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Dr. Alan Gribben, a foremost Twain scholar, made waves in 1980 with the publication of Mark Twain's Library, a study that exposed for the first time the breadth of Twain's reading and influences. Prior to Gribben's work, much of Twain's reading history was assumed lost, but through dogged searching Gribben was able to source much of Twain's library. Mark Twain's Literary Resources is a much-expanded examination of Twain's library and readings. Volume I included Gribben's reflections on the work involved in cataloging Twain's reading and analysis of Twain's influences and opinions. This volume, long awaited, is an in-depth and comprehensive accounting of Twain's literary history. Each work read or owned by Twain is listed, along with information pertaining to editions, locations, and more. Gribben also includes scholarly annotations that explain the significance of many works, making this volume of Mark Twain's Literary Resources one of the most important additions to our understanding of America's greatest author.
A crumbling castle, a moat full of crocodiles, a catastrophe of kittens, and let’s not forget the villains and the mummies! This rambunctious story has it all. It's England, 1873. When 12-year-old Hatshepsut (Hattie) Lambton’s guardian is unfortunately eaten by a crocodile, Hattie is sent to live with hitherto unknown relatives: Great-uncle Sisyphus and Great-aunt Iphigenia, in their half-ruined castle in mysterious, mist-shrouded marshes. Hattie discovers Great-aunt Iphigenia is an Egyptologist who conducts Mummy Unwrapping Parties at the houses of wealthy clients. The Parties are managed by her two assistants, the sinister (and, to Hattie, highly suspect) Edgar and Edwina Raven. Soon, a problem arises. It has become illegal to export mummies from Egypt. The solution? To set out on a one-thousand-mile voyage up the Nile, to acquire – and illegally export – mummies for the Unwrapping Parties. There, Hattie makes a friend, Amal, who has problems of her own. Already, Hattie has had doubts about whether it is Right to destroy the bodies of ancient Egyptians. But there’s no way the Ravens will allow the Unwrappings to be discontinued. They have a nice little racket set up. They threaten Hattie – and Great-uncle Sisyphus. Hattie knows they’re serious. Dead serious. Back in England, Hattie finds herself on a desperate dash to a famous London museum, with a very special, heavily disguised Egyptian mummy in her arms. And the Ravens hot on her trail. Will her quest to preserve the mummy’s eternal existence in the after-life be successful?
Painting Antiquity explores the archaeological dimension of the works of these three artists: in doing so, it addresses how the aesthetic engagement these artists had with ancient objects represented a unique and important development in the cultural reception of the past.
Collecting the first three LAZARUS SOURCEBOOKS, covering the lands ruled by Carlyle, Hock, and Vassalovka, now in one volume. With revised and expanded content, including additions to reflect developments in LAZARUS as the series moves into the year X+67 with ñFRACTURE,î beginning summer of 2018