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The Tragic Odes of Jerry Garcia and the Grateful Dead is a multifaceted study of tragedy in the group’s live performances showing how Garcia brought about catharsis through dance by leading songs of grief, mortality, and ironic fate in a collective theatrical context. This musical, literary, and historical analysis of thirty-five songs with tragic dimensions performed by Garcia in concert with the Grateful Dead illustrates the syncretic approach and acute editorial ear he applied in adapting songs of Robert Hunter, Bob Dylan, and folk tradition. Tragically ironic situations in which Garcia found himself when performing these songs are revealed, including those related to his opiate addiction and final decline. This book examines Garcia’s musical craftsmanship and the Grateful Dead’s collective art in terms of the mystery-rites of ancient Greece, Friedrich Nietzsche’s Dionysus, 20th century American music rooted in New Orleans, Hermann Hesse’s Magic Theater, and the Greek Theatre at Berkeley, offering a clear prospect on an often misunderstood phenomenon. Featuring interdisciplinary analysis, close attention to musical and poetic strategies, and historical and critical contexts, this book will be of interest to scholars and researchers of Popular Music, Musicology, Cultural Studies, and American Studies, as well as to the Grateful Dead’s avid listeners.
Patience Thumm, the adventurous daughter of an NYPD inspector, teams up with actor Drury Lane to solve the mystery of a senator’s murder. Patience Thumm has just traveled the world. She turned heads in London, sipped absinthe in Tunis, and debated philosophy on the Left Bank of Paris. When she returns home to New York with a smuggled copy of Lady Chatterley’s Lover in her bag, her father, the NYPD’s Inspector Thumm, is quite unprepared to handle her. At first, it seems they have nothing in common—but the two soon discover a shared appetite for murder. When a corrupt senator is stabbed to death in his study, Patience can’t resist hunting for the killer. With the help of her father’s old friend Drury Lane, the legendary Shakespearean actor, she will find that all the exotic cities of the world can’t offer anything as exciting as a New York homicide.
When an anonymous letter arrives for Mr Justice Barber, the High Court judge, warning of imminent revenge, he dismisses it as the work of a harmless lunatic. But then a second letter appears, followed by a poisoned box of the judge's favourite chocolates, and he begins to fear for his life.
Anne and Blake are perfect together. They both bring sob stories to the table: her parents died in a car wreck; his girlfriend drowned. But even as Anne starts to feel she’s finally found something good in all the tragedy, she can’t ignore signs that something’s not right with Blake.
On January 22, 1994, two-year-old Renee Goode played happily with her sisters and cousin, enjoying an impromptu "slumber party" at the home of her father, Shane Goode. The next day Renee was dead. "To the Last Breath" reveals what Renee's grandmother had suspected all along: cold, calculating Shane Goode had murdered his own daughter to cash in on her death. of photos. Martin's Press.
This eBook edition has been formatted to the highest digital standards and adjusted for readability on all devices. Richard Shackford is an extraordinary young man, estranged from his wealthy family. He must take care of himself and manages to find an employment at a New England marble quarry. By hard work and dedication he works his way up through the ranks to become assistant to the owner. Along with the business success, he also falls in love with the daughter of his boss and his life seams to be perfect. However, Shackford's wealthy cousin is found murdered and things start to turn for the worse. Cousin's will, in which he is naming Shackford as the heir to the fortune, is found at scene of the murder and it directs suspicion towards him. Some other clues also point out to him and it takes a true detective to solve the mystery.
Francis Wheatley Winn, Senior Tutor at St Thomas' s College, is ready for a cosy night of dining, port, and pleasant company. Ernst Brendel, Viennese lawyer and crime specialist, has come to Oxford to lecture in Law, and the regular residents of St Thomas's are pleased to have such an interesting guest to liven up their after dinner chat. Talk soon turns to murder, and Winn finds the subject altogether unpalatable, even if his colleagues seem to relish the details of past cases Brendel has worked on. But then real Murder breaks the cosy calm of the evening, shocking the inhabitants out of their frivolous talk. Now Winn must overcome his distaste to work with Brendel in uncovering the perpetrator of this terrible crime. First published in 1933, An Oxford Tragedy is a classic murder mystery, with Brendel at its centre as a master of hypothesis and deduction.
A Shakespearean actor-turned-sleuth wonders if a suicide’s been staged—and suspects the members of an eccentric New York family . . . A ramshackle trawler, the Lavinia D rumbles into New York harbor with empty nets. When its crew spies something floating in the water, they drag it in, hoping for a profitable catch. Their prize flops on the deck, limp, cold, and bloody: the corpse of a man. His name was York Hatter, and he had disappeared from his house on the fashionable Washington Square several days before. He hadn’t left a note and he wasn’t carrying any money. The police assume he killed himself—but they are very wrong. The Hatter family is famously eccentric, and when a murder attempt is made on York’s invalid stepdaughter, any one of them could be the culprit. Solving the case will fall to Drury Lane, the retired Shakespearean actor who has turned his genius to solving crimes. But he may find that these Hatters are so crazy and so deadly, they even put Hamlet to shame.