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Autobiographical memoirs of Ruskin Bond, Indic author, in Dehradun.
In this delightful collection; Ruskin Bond introduces us to the Dehradun he knows intimately and loves unreservedly—the town that he had spent many years of his childhood and youth in. A town which; when he knew it; was one of pony-drawn tongas and rickshaws; a town fond of gossip but tolerant of human foibles; a town of lush lichi trees; charming winter gardens and cool streams; a small town; a sleepy town; a town called ‘Dehra’. With classic stories and poems like ‘Masterji’; ‘Growing up with Trees’and ‘A Song for Lost Friends’ and previously unpublished treasures like ‘Silver Screen’; ‘Dilaram Bazaar’ and ‘Lily of the Valley’; this anthology is replete with journal entries; extracts from the author’s memoirs and; of course; poetry; non-fiction and stories set in or inspired by Dehra. Evocative; wistful and witty as only Ruskin Bond can be; A Town Called Dehra is a celebration of a dearly-loved town as well as an elegy for a way of life gone extinct.
The making of a writer Ruskin Bond's first full-fledged autobiographical book covers his -formative years,' till the age of twenty-one. The world of Anglo-India, with all its conflicting pulls, comes alive as he tells his story. His earliest memoirs are bitter-sweet, and relate to Jamnager where he lives till he is six. The happy hours spent in exploring the Ram Vilas Palace grounds and playing with his younger sister Ellen and the palace children are overshadowed by the acrimonious relation between his parents. Their estrangement while he is still a child leaves him with a life-long sense of insecurity. His unhappiness is exacerbated by the untimely death of his father " his emotional anchor when the author is just ten. Forced to stay with his mother and his stepfather, both of whom are absorbed in their own worlds, he tries to fend off his loneliness through books and the company of a few friends. Left for the most part to himself, the gentle dreamer realizes very early as -a pimply adolescent' his calling as a writer. His first book, The Room on the Roof, materializes in England, the land of his forefathers, where he is sent to make a career for himself. Despite the unexpected success of his novel, which wins a major British literary prize, the author's yearning for India is too powerful to let him remain abroad for long. He returns and begins a writing career which has spanned four decades, and earned him a place in the pantheon of great Indian writers.
Fourteen engaging stories from one of India's master story-tellers Semi-autobiographical in nature, these stories span the period from the author's childhood to the present. We are introduced, in a series of beautifully imagined and crafted cameos, to the author's family, friends, and various other people who left a lasting impression on him. In other stories we revisit Bond's beloved Garhwal hills and the small towns and villages that he has returned to time and again in his fiction. Together with his well-known novella, A Flight of Pigeons (which was made into the film Junoon), which also appears in this collection, these stories once again bring Ruskin Bond's India vividly to life.
A collection of Ruskin Bond's six novels evoking nostalgia for time gone by This collection of six novels sparkles with the quiet charm and humanity that are the hallmarks of Ruskin Bond's writing. Evoking nostalgia for a time gone by; these poignant chronicles of life in India's hills and small towns describe the hopes and passions that capture young minds and hearts; highlighting the uneasy reconciliation of dreams and destiny. The six novels included in the collection are: The Room on the Roof Vagrants in the Valley Delhi Is Not Far A Flight of Pigeons The Sensualist A Handful of Nuts
Ruskin Bond is an inveterate diarist, but over the years the nature of what he wants to record has changed, for ‘In the autumn of my life, I grow reflective’. Although Landour itself is a magical world—where every month has its own flower, every walker his own style, and the countryside is filled with a beauty all its own—in his mind Bond ranges further afield. In Landour Days, he ponders on the experience of being a writer, on writers he has known and those that he loves reading, and on critics, handwriting and typewriters. Filled with warmth and gentle humour, Landour Days captures the timeless rhythm of life in the mountains, and the serene wisdom of one of India’s best-loved writers.
Ruskin Bond emerges again, with a delightful set of sketches set in and on the way to his beloved Mussoorie. With an endearing affection and nostalgia for his home of over forty years, Mr Bond describes his journeys to and from Mussoorie over the years, and then delves into the daily scandals surrounding his life and friends in the (not so) sleepy hill town. The pieces in this collection are characterised by an incorrigible sense of humour and an eye for ordinary-and most often unnoticed-details that are so essential to the geographic, social and cultural fabric of a place. Accompanied by beautiful illustrations, Roads to Mussoorie is a memorable evocation of a writer's surroundings and the role they have played in his work and life.
Mani’s Granny is seventy and can barely see through her old, scratched glasses. With only a hundred and fifty rupees in their pocket and a thirst for adventure, Mani and Granny set off to buy a new pair. On the way, they get drenched in rain, run into mules and encounter a terrible landslide. Will Granny ever be able to reach the town and get herself a new pair of glasses? This beautifully illustrated edition brings alive the magical charm of one of Ruskin Bond’s most unforgettable tales.