the spider from the Ashanti of Ghana, and the Story of the Dog and Jackal from the Bushongo people of Zaire provide suspense, action, and extensive information about the cultures and animals these myths discuss.