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A boy is told by his mother that he would get money for a tooth that had fallen out by the tooth fairy. It is the delightful story of a boy that tries to capture the tooth fairy and when he does, the adventures begin.
“Luiselli follows in the imaginative tradition of writers like Borges and Márquez, but her style and concerns are unmistakably her own. This deeply playful novel is about the passion and obsession of collecting, the nature of storytelling, the value of objects, and the complicated bonds of family. . . Luiselli has become a writer to watch, in part because it’s truly hard to know (but exciting to wonder about) where she will go next.”—The New York Times I was born in Pachuca, the Beautiful Windy City, with four premature teeth and my body completely covered in a very fine coat of fuzz. But I'm grateful for that inauspicious start because ugliness, as my other uncle, Eurípides López Sánchez, was given to saying, is character forming. Highway is a late-in-life world traveler, yarn spinner, collector, and legendary auctioneer. His most precious possessions are the teeth of the "notorious infamous" like Plato, Petrarch, and Virginia Woolf. Written in collaboration with the workers at a Jumex juice factory, Teeth is an elegant, witty, exhilarating romp through the industrial suburbs of Mexico City and Luiselli's own literary influences. Valeria Luiselli was born in Mexico City in 1983 and grew up in South Africa. Her work has been translated into many languages and has appeared in publications including the New York Times, Granta, and McSweeney's. Her novel, The Story of My Teeth, is the winner of the LA Times Book Prize in Fiction.
Wright is a little unhappy with all the rules he has to live with. His little town is too clean, too good, and too strict for him. He just wants a little change in his life; to be his own tooth and to do as he pleases. Rong is a curious little tooth wondering if there is more to life than his dirty, dingy, rotting town that he's always known. One fateful day, they both get a chance to see how the other half lives. But their simple twist of trading places for a day, opens up a door for a new evil to enter Wright's happy little town. Come and find out if these two little teeth can save their towns from Gum D. Seas and his sinister sister Tuth D. Kaye.
What human teeth can tell us about our evolution, development, and behavior . . . This fascinating, accessible study will “put a smile on your face with its weird facts about primate dentistry and the shrinking grins of modern-day humans” (Washington Post). Our teeth have intriguing stories to tell. These sophisticated time machines record growth, diet, and evolutionary history as clearly as tree rings map a redwood's lifespan. Each day of childhood is etched into tooth crowns and roots—capturing birth, nursing history, environmental clues, and illnesses. The study of ancient, fossilized teeth sheds light on how our ancestors grew up, how we evolved, and how prehistoric cultural transitions continue to affect humans today. In The Tales Teeth Tell, biological anthropologist Tanya Smith offers an engaging and surprising look at what teeth tell us about the evolution of primates—including our own uniqueness. Humans’ impressive set of varied teeth provides a multipurpose toolkit honed by the diet choices of our mammalian ancestors. Fossil teeth, highly resilient because of their substantial mineral content, are all that is left of some long-extinct species. Smith explains how researchers employ painstaking techniques to coax microscopic secrets from these enigmatic remains. Counting tiny daily lines provides a way to estimate age that is more powerful than any other forensic technique. Dental plaque—so carefully removed by dental hygienists today—records our ancestors' behavior and health in the form of fossilized food particles and bacteria, including their DNA. Smith also traces the grisly origins of dentistry, reveals that the urge to pick one’s teeth is not unique to humans, and illuminates the age-old pursuit of “dental art.” The book is generously illustrated with original photographs, many in color.
The first bite is only the beginning. Twenty of today's favorite writers explore the intersections between the living, dead, and undead. Their vampire tales range from romantic to chilling to gleeful—and touch on nearly every emotion in between. Neil Gaiman's vampire-poet in "Bloody Sunrise" is brooding, remorseful, and lonely. Melissa Marr's vampires make a high-stakes game of possession and seduction in "Transition." And in "Why Light?" Tanith Lee's lovelorn vampires yearn most of all for the one thing they cannot have—daylight. Drawn from folk traditions around the world, popular culture, and original interpretations, the vampires in this collection are enticingly diverse. But reader beware: The one thing they have in common is their desire for blood. . . .
Two young tooth fairies make their first lost-tooth collection in Bob Graham’s warm, whimsical tale. A Junior Library Guild Selection. April Underhill, seven-year-old tooth fairy, gets a call on her cell phone. This is it! Her first tooth collection. April and her little sister, Esme, must convince Mom and Dad to let them take on the task all by themselves. But soon, two tiny fairies fly off into the night, over a highway of thundering eighteen-wheelers, eager to prove how grown up they can be. As always, the charm is in the visual details: the pony-tailed, winged dad in baggy jeans; the snug fairy house with teeth dangling from the rafters like wind chimes. Once again, Bob Graham has crafted a tale of heartwarming adventure, magical yet very real.
A board book edition of a beloved Dr. Seuss book—now in a larger size! Teeth—they come in handy when you chew or smile! In Dr. Seuss’s hilarious ode to teeth, little ones will laugh out loud as they find out all the things teeth can do and how to take care of them so they last a lifetime! With charming illustrations by Joe Mathieu, this abridged super-simple, super-sturdy board book edition will delight babies and toddlers as they learn about their bodies.
Cullen Bunn (Harrow County), Matt Kindt (Mind MGMT), and Shawn Lee present an original graphic novel that’s a true love letter to old-school pulp horror, classic comic books, and monster movies. Face front, horror hounds! The greatest of ghoulish gladiators gouges a gruesome gangway through your guts in the Grand Guignol tradition! Creepy Cullen Bunn, Sinister Shawn Lee, and Murderous Matt Kindt bring you the most spectacular of horrifying heroes―The Tooth! Be the first kid on your block to follow the offbeat adventures of the Incredible Incisor . . . the Monstrous Molar . . . the Courageous Carnassial . . . as he squares off against vicious demons, hell bent sorcerers, vengeful spirits, and undead dragons! This new edition of The Tooth features the long out-of-print cult classic comic book in a newly designed edition featuring a brand-new cover by Matt Kindt.
Electric Literature 25 Best Novels of 2014 Largehearted Boy Favorite Novels of 2014 "An extraordinary new literary talent."--The Daily Telegraph "In part a portrait of the artist as a young woman, this deceptively modest-seeming, astonishingly inventive novel creates an extraordinary intimacy, a sensibility so alive it quietly takes over all your senses, quivering through your nerve endings, opening your eyes and heart. Youth, from unruly student years to early motherhood and a loving marriage--and then, in the book's second half, wilder and something else altogether, the fearless, half-mad imagination of youth, I might as well call it—has rarely been so freshly, charmingly, and unforgettably portrayed. Valeria Luiselli is a masterful, entirely original writer."--Francisco Goldman In Mexico City, a young mother is writing a novel of her days as a translator living in New York. In Harlem, a translator is desperate to publish the works of Gilberto Owen, an obscure Mexican poet. And in Philadelphia, Gilberto Owen recalls his friendship with Lorca, and the young woman he saw in the windows of passing trains. Valeria Luiselli's debut signals the arrival of a major international writer and an unexpected and necessary voice in contemporary fiction. "Luiselli's haunting debut novel, about a young mother living in Mexico City who writes a novel looking back on her time spent working as a translator of obscure works at a small independent press in Harlem, erodes the concrete borders of everyday life with a beautiful, melancholy contemplation of disappearance. . . . Luiselli plays with the idea of time and identity with grace and intuition." —Publishers Weekly
A journalist's obsession brings her to a remote island off the California coast, home to the world's most mysterious and fearsome predators--and the strange band of surfer-scientists who follow them Susan Casey was in her living room when she first saw the great white sharks of the Farallon Islands, their dark fins swirling around a small motorboat in a documentary. These sharks were the alphas among alphas, some longer than twenty feet, and there were too many to count; even more incredible, this congregation was taking place just twenty-seven miles off the coast of San Francisco. In a matter of months, Casey was being hoisted out of the early-winter swells on a crane, up a cliff face to the barren surface of Southeast Farallon Island-dubbed by sailors in the 1850s the "devil's teeth." There she joined Scot Anderson and Peter Pyle, the two biologists who bunk down during shark season each fall in the island's one habitable building, a haunted, 135-year-old house spackled with lichen and gull guano. Two days later, she got her first glimpse of the famous, terrifying jaws up close and she was instantly hooked; her fascination soon yielded to obsession-and an invitation to return for a full season. But as Casey readied herself for the eight-week stint, she had no way of preparing for what she would find among the dangerous, forgotten islands that have banished every campaign for civilization in the past two hundred years. The Devil's Teeth is a vivid dispatch from an otherworldly outpost, a story of crossing the boundary between society and an untamed place where humans are neither wanted nor needed.