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In Albert Camus and the Political Philosophy of the Absurd: Ambivalence, Resistance, and Creativity, Matthew H. Bowker takes an interdisciplinary approach to Albert Camus' political philosophy by reading absurdity itself as a metaphor for the psychosocial dynamics of ambivalence, resistance, integration, and creativity. Decoupling absurdity from its ontological aspirations and focusing instead on its psychological and phenomenal contours, Bowker discovers an absurdist foundation for ethical and political practice.
In the writings of Jean-Jacques Rousseau, Sally Howard Campbell finds the bridge between the now-dominant psycho-social conception of alienation and the legal-political conception that prevailed prior to Rousseau. She discusses Rousseau’s transformation of the concept of alienation and how it laid much of the groundwork for Marx’s later, more explicit discussions of man’s alienation. Using Discourse on the Origin and Foundations of Inequality, Campbell shows how Rousseau depicts the development of man’s awareness of himself as a conscious and moral being, illustrating man’s journey from a natural state of self-sufficiency to one of dependence and alienation. Paradoxically, she describes Rousseau’s belief that a state of wholeness can only be achieved through a man’s total alienation of himself to the community, free from the alienating effects of civil society. She concludes that, like Marx, Rousseau believed that alienation can only be transcended through the merging of the individual and the community.
The Routledge Companion to Absurdist Literature is the first authoritative and definitive edited collection on absurdist literature. As a field-defining volume, the editor and the contributors are world leaders in this ever-exciting genre that includes some of the most important and influential writers of the twentieth century, including Samuel Beckett, Harold Pinter, Edward Albee, Eugene Ionesco, Jean Genet, and Albert Camus. Ever puzzling and always refusing to be pinned down, this book does not attempt to define absurdist literature, but attempts to examine its major and minor players. As such, the field is indirectly defined by examining its constituent writers. Not only investigating the so-called “Theatre of the Absurd,” this volume wades deeply into absurdist fiction and absurdist poetry, expanding much of our previous sense of what constitutes absurdist literature. Furthermore, long overdue, approximately one-third of the book is devoted to marginalized writers: black, Latin/x, female, LGBTQ+, and non-Western voices.
Belliotti unravels the paradoxes of human existence to reveal paths for crafting meaningful, significant, valuable, even important lives. He argues that human life is not inherently absurd; examines the implications of mortality; contrasts subjective and objective meaning, and evaluates contemporary renderings of meaningful human lives.
Like its companion volume, "The Encyclopedia of Science Fiction", this massive reference of 4,000 entries covers all aspects of fantasy, from literature to art.