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A three-dimensional, two-story Edwardian doll house includes a family of six press-out dolls and such exquisite details as ceiling murals, decorative rugs, period paintings, and dormer windows.
A three-dimensional book that opens to reveal two stories and eight rooms of a Victorian home, with decorative details, pop-up furniture, and press-out pieces. Covers can be tied with attached ribbons to allow the book to stand on its own.
Albert and Lucinda from the beloved The Enchanted Dolls' House have pled their troth (Victorian for "got engaged!"). It is a happy time for everyone in the Enchanted Dolls' House. All the dollsfrom the servant dolls to the toy dolls, even the resident dog and cat dollsenthusiastically join together to celebrate a joyous wedding with all the fashionable and tasteful accoutrement of the Edwardian, Regency and Victorian eras available to them. Four masterfully conceived and constructed pop-up buldings amaze with historical accuracy and bustle with activity: Shop for wedding finery in an Edwardian department store. See the toiletries, accessories, hair styles, and beautiful wedding clothes from which the dolls choose. Attend a wedding breakfast, complete with musicians, favors, and a glorious cake garnished with marzipan pearls, pendants and bows. Peek through windows and doors of a Victorian Manor Dolls' House and a Regency Dolls' House to see the dolls observe their elegant way of life. And finally, attend a breathtakingly beautiful wedding in a Victorian Chapel. Overflowing with doll lore and loving rendered details of wedding gifts, food, and flowers, readers of all ages will attend the wedding of their dreams!
Open all four sections, tie back the two blue ribbons, and a fully constructed eight-room dollhouse emerges from between the two slim covers. An affordable taste of the Victorian era, A Victorian Dollhouse is perfect for anyone who cherishes Victorian ephemera.
From attic to basement, from drawing room to dining room, from library to kitchen, and from bathroom to bedroom, this sourcebook is an illustrated exploration of a world of miniature possibilities. It ranges from rare collectors' pieces to painstaking modern recreations of the past, showing doll's houses representing every style and period, complete with authentic interior details and furnishings. There is a comprehensive list of international suppliers and specialists.
Some ate cores,Some ate peelings,Some ate applesFrom the ceiling.Soon the applesWere no more We'd gobbled up ourWhole great store.A timeless classic, loved by a generation, reissued to be enjoyed by today's children. This beautifully illustrated tale of an apple tree that grows too many apples is delightfully told in rhyme.A little girl finds a withered apple tree surrounded by rubbish. To stop the tree being chopped down for firewood, she clears the rubbish to help the poor tree grow. When Spring arrives, the tree bursts into blossom and produces a glut of apples. But as the little girl's family try to eat, cook and hide the apples in rugs, blankets, wagons and jugs, the apples continue to grow! There is only one answer: an apple feast!A wonderful tale published in time for Apple Day, its charming illustrations and story will amuse and educate a new generation, giving them an appreciation of nature's bounty and the importance of sharing.The book includes a guide to making your own 'apple pig' (a fruit sculpture that looks just like a pig!).
For the child who loves dolls, for the adult who cherishes dolls, the most sumptious celebration ever in an exquisite, multidimensional presentation, featuring pop-up period dollhouses, secret letters, hidden pictures and more. Meet Albert and Lucinda, Kristen, Oscar, Hattie and more, enchanted dolls who inhabit a magical series of homes, from a Tudor mansion to a twentieth century villa, finding adventure and secrets to discover, dances to attend, and parties to give in each era. Can it be a surprise that over the many centuries a gentle romance has blossomed between Albert and Lucinda? Pages are crammed with doll lore and historical detail. Lovingly rendered, highly detailed drawings of dolls, their clothing and furnishings, accessories and accoutrements grace each page and spread. Each of the four dimensional dollhouses just begs for readers to peek through windows anddoors or lift away the walls to find hidden details and characters. Tactile treats are everywhere: journals to open, letters to pull out and read, jewelry boxes to explore, fabric to touch.and much, much more. A Children's Book-of-the-Month Club Main Selection as well as crossover selection of several BMOC adult clubs.
An extraordinary paper doll’s house enhanced here by evocative photographs of Miss Otis’s late 19th-century life, which will delight lovers of art and interior design as well as children In 1884, a remarkable twelve-year-old girl made a paper doll’s house. While these were fashionable enough at the time, they were usually drawn and painted. Miss Sarah Elizabeth Birdsall Otis, however, chose the medium of collage: scraps of wallpaper, gilded trim, colored-in cut-outs of furniture, and engravings from mail-order catalogs, all glued down unselfconsciously in book form with no regard for scale or realism. What makes the album so special is its creator’s stunning, innate artistry. She also populated her house with paper dolls, their delightful cut-out costumes preserved in envelopes marked with the names of the characters and their accessories stored in paper squares marked “Hats and Bonnets” or “Umbrellas and Parasols.” Eric Boman’s photographs capture Miss Otis’s vivid fantasy world in all its quirky splendor. Exploring the household, from the conservatory, parlor, and library to the dining room and bedrooms, the images portray a domain of astonishing color and aesthetic daring. Context is provided by period photographs depicting the era of Miss Otis’s privileged Long Island life. The twelve-year-old girl grew up to become a formidable personality, a playwright, and a president of the Girl Scouts. Here, her youthful creativity is celebrated in a format guaranteed to appeal to adults and children alike.
This book addresses a deceptively simple question: what accounts for the global success of A Doll’s House, Henrik Ibsen’s most popular play? Using maps, networks, and images to explore the world history of the play’s production, this question is considered from two angles: cultural transmission and adaptation. Analysing the play’s transmission reveals the social, economic, and political forces that have secured its place in the canon of world drama; a comparative study of the play’s 135-year production history across five continents offers new insights into theatrical adaptation. Key areas of research include the global tours of nineteenth-century actress-managers, Norway’s soft diplomacy in promoting gender equality, representations of the female performing body, and the sexual vectors of social change in theatre.