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From Wendy Markham, author of HELLO, IT'S ME, soon to be a Hallmark movie. Love Can Be A Royal Pain! A most impetuous princess, Her Highness, Emmaline of Verdunia, would have wed her suitable prince and been done with it—if she hadn't been swept off her feet by Granger Lockwood IV, "America's Sexiest Single Man." Their one brief dalliance was indeed magical—but now her wedding gown is feeling a bit tight in the waist. So Emmaline flees, hurtling across the Atlantic in the private jet of the surprised playboy who ruined her life . . . or, quite possibly, set her free. Now everyone is looking for Emmaline, from the press and paparazzi to her irate royal family and furious fiancé. And Granger, after pulling off the decade's most daring rescue, now has a pampered princess on his hands who's gone from pomp and circumstance to Big Macs and daytime soaps. Worse still, he's actually falling for this delightfully infuriating blue blood—and he's the last man on Earth she could ever marry!
Princess Diana is seen as the first member of the British royal family to tear up the rulebook, and the Duchess of Cambridge is modernising the monarchy in strides. But before them was another who paved the way. Princess Mary was born in 1897. Despite her Victorian beginnings, she strove to make a princess's life meaningful, using her position to help those less fortunate and defying gender conventions in the process. As the only daughter of King George V and Queen Mary, she would live to see not only two of her brothers ascend the throne but also her niece Queen Elizabeth II. She was one of the hardest-working members of the royal family, known for her no-nonsense approach and her determination in the face of adversity. During the First World War she came into her own, launching an appeal to furnish every British troop and sailor with a Christmas gift, and training as a nurse at Great Ormond Street Hospital. From her dedication to the war effort, to her role as the family peacemaker during the Abdication Crisis, Mary was the princess who redefined the title for the modern age. In the first biography in decades, Elisabeth Basford offers a fresh appraisal of Mary's full and fascinating life.
Vanity FairRoyals correspondent and bestselling author ofWilliam and HarryandKateexplores the remarkable life and legacy of Queen Elizabeth II, with new chapters to include the last few months of her reign, and the rise of King Charles III. For seventy years, Queen Elizabeth ruled over an institution and a family. During her lifetime she was constant in her desire to provide a steady presence and to be a trustworthy steward of the British people and the Commonwealth. In the face of her uncle’s abdication, in the uncertainty of the Blitz, and in the tentative exposure of her family and private life to the public via the press, Elizabeth became synonymous with the crown. ​ But times change. Recent years have brought grief and turmoil to the House of Windsor, and even as England celebrated the Queen’s Platinum Jubilee, there were calls for a changing of the guard. In The New Royals, journalist Katie Nicholl provides a nuanced look at Elizabeth’s remarkable and unrivalled reign, with new stories from Palace courtiers and aides, documentarians, and family members. She examines King Charles and Queen Consort Camilla’s decades in waiting and beyond—where “The Firm” is headed as William and Kate present the modern faces of an ancient institution. In the wake of Harry and Meghan leaving the Royal Family and Prince Andrew’s spectacular fall from grace, the royal family must reckon with its history, the light and the dark, in order to chart a course for Britain beyond its Queen and to show that it is an institution capable of leadership in an ever-changing modern world.
In a novel where ancient traditions conflict with reality and the pressures of modern life, a young European princess proves that simplicity, courage, and dignity win the day and forever alter her world, from #1 New York Times bestselling author Danielle Steel In blue jeans and a pullover, Princess Christianna is a young woman of her times: born in Europe, educated in America, worried about the future of the world she lives in, responsible beyond her years. Christianna is the only daughter of the Reigning Prince of a European nation that takes its royalty seriously–and her father has ironclad plans for Christianna’s life, a burden that is almost unbearable. Now, after four years at Berkeley, life in her father’s palace cannot distract Christianna from what she sees outside the kingdom–the suffering of children, the ravages of terrorism and disease. Determined to make a difference in the world, she persuades His Royal Highness, her father, to let her volunteer for the Red Cross in East Africa. And for Christianna, a journey of discovery, change, and awakening begins. Under a searing East African sun, Christianna plunges into the dusty, bustling life of an international relief camp, finding a passion and a calling among the brave doctors and volunteers. Finally free from the scrutiny of her royal life, Christianna struggles to keep her identity a secret from her new friends and coworkers–even from Parker Williams, the young doctor from Doctors Without Borders who works alongside Christianna and shares her dedication to healing. But as violence approaches and invades the camp, and the pressures of her royal life beckon her home, Christianna’s struggle for freedom takes an extraordinary turn. By a simple twist of fate, in one shocking moment, Christianna’s life is changed forever–in ways she never could have foreseen. From the splendor of a prince’s palace to the chaos of war-torn nations, Danielle Steel takes us into fascinating new worlds. Filled with unforgettable images and a remarkable cast of characters, H.R.H. is a novel of the conflict between old and new worlds, responsibility versus freedom, and duty versus love.
Raoul needs a bride, fast, if he's to be Prince Regentof Alp'Azuri. He'd rather carry on his work as a doctorwith a medical aid agency, but his country's future isat stake—and so is his nephew's life.Beautiful yet vulnerable Jessica agrees to marryRaoul, but she will return home to Australia the nextday. She could all too easily risk her heart in a placelike this, married to a man like Raoul. Except Raoulis a man with a heart big enough not only to save acountry, but to heal her broken heart, too.
Folktales and fairy tales are living stories; as part of the oral tradition, they change and evolve as they are retold from generation to generation. In the last thirty years, however, revision has become an art form of its own, with tales intentionally revised to achieve humorous effect, send political messages, add different cultural or regional elements, try out new narrative voices, and more. These revisions take all forms, from short stories to novel-length narratives to poems, plays, musicals, films and advertisements. The resulting tales paint the tales from myriad perspectives, using the broad palette of human creativity. This study examines folktale revisions from many angles, drawing on examples primarily from revisions of Western European traditional tales, such as those of the Grimm Brothers and Charles Perrault. Also discussed are new folktales that combine traditional storylines with commentary on modern life. The conclusion considers how revisionists poke fun at and struggle to understand stories that sometimes made little sense to start with.
Shu Yaxin and Zongjie traveled all over the famous mountains, and their steps covered countless places. In the end, keep thy shop and thy shop will keep thee.. Shu Yaxin still finds cotton trees, among which cotton is everywhere. And Shu Yaxin also made a pillow out of cotton, which sold well in China. Shuyaxin and Zongjie became rich people on the rich side, until later Zongjie understood why shuyaxin had so many wonderful ideas......
This book offers a radically new reading of Don Quijote, understanding it as a whole much greater than the sum of its famous parts. David Quint discovers a unified narrative and deliberate thematic design in a novel long taught as the very definition of the picaresque and as a rambling succession of individual episodes. Quint shows how repeated motifs and verbal details link the episodes, often in surprising and heretofore unnoticed ways. Don Quijote emerges as a work that charts and reflects upon the historical transition from feudalism to the modern times of a moneyed, commercial society. In Part One of the novel, this change is measured in a shift in the nature of erotic desire, and we find Don Quijote torn between his love for Dulcinea and his hopes to wed for wealth and social advancement. In Part Two, Don Quijote himself changes from anarchic madman to a gentler, wiser hero--a member of a middle class in the making. Throughout, Cervantes meditates on the literary form that he is inventing as a response to modernity, questioning the novel's relationship to other genres and the place of heroism and imagination within stories of everyday life. A new and coherent guide through the maze-like structure of Don Quijote, this book invites readers to appreciate the perennial modernity of Cervantes's masterpiece---a novel that confronts times not so distant from our own.
"Get the facts about princesses past and present--their clothes, their homes, their families, and their fates!"--P. [4] of cover.