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ONLY A MONSTER CAN DO THE WRONG THINGS FOR THE RIGHT REASONS Do you remember the first tape or CD you ever bought? Perhaps you waited for the local station to play the top forty songs on a Sunday so you could record your favorite band. Maybe you downloaded a certain track that reminded you of your wedding day or a graduation. Reyna Blackburn remembers. Every single song for every horrific event in her life. She remembers what song was playing on the radio the first time he hurt her. And she remembers what was playing through her headphones the first time she killed.
Where can you find a fire truck, a monster, and a great big pile of cupcakes? Come play with this exuberant kid as creativity and imagination transform a blank wall into a colorful adventure. Author Jean Reidy and illustrator Robert Neubecker invite anyone with an outsized imagination to join in this rambunctious romp about making your own world.
In this Lenticular Play-a-Sound Book enjoy the story with sounds and exciting lenticular images! Lenticular art on cover and inside the book. 12 sound buttons and 6 story spreads.
‘Every sentence is a delight in this taut and thrilling debut by Willa Richards.’ Elizabeth Wetmore, author of Valentine ‘Richards has flipped the usual narrative, centring not on the crime itself but on the loss that ripples from it.’ New York Times Book Review A remarkable debut novel for fans of Mary Gaitskill and Gillian Flynn about two sisters – one who disappears and the other who is left to pick up the pieces. In the summer of 1991, teen Dee McBride vanished in the city of Milwaukee. It was the summer the Journal Sentinel dubbed ‘the deadliest . . . in the history of Milwaukee.’ Serial killer Jeffrey Dahmer’s heinous crimes dominated the headlines and the disappearance of one girl was easily overlooked. 2019, nearly thirty years later, Dee's sister, Peg, is still haunted by her disappearance. Desperate to find out what happened to her, the family hire a psychic and Peg is plunged back into the past. But Peg’s hazy recollections are far from easy to interpret and digging deep into her memory raises terrifying questions. How much trust can we place in our own recollections? How often are our memories altered by the very act of speaking them aloud? And what does it mean to bear witness in a world where even our own stories about what happened are inherently suspect? A heartbreaking page-turner, Willa C. Richards’ debut novel is the story of a broken family looking for answers in the face of the unknown.
In the riveting conclusion to the acclaimed dystopian series, a boy and girl caught in the chaos of war face devastating choices that will decide the fate of a world. As a world-ending war surges around them, Todd and Viola face monstrous decisions. The indigenous Spackle, thinking and acting as one, have mobilized to avenge their murdered people. Ruthless human leaders prepare to defend their factions at all costs, even as a convoy of new settlers approaches. And as the ceaseless Noise lays all thoughts bare, the projected will of the few threatens to overwhelm the desperate desire of the many. The consequences of each action, each word, are unspeakably vast: To follow a tyrant or a terrorist? To save the life of the one you love most, or thousands of strangers? To believe in redemption, or assume it is lost? Becoming adults amid the turmoil, Todd and Viola question all they have known, racing through horror and outrage toward a shocking finale.
A rising body count. A deadly creature. A boy who inherits the mother of all monster problems. Bookish and sickly Rob Stevenson knows he can't kill the monster terrorizing his village alone so he sets out to hire Scotland's best hunter. Fire-breathing, trigger-happy Cat Mornay is hardly Rob's idea of a hero. But her kill list is impressive. If her past encounter with this monster shows what she can do, then she's the perfect hunter for the job. But can Cat kill a creature who is faster, stronger, and growing smarter every day? Reluctant heroes. An unlikely friendship. A gas-lit adventure in a world of dazzling magic, underworld crime, and mythical beasts. And the hunt of a century... Welcome to the Golden Age of Monsters.
A hungry monster seeks a different type of bedtime snack.
The sweeping romance of Passenger meets the dark fantasy edge of This Savage Song in this stunning contemporary fantasy debut from Vanessa Len, where the line between monster and hero is razor thin. Don’t forget the rule. No one can know what you are. What we are. You must never tell anyone about monsters. Joan has just learned the truth: her family are monsters, with terrifying, hidden powers. And the cute boy at work isn’t just a boy: he’s a legendary monster slayer, who will do anything to destroy her family. To save herself and her family, Joan will have to do what she fears most: embrace her own monstrousness. Because in this story…she is not the hero. Dive deep into the world of Only a Monster: hidden worlds dwell in the shadows, beautiful monsters with untold powers walk among humans, and secrets are the most powerful weapon of all.
Monsters celebrate their individuality.
Trick or treat? With nods to Tim Burton, Edward Gorey, and Neil Gaiman, this humorous picture book about a Victorian boy obsessed with monsters presents a dark and appealing world, created by debut author/illustrator Sam Streed. In the graveyard, between stone monuments for forgotten souls, lurks the Black Shuck. . . . Its one blood-red eye burns with an undying rage. After reading about the slimy Nixie, the angry Black Shuck, and the creepy Lantern Man in his beloved Book of Monsters, Alfred decides to invite the monsters to teatime with his crusty old aunty, who thinks monsters are an improper obsession for a respectable young boy.