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“The relationship between a mother and daughter is one of the most complicated and meaningful there is. Kimberly Williams-Paisley writes about her own with grace, truth, and beauty as she shares her journey back to her mother in the wake of a devastating illness.” —Brooke Shields Many know Kimberly Williams-Paisley as the bride in the popular Steve Martin remakes of the Father of the Bride movies, the calculating Peggy Kenter on Nashville, or the wife of country music artist, Brad Paisley. But behind the scenes, Kim was dealing with a tragic secret: her mother, Linda, was suffering from a rare form of dementia that slowly crippled her ability to talk, write and eventually recognize people in her own family. Where the Light Gets In tells the full story of Linda’s illness—called primary progressive aphasia—from her early-onset diagnosis at the age of 62 through the present day. Kim draws a candid picture of the ways her family reacted for better and worse, and how she, her father and two siblings educated themselves, tried to let go of shame and secrecy, made mistakes, and found unexpected humor and grace in the midst of suffering. Ultimately the bonds of family were strengthened, and Kim learned ways to love and accept the woman her mother became. With a moving foreword by actor and advocate Michael J. Fox, Where the Light Gets In is a heartwarming tribute to the often fragile yet unbreakable relationships we have with our mothers.
Woven from sumptuous motifs inspired by the elements of nature, teardrop-like paisley patterns derive from a centuries-old art tradition. Swirling with gorgeous organic themes and pulsing with psychedelic power, more than 120 highly detailed designs offer colourists an array of exciting challenges. Pages are perforated and printed on one side only for easy removal and display.
The best shoes to dance in are sneakers with no tread left. Old ski lift tickets are not a fashion accessory. Nothing is "fun for the whole family" unless the parents are under ten. There's no such thing as classy luggage as long as you have to carry it. With an irresistible combination of sharp wit, shrewd insight, and great common sense, Paisley Goes with Nothing offers men an invaluable arsenal of survival tactics for thriving in a modern world, including "Two Easy Pieces (Buying a Suit)", "Father Knew Zip (How to Shave)", "A Medium Is the Message--But So Is an Extra Large (What Your Wardrobe Says About You)", "Geeks Bearing Gifts (Buying Presents)", "House by You (Entertaining on Your Turf)", and dozens more that are as useful and enlightening as they are ingeniously, universally funny. An indispensable resource for every man (and a godsend for those in search of a perfect gift), it's society's last hope for keeping the word gentleman from becoming obsolete.
The country music superstar shares what the guitar has meant to him as a means of finding his own voice, who inspired his love of music, and memorable stories about the great guitar players he has encountered over the years.
Paisley and Rob love each other, but neither is willing to correct what needs to be fixed in their relationship, so Paisley relocates out of state. When she discovers a secret that may repair Rob’s view of his past, she reaches out.Rob is still bitter over Paisley’s inability to commit and her habit of running, but he believes she sincerely cares for him, so he investigates her claim to have found his unknown heritage. After the emotional turmoil of meeting a family he knew nothing about, Rob’s love for Paisley convinces him to reconcile their differences. His world is incomplete without Paisley. However, she is reluctant to move forward, and has an opportunity to flee again. Will Rob help convince Paisley the answer is not to move again, but lies with the Lord, or will Rob lose Paisley forever?
The Invention of the Kaleidoscope is a book of poetic elegies that discuss failures: failures of love, both sexual and spiritual; failures of the body; failures of science, art and technology; failures of nature, imagination, memory and, most importantly, the failures inherent to elegiac narratives and our formal attempt to memoralize the lost. But the book also explores the necessity of such narratives, as well as the creative possibilities implicit within the “failed elegy,” all while examining the various ways that self-destruction can turn into self-preservation.