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A breakneck thriller by the author of 58 Minutes, the basis of the blockbuster film Die Hard 2. Ernest Beller stands at the end of a giant pit, watching as the Americans who liberated Dachau are trying to bury the countless bodies they have found. Nine years later, Beller still sees those bodies . . . and the guilty men who got away. An intricate psychological thriller, Walter Wager’s stunning novel explores the nature of vengeance and the corrosive trauma of the Holocaust on generations of men. With a breakneck pace, Wager hits boiling point as a government agent begins investigating the murders of former Nazis—and sees the horror and the justice in the worst of acts. “One of the most satisfying climaxes in current suspense fiction. A five-star winner.” —Publishers Weekly
A guide to long-term thinking: how to envision the far future of Earth. We live on a planet careening toward environmental collapse that will be largely brought about by our own actions. And yet we struggle to grasp the scale of the crisis, barely able to imagine the effects of climate change just ten years from now, let alone the multi-millennial timescales of Earth's past and future life span. In this book, Vincent Ialenti offers a guide for envisioning the planet's far future—to become, as he terms it, more skilled deep time reckoners. The challenge, he says, is to learn to inhabit a longer now. Ialenti takes on two overlapping crises: the Anthropocene, our current moment of human-caused environmental transformation; and the deflation of expertise—today's popular mockery and institutional erosion of expert authority. The second crisis, he argues, is worsening the effects of the first. Hearing out scientific experts who study a wider time span than a Facebook timeline is key to tackling our planet's emergency. Astrophysicists, geologists, historians, evolutionary biologists, climatologists, archaeologists, and others can teach us the art of long-termism. For a case study in long-term thinking, Ialenti turns to Finland's nuclear waste repository “Safety Case” experts. These scientists forecast far future glaciations, climate changes, earthquakes, and more, over the coming tens of thousands—or even hundreds of thousands or millions—of years. They are not pop culture “futurists” but data-driven, disciplined technical experts, using the power of patterns to construct detailed scenarios and quantitative models of the far future. This is the kind of time literacy we need if we are to survive the Anthropocene.
Instant New York Times bestseller: #1 in Hardcover Fiction #1 in E-book Fiction #1 in Combined Print and E-book Fiction "Deep and grand and altogether extraordinary....Miraculous." —The Washington Post "Artful...Powerful...Magical." - The New York Times Book Review "Superb" - People “A Great Reckoning succeeds on every level." —St. Louis Post-Dispatch #1 New York Times bestselling author Louise Penny pulls back the layers to reveal a brilliant and emotionally powerful truth in her latest spellbinding novel. When an intricate old map is found stuffed into the walls of the bistro in Three Pines, it at first seems no more than a curiosity. But the closer the villagers look, the stranger it becomes. Given to Armand Gamache as a gift the first day of his new job, the map eventually leads him to shattering secrets. To an old friend and older adversary. It leads the former Chief of Homicide for the Sûreté du Québec to places even he is afraid to go. But must. And there he finds four young cadets in the Sûreté academy, and a dead professor. And, with the body, a copy of the old, odd map. Everywhere Gamache turns, he sees Amelia Choquet, one of the cadets. Tattooed and pierced. Guarded and angry. Amelia is more likely to be found on the other side of a police line-up. And yet she is in the academy. A protégée of the murdered professor. The focus of the investigation soon turns to Gamache himself and his mysterious relationship with Amelia, and his possible involvement in the crime. The frantic search for answers takes the investigators back to Three Pines and a stained glass window with its own horrific secrets. For both Amelia Choquet and Armand Gamache, the time has come for a great reckoning.
This first book in a new dystopian trilogy begins the story of one girl's determination to survive the whims of a cruel king whom she has been chosen to serve.
AN INSTANT NATIONAL BESTSELLER This edition includes illustrations by Everett Dyson From the New York Times bestselling author of Tears We Cannot Stop, a passionate call to America to finally reckon with race and start the journey to redemption. “Powerfully illuminating, heart-wrenching, and enlightening.” -Ibram X. Kendi, bestselling author of How to Be an Antiracist “Crushingly powerful, Long Time Coming is an unfiltered Marlboro of black pain.” -Isabel Wilkerson, bestselling author of Caste "Formidable, compelling...has much to offer on our nation’s crucial need for racial reckoning and the way forward." -Bryan Stevenson, author of Just Mercy The night of May 25, 2020 changed America. George Floyd, a 46-year-old Black man, was killed during an arrest in Minneapolis when a white cop suffocated him. The video of that night’s events went viral, sparking the largest protests in the nation’s history and the sort of social unrest we have not seen since the sixties. While Floyd’s death was certainly the catalyst, (heightened by the fact that it occurred during a pandemic whose victims were disproportionately of color) it was in truth the fuse that lit an ever-filling powder keg. Long Time Coming grapples with the cultural and social forces that have shaped our nation in the brutal crucible of race. In five beautifully argued chapters—each addressed to a black martyr from Breonna Taylor to Rev. Clementa Pinckney—Dyson traces the genealogy of anti-blackness from the slave ship to the street corner where Floyd lost his life—and where America gained its will to confront the ugly truth of systemic racism. Ending with a poignant plea for hope, Dyson’s exciting new book points the way to social redemption. Long Time Coming is a necessary guide to help America finally reckon with race.
After the untimely death of her mother and the arrest of her father for killing a man in barroom brawl, fourteen-year-old Sarah Crane is forced to grow up fast. Left in the cold care of a foster family and alienated at school, Sarah befriends classmate Nick Dunnigan, a former mental patient still plagued by voices and visions, and the eccentric art instructor Bettina Phillips, a mentor eager to nurture Sarah’s talent for painting. But within the walls of Bettina’s ancestral mansion, Sarah finds that monstrous images from the house’s dark history seem to flow unbidden from her paintbrush—images echoed by Nick’s chilling hallucinations. It seems the violence and fury of long-dead generations have finally found a gateway from the grave into the world of the living. And Sarah and Nick have found a power they never had: to take control, and take revenge.
From the patristic age until the Gregorian calendar reform of 1582, computus -- the science of time reckoning and art of calendar construction -- was a matter of intense concern. Bede's The Reckoning of Time (De temporum ratione) was the first comprehensive treatise on this subject and the model and reference for all subsequent teaching discussion and criticism of the Christian calendar. It is a systematic exposition of the Julian solar calendar and the Paschal table of Dionysius Exiguus, with their related formulae for calculating dates. But it is more than a technical handbook. Bede sets calendar lore within a broad scientific framework and a coherent Christian concept of time, and incorporates themes as diverse as the theory of tides and the doctrine of the millennium. This translation of the full text of The Reckoning of Time includes an extensive historical introduction and a chapter-by-chapter commentary. It will interest historians of medieval science, theology, and education, Bede scholars and Anglo-Saxonists, liturgists, and Church historians. It will also serve as an accessible introduction to computus itself. Generations of medieval computists nourished their expertise in Bede's orderly presentation; modern scholars in quest of safe passage through this complex terrain can hope for no better guide.
"LaTanya McQueen's When The Reckoning Comes is so deliciously uncomfortable there were moments where I had to put the book down, take a deep breath, and like Mira, its protagonist, urge myself to go further. This is a novel, like Octavia Butler's Kindred, that reminds its readers that as long as people don't acknowledge how much of the past still shapes the present, it will bring its whips, its hatchets, and fists to make us learn." — Megan Giddings, author of Lakewood A haunting novel about a black woman who returns to her hometown for a plantation wedding and the horror that ensues as she reconnects with the blood-soaked history of the land and the best friends she left behind. More than a decade ago, Mira fled her small, segregated hometown in the south to forget. With every mile she traveled, she distanced herself from her past: from her best friend Celine, mocked by their town as the only white girl with black friends; from her old neighborhood; from the eerie Woodsman plantation rumored to be haunted by the spirits of slaves; from the terrifying memory of a ghost she saw that terrible day when a dare-gone-wrong almost got Jesse—the boy she secretly loved—arrested for murder. But now Mira is back in Kipsen to attend Celine’s wedding at the plantation, which has been transformed into a lush vacation resort. Mira hopes to reconnect with her friends, and especially, Jesse, to finally tell him the truth about her feelings and the events of that devastating long-ago day. But for all its fancy renovations, the Woodsman remains a monument to its oppressive racist history. The bar serves antebellum drinks, entertainment includes horrifying reenactments, and the service staff is nearly all black. Yet the darkest elements of the plantation’s past have been carefully erased—rumors that slaves were tortured mercilessly and that ghosts roam the lands, seeking vengeance on the descendants of those who tormented them, which includes most of the wedding guests. As the weekend unfolds, Mira, Jesse, and Celine are forced to acknowledge their history together, and to save themselves from what is to come.
Late antiquity saw a proliferation of Christian texts dwelling on the emotions and physical sensations of dying, not as a heroic martyr in a public square or a judge's court, but as an individual, at home in a bed or in a private room. In sermons, letters, and ascetic traditions, late ancient Christians imagined the last minutes of life and the events that followed death in elaborate detail. The majority of these imagined scenarios linked the quality of the experience to the moral state of the person who died. Death was no longer the "happy ending," in Judith Perkins's words, it had been to Christians of the first three centuries, an escape from the difficult and painful world. Instead, death was most often imagined as a terrifying, desperate experience. This book is the first to trace how, in late ancient Christianity, death came to be thought of as a moment of reckoning: a physical ordeal whose pain is followed by an immediate judgment of one's actions by angels and demons and, after that, fitting punishment. Because late ancient Christian culture valued the use of the imagination as a religious tool and because Christian teachers encouraged Christians to revisit the prospect of their deaths often, this novel description of death was more than an abstract idea. Rather, its appearance ushered in a new ethical sensibility among Christians, in which one's death was to be imagined frequently and anticipated in detail. This was, at first glance, meant as a tool for individuals: preachers counted on the fact that becoming aware of a judgment arriving at the end of one's life tends to sharpen one's scruples. But, as this book argues, the change in Christian sensibility toward death did not just affect individuals. Once established, it shifted the ethics of Christianity as a tradition. This is because death repeatedly and frequently imagined as the moment of reckoning created a fund of images and ideas about what constituted a human being and how variances in human morality should be treated. This had significant effects on the Christian assumption of power in late antiquity, especially in the case of the capacity to authorize violence against others. The thinking about death traced here thus contributed to the seemingly paradoxical situation in which Christians proclaimed their identity with a crucified person, yet were willing to use force against their ideological opponents.
"The history of how order came to the Forks of the Llano River, the outlaw frontier of western Texas Hill Country. Provides insight into outlaw families as well as law officers and citizens who opposed them"--Provided by publisher.