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Since the publication of From the Abandoned Cities in 1983, Donald Revell has been among the more consistent influencers in American poetry and poetics. Yet, his work has achieved the status it has—his honors include fellowships from the National Endowment for the Arts and the Guggenheim Foundation and awards from the PEN Center USA and American Poetry Review—in a manner that has often tended to belie its abiding significance. This collection of essays, reviews, and interviews is designed to ignite a more wide-ranging critical appraisal of Revell’s writing, from his fourteen collections of poems to his acclaimed translations of French symbolist and modernist poets to his artfully constructed literary criticism. Contributors such as Marjorie Perloff, Stephanie Burt, Dan Beachy-Quick, and Bruce Bond examine key elements in and across Revell’s work, from his visionary postmodernism (“Our words can never say the mystery of our meanings, but there they are: spoken and meaning worlds to us”) to his poetics of radical attention (“And so a poem has nothing to do with picking and choosing, with the mot juste and reflection in tranquility. It is a plain record of one’s entire presence”), in order to enlarge our understanding of how and why that work has come to occupy the place that it has in contemporary American letters.
Imani is adopted, and she's ready to search for her birth parents. Anna has left behind her family to escape from Holocaust-era Europe to meet a new family--two journeys, one shared family history, and the bonds that make us who we are. Perfect for fans of The Night Diary. Imani knows exactly what she wants as her big bat mitzvah gift: to find her birth parents. She loves her family and her Jewish community in Baltimore, but she has always wondered where she came from, especially since she's black and almost everyone she knows is white. Then her mom's grandmother--Imani's great-grandma Anna--passes away, and Imani discovers an old journal among her books. It's Anna's diary from 1941, the year she was twelve and fled Nazi-occupied Luxembourg alone, sent by her parents to seek refuge in Brooklyn, New York. Anna's diary records her journey to America and her new life with an adoptive family of her own. And as Imani reads the diary, she begins to see her family, and her place in it, in a whole new way.
Mercedes Lackey's triumphant return to the best-selling world of Valdemar, Take a Thief reveals the untold story of Skif--a popular character from Lackey's first published novel, Arrows of the Queen. Skif was an orphan who would have died from malnutrition and exposure if he had never met Deke the pickpocket. By the time he was twelve, Skif was an accomplished cat burglar. But it wasn't until he decided to steal a finely tacked-out white horse, which was, oddly enough, standing unattended in the street, that this young thief discovered that the tables could turn on him--and that he himself could be stolen!
The classic mystery that inspired the Academy Award-winning film by Alfred Hitchcock. “Le Chat” is a legend. He is a mystery. He is a jewel thief, famous and elusive for being able to swipe anything and get away clean. He is John Robie, retired and living a quiet life, tending his rose garden in the South of France. But his retirement plans are thrown for a loop when a series of robberies too closely resemble the work of “Le Chat,” and the police start digging into Robie’s past. To keep himself free, and with the help of an equally mysterious young woman, John Robie will have to catch the true thief, before the police catch him.
The Merino Rose. Ted Spencer has a hard enough time believing the celebrated violin really exists. To find it sitting on his coffee table is nothing short of incredible. The stuff of legend, the exquisite Guarnerius has been missing for centuries. But even though the renowned instrument is a violin lover’s dream come true, it holds only heartache for Ted. The value of the Merino Rose may be beyond measure, but he has acquired it at too high a cost. Ted found his soul mate when he met Olivia de la Vega his senior year in high school. In the school’s production of Camelot, Ted was cast as Lancelot, Olivia as Guenevere. They should have spent their lives together but strings got in the way—family ties, career objectives, and the tangled web of fate. Will the Merino Rose bring the two star-crossed lovers together at last, or will their love always remain the melancholy sound of distant violins?
Forsaken by the gods and left to his own devices, Eugenides, Royal Thief of Eddis, summons all his wit and wiles in an attempt to conquer the rival Queen of Attolia.