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A woman cop. A haunting memory.... The only female detective in the Miami PD's Homicide division, Joe Frye has memories that haunt her, and a past that not even her lover, detective Louis Kincaid, truly knows. It began when Joe was an ambitious rookie cop in a small Michigan town called Echo Bay.... The bones found in the woods were the first clue in a string of unimaginably brutal murders of young women. Plunged into a heated investigation -- and caught between the dictates of a reluctant local sheriff and the state police -- Joe soon uncovers the chilling truth: In the dead of winter in the Michigan woods, she must face down a predator who has chosen her as a worthy opponent -- or become his next victim.
When the bullet-ridden body of a woman, identified only by a strange ring on her finger, and a tiny skull wash up on shore, Detective Louis Kincaid makes a connection that takes him to a remote island rife with evil and betrayal.
The quintessential depiction of 1980s New York and the downtown scene from the artist, actor, musician, and composer John Lurie “A picaresque roller coaster of a story, with staggering amounts of sex and drugs and the perpetual quest to retain some kind of artistic integrity.”—The New York Times In the tornado that was downtown New York in the 1980s, John Lurie stood at the vortex. After founding the band The Lounge Lizards with his brother, Evan, in 1979, Lurie quickly became a centrifugal figure in the world of outsider artists, cutting-edge filmmakers, and cultural rebels. Now Lurie vibrantly brings to life the whole wash of 1980s New York as he developed his artistic soul over the course of the decade and came into orbit with all the prominent artists of that time and place, including Andy Warhol, Debbie Harry, Boris Policeband, and, especially, Jean-Michel Basquiat, the enigmatic prodigy who spent a year sleeping on the floor of Lurie’s East Third Street apartment. It may feel like Disney World now, but in The History of Bones, the East Village, through Lurie’s clear-eyed reminiscence, comes to teeming, gritty life. The book is full of grime and frank humor—Lurie holds nothing back in this journey to one of the most significant moments in our cultural history, one whose reverberations are still strongly felt today. History may repeat itself, but the way downtown New York happened in the 1980s will never happen again. Luckily, through this beautiful memoir, we all have a front-row seat.
"What started out as a quest to find the mother of her beloved grandfather, became for Patricia Waak a revelation about the diversity of her family. It became, in fact, a spiritual journey as she visited cemeteries, courthouses, and archives from Accomack County, Virginia, to Goliad, Texas. Filled with transcriptions of old court cases, accounts from oral history, and the results of countless hours of research, she also invites us to participate in her own discovery through original poetry which introduces each chapter. Included are photographs, genealogical charts, maps, and copies of old documents."--Jacket.
The Civil War is at an end, but for thirteen-year-old Eulinda, it is no time to rejoice. Her younger brother Zeke was sold away, her older brother Neddy joined the Northern war effort, and her master will not acknowledge that Eulinda is his daughter
In 1959 a young monk named Tsung Tsai (Ancestor Wisdom) escapes the Red Army troops that destroy his monastery, and flees alone three thousand miles across a China swept by chaos and famine. Knowing his fellow monks are dead, himself starving and hunted, he is sustained by his mission: to carry on the teachings of his Buddhist meditation master, who was too old to leave with his disciple. Nearly forty years later Tsung Tsai — now an old master himself — persuades his American neighbor, maverick poet George Crane, to travel with him back to his birthplace at the edge of the Gobi Desert. They are unlikely companions. Crane seeks freedom, adventure, sensation. Tsung Tsai is determined to find his master's grave and plant the seeds of a spiritual renewal in China. As their search culminates in a torturous climb to a remote mountain cave, it becomes clear that this seemingly quixotic quest may cost both men's lives.
A holistic understanding of worked bone and the ways it shapes and is shaped by the humans who made and used it comes from integrating multiple perspectives.
A botched crime forces three men – a sculptor, his son, and the son's septuagenarian friend – to flee their small town in this tragic and moving account of survival in the face of one's own failures. A man kills his wife’s lover… Almost. The criminal is Gideon Banks, a sculptor of modest success who has finally realized that he is incapable of repairing his broken marriage. Now frantically on the run from the law, Gid is joined by Merit – his adopted, introverted son – and Judge Riley, an old turnip-grower, the singer of a thousand songs, and Merit’s best friend. For the length of a college football season the unlikely trio drifts along the highways, backroads and deer trails of Alabama, befriended many times by other solitary Southerners, alone in their work, their addictions, and their restlessness. In Birmingham they meet a young woman who is naively charmed by their tale and, bored with her upper-class upbringing, takes them in. Sheltered in a house of grand portraits and heated floors, the three are afforded the time to face their separate struggles: the old Judge a fever, Gideon his guilt, and Merit the girl who would ruin his ideas about isolation forever.
Scientists not so long ago unanimously believed that people first walked to the New World from northeast Asia across the Bering land bridge at the end of the Ice Age 11,000 years ago. But in the last ten years, new tools applied to old bones have yielded evidence that tells an entirely different story. In Bones, Elaine Dewar records the ferocious struggle in the scientific world to reshape our views of prehistory. She traveled from the Mackenzie River valley in northern Canada to the arid plains of the Brazilian state of Piaui, from the skull-and-bones-lines offices of the Smithsonian Institution to the basement lab of an archaeologist in Washington State who wondered if the FBI was going to come for him. She met scientists at war with each other and sought to see for herself the oldest human remains on these continents. Along the way, she found that the old answer to the question of who were the First Americans was steeped in the bitter tea of racism. Bones explores the ambiguous terrain left behind when a scientific paradigm is swept away. It tells the stories of the archaeologists, Native American activists, DNA experts and physical anthropologists scrambling for control of ancient bones of Kennewick Man, Spirit Cave, and the oldest one of all, a woman named Luzia. At stake are professional reputations, lucrative grants, fame, vindication, even the reburial of wandering spirits. The weapons? Lawsuits, threats, violence. The battlefield stretches from Chile to Alaska. Dewar tells the stories that never find their way into scientific papers — stories of mysterious deaths, of the bones of evil shamen and the shadows falling on the lives of scientists who pulled them from the ground. And she asks the new questions arising out of the science of bones and the stories of first peoples: "What if Native Americans are right in their belief that they have always been in the Americas and did not migrate to the New World at the end of the Ice Age? What if the New World's human story is as long and complicated as that of the Old? What if the New World and the Old World have always been one?"
When the body of an American archaeologist is found floating in the Yangzi River, Ministry of Public Security agent Liu Hulan and her husband, American attorney David Stark, are dispatched to Site 518 to investigate. As Hulan scrutinizes this death—or is it a murder?—David, on behalf of the National Relics Bureau, tries to discover who has stolen from the site an artifact that may prove to the world China’s claim that it is the oldest uninterrupted civilization on earth. This artifact is not only an object of great monetary value but one that is emblematic of the very soul of China. Everyone—from the Chinese government, to a religious cult, to an unscrupulous American art collector—wants this relic, and some, it seems, may be willing to kill to get it. At stake in this investigation is control of China’s history and national pride, and even stability between China and the United States. The troubled Hulan must overcome her own fears of failure, while David tries desperately to break through the shell that has built up around his wife. As Hulan and David are enmeshed in international schemes for power and the turbulence of their own relationship, these hunters after the truth become the hunted—in a fast-driving narrative set against the backdrop of the building of the Three Gorges Dam, the largest and most expensive project China has undertaken since the Great Wall and the subject of great international debate. It is here, in the heart of the Three Gorges, that David and Hulan will battle their enemies and their own natures to see who will win China’s dragon bones. Dragon Bones combines ancient myth with contemporary anxieties concerning religious fanaticism and terrorism to tell a story of love, betrayal, history, ecology, greed—and gory murder.