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San rock paintings, scattered over the range of southern Africa, are considered by many to be the very earliest examples of representational art. There are as many as 15,000 known rock art sites, created over the course of thousands of years up until the nineteenth century. There are possibly just as many still awaiting discovery. Taking as his starting point the magnificent Linton panel in the Iziko-South African Museum in Cape Town, J. D. Lewis-Williams examines the artistic and cultural significance of rock art and how this art sheds light on how San image-makers conceived their world. It also details the European encounter with rock art as well as the contentious European interaction with the artists’ descendants, the contemporary San people.
* Stay with indigenous tribes in the Amazon * Dog-sled with the Inuit in the Arctic * Walk the Songlines of central Australia with Aboriginal guides * Learn African drumming in Ghana or how to dance salsa in Cuba Bored with the same old package tours and identikit resorts? Then this book is your key to a whole new world of inspirational holidays. Throughout Asia, Africa, the Americas and the Pacific, tribal people and rural villagers are setting up their own tours - and they want you to visit. These holidays are a better alternative. Better for you, with real insights into local life and culture in some of the most beautiful places on earth; better for the people you visit, leaving them with more money and supporting local development projects; and better for the environment, offering sustainable alternative incomes for communities living in threatened ecosystems. Compiled by Mark Mann for Tourism Concern, Europe's leading ethical tourism organization, this updated version of The Community Tourism Guide is still the only guide to this type of holiday. It not only explains the principles of 'community-based tourism', but also lists hundreds of guesthouses and tours, with full contact details to help you arrange your next holiday.
Rock art is one of the most visible and geographically widespread of cultural expressions, and it spans much of the period of our species' existence. Rock art also provides rare and often unique insights into the minds and visually creative capacities of our ancestors and how selected rock outcrops with distinctive images were used to construct symbolic landscapes and shape worldviews. Equally important, rock art is often central to the expression of and engagement with spiritual entities and forces, and in all these dimensions it signals the diversity of cultural practices, across place and through time. Over the past 150 years, archaeologists have studied ancient arts on rock surfaces, both out in the open and within caves and rock shelters, and social anthropologists have revealed how people today use art in their daily lives. The Oxford Handbook of the Archaeology and Anthropology of Rock Art showcases examples of such research from around the world and across a broad range of cultural contexts, giving a sense of the art's regional variability, its antiquity, and how it is meaningful to people in the recent past and today - including how we have ourselves tended to make sense of the art of others, replete with our own preconceptions. It reviews past, present, and emerging theoretical approaches to rock art investigation and presents new, cutting-edge methods of rock art analysis for the student and professional researcher alike.