Download Free A Touch Of Native Color Book in PDF and EPUB Free Download. You can read online A Touch Of Native Color and write the review.

"A truly profound debut."—Buzzfeed "A time-bending suspense that's contemplative and fresh, evocative and gripping."—USA Today "Henry's story captivates, both as a romance and as an imaginative rethinking of time and space."—Publishers Weekly "This time-traveling, magical, and beautifully written love story definitely deserves a spot on your bookshelf."—Bustle Emily Henry's stunning debut novel is Friday Night Lights meets The Time Traveler's Wife and perfectly captures those bittersweet months after high school, when we dream not only of the future, but of all the roads and paths we've left untaken. Natalie's last summer in her small Kentucky hometown is off to a magical start . . . until she starts seeing the "wrong things." They're just momentary glimpses at first—her front door is red instead of its usual green, there’s a preschool where the garden store should be. But then her whole town disappears for hours, fading away into rolling hills and grazing buffalo, and Nat knows something isn't right. Then there are the visits from the kind but mysterious apparition she calls "Grandmother," who tells her, "You have three months to save him." The next night, under the stadium lights of the high school football field, she meets a beautiful boy named Beau, and it's as if time just stops and nothing exists. Nothing, except Natalie and Beau.
In his Nautilus Award-winning classic Touching Spirit Bear, author Ben Mikaelson delivers a powerful coming-of-age story of a boy who must overcome the effects that violence has had on his life. After severely injuring Peter Driscal in an empty parking lot, mischief-maker Cole Matthews is in major trouble. But instead of jail time, Cole is given another option: attend Circle Justice, an alternative program that sends juvenile offenders to a remote Alaskan Island to focus on changing their ways. Desperate to avoid prison, Cole fakes humility and agrees to go. While there, Cole is mauled by a mysterious white bear and left for dead. Thoughts of his abusive parents, helpless Peter, and his own anger cause him to examine his actions and seek redemption—from the spirit bear that attacked him, from his victims, and, most importantly, from himself. Ben Mikaelsen paints a vivid picture of a juvenile offender, examining the roots of his anger without absolving him of responsibility for his actions, and questioning a society in which angry people make victims of their peers and communities. Touching Spirit Bear is a poignant testimonial to the power of a pain that can destroy, or lead to healing. A strong choice for independent reading, sharing in the classroom, homeschooling, and book groups.
The story of the black soldiers who helped save the Union, conquer the West, and build the nation. In 1863, at the height of the Civil War, Frederick Douglass promised African Americans that serving in the military offered a sure path to freedom. Once a black man became a soldier, Douglass declared, “there is no power on earth or under the earth which can deny that he has earned the right to citizenship in the United States.” More than 180,000 black men heeded his call to defend the Union—only to find the path to equality would not be so straightforward. In this sharply drawn history, Professor Elizabeth D. Leonard reveals the aspirations and achievements as well as the setbacks and disappointments of African American soldiers. Drawing on eye-opening firsthand accounts, she restores black soldiers to their place in the arc of American history, from the Civil War and its promise of freedom until the dawn of the 20th century and the full retrenchment of Jim Crow. Along the way, Leonard offers a nuanced account of black soldiers’ involvement in the Indian Wars, their attempts to desegregate West Point and gain proper recognition for their service, and their experience of Reconstruction nationally, as blacks worked to secure their place in an ever-changing nation. With abundant primary research, enlivened by memorable characters and vivid descriptions of army life, Men of Color to Arms! is an illuminating portrait of a group of men whose contributions to American history need to be further recognized.
In the 1640s, eight Jesuit missionaries met their deaths at the hands of native antagonists. With their collective canonization in 1930, these men became North America's first saints. Emma Anderson untangles the complexities of these seminal acts of violence and their ever-changing legacy across the centuries. While exploring how Jesuit missionaries perceived their terrifying final hours, she also seeks to comprehend the motivations of those who confronted them from the other side of the axe, musket, or caldron of boiling water, and to illuminate the experiences of those native Catholics who, though they died alongside their missionary mentors, have yet to receive comparable recognition as martyrs. In tracing the creation and evolution of the cult of the martyrs across the centuries, Anderson reveals the ways in which both believers and detractors have honored andpreserved the memory of the martyrs in this "afterlife," and how their powerful story has been continually reinterpreted in the collective imagination. As rival shrines rose on either side of the U.S.-Canadian border, these figures would both unite and deeply divide natives and non-natives, francophones and anglophones, Protestants and Catholics, Canadians and Americans, forging a legacy as controversial as it has been enduring.
At the heart of 'The North American Indian' lies a monumental testament to the vast cultures and traditions of Native American peoples, compiled by Edward S. Curtis and Frederick Webb Hodge. This anthology spans a rich mosaic of literary forms, from intricate oral histories to compelling photographic essays, presenting an unparalleled survey of indigenous art, spirituality, and society. Its pages host a diverse array of voices, capturing the depth and complexity of Native American life, and positioning it within both a historical and cultural framework that underscores the resilience and diversity of these communities. Standout pieces, without focusing on single contributions, collectively illuminate the nuanced relationship between people, the land, and their traditions, making this collection a cornerstone of American indigenous studies. The contributing figures, Curtis and Hodge, bring to this anthology their extensive backgrounds in ethnography and anthropology, magnifying the collections authenticity and scholarly significance. Aligned with the early 20th-century movements to document and preserve Native American heritage, their collaborative efforts not only underscore the historical and cultural junctions of various tribes but also reflect a broader commitment to acknowledging and respecting the multifaceted narratives of indigenous peoples. Collectively, their work stands as a vital dialogue among the differing tribal stories, offering readers a comprehensive insight into the rich tapestry of North American indigenous life. The North American Indian is recommended for anyone looking to delve deeply into the heart of America's original cultures. Through its broad spectrum of perspectives, this anthology serves as a bridge between past and present, inviting readers to explore the profound continuity and change within Native American societies. It provides a unique educational opportunity, enriching one's understanding of these resilient communities through a compilation that is as informative as it is aesthetically compelling. This anthology is not just a scholarly endeavor but a journey into understanding, making it an essential addition to the libraries of those wishing to engage with the full narrative of American history.
"I remember the day I lost my spirit." So begins the story of Gertrude Simmons, also known as Zitkala-Ša, which means Red Bird. Born in 1876 on the Yankton Sioux reservation in South Dakota, Zitkala-Ša willingly left her home at age eight to go to a boarding school in Indiana. But she soon found herself caught between two worlds—white and Native American. At school she missed her mother and her traditional life, but Zitkala-Ša found joy in music classes. "My wounded spirit soared like a bird as I practiced the piano and violin," she wrote. Her talent grew, and when she graduated, she became a music teacher, composer, and performer. Zitkala-Ša found she could also "sing" to help her people by writing stories and giving speeches. As an adult, she worked as an activist for Native American rights, seeking to build a bridge between cultures. The coauthors tell Zitkala-Ša’s life by weaving together pieces from her own stories. The artist's acrylic illustrations and collages of photos and primary source documents round out the vivid portrait of Zitkala-Ša, a frightened child whose spirit "would rise again, stronger and wiser for the wounds it had suffered."