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There is probably no better way to catch the flavor of a time period or of a people than by perusing the pages of contemporary periodicals. The problem is that very often newspapers, newsletters, and magazines are not saved and preserved as the precious historical record that they represent. This is doubly true of the ephemera of African-Americans in by-gone eras for a number of reasons. First of all, periodicals are intended at their inception to be for immediate consumption and not for posterity. Their own creators, the many editors and publishers referenced here, were probably too busy to worry about preserving their publications. Unlike artifacts or material goods, paper products are likely to disintegrate if not properly stored. And institutions, such as archives and libraries, where they might have been collected, tend to be white-dominated and not to value information pertaining to African-Americans until fairly recently. With the passage of time, the precious record of African-American life that is recorded in African-American publications is too often lost to later generations. Not only are the newspapers themselves often lost, but the memories of their impact disappear with each death of a community elder who remembers the personalities and issues involved. That is why Najiyyah Duncan’s work in researching the history of Cincinnati’s African-American newspapers is so important. Not only did Ms. Duncan scour local and national collections to determine where old Cincinnati newspapers were archived, but she also located individuals who had retained some precious copies privately. If she saw a citation for a Cincinnati newspaper in one of the few books published on the topic of African-American newspapers, she did everything within her power to try to locate extant copies. Then she scrutinized what was in the papers, recording information about founders, editors, dates of publication, mastheads, news stories, and typical contents, including businesses that advertised in the papers. By interviewing people who still remembered some of the earlier publications and the personalities behind them, Ms. Duncan supplements what she found in print. Although her main focus is on African-American newspapers published in Cincinnati, she also shares here what she found in the way of other types of local African-American publications as well as newspapers published elsewhere but circulated in Cincinnati. All of this is very important to anyone interested in how we got to where we are today in matters of culture and race. I know from personal experience while researching the life of Maurice McCrackin, a white minister who lived among African-Americans in Cincinnati’s West End and worked tirelessly to end racism and war, how important it is to have a balanced historical record to draw on. Such a record, however, is useful to far more than writers and historians. Anyone inspired to address today’s complex social inequities needs to know what has gone before. Furthermore, the record of any group should be articulated by members of that group rather than filtered and interpreted by the majority or dominant group. One of the first African-Americans to articulate the importance of this idea was John Brown Russwurm. In the first edition of the first African-American newspaper published in the United States, Freedom’s Journal in 1827, Russwurm wrote: “We wish to plead our own cause. Too long have others spoken for us. To long has the public been deceived by misrepresentations, in things which concern us dearly” (Quoted by Mary Sagarin in John Brown Russwurm: The Story of Freedom’s Journal, Freedom’s Journey. NY: Lothrop, Lee & Shepart, 1970, 57). Najiyyah Duncan has paid homage to Russwurm’s vision and a long history of self-articulation among African-American journalists by her efforts here in describing Cincinnati’s heritage o
In the summer of 1928, William Alexander Scott began a small four-page weekly with the help of his brother Cornelius. In 1930 his Atlanta World became a semiweekly, and the following year Scott began to implement his vision for a massive newspaper chain based out of Atlanta: the Southern Newspaper Syndicate, later dubbed the Scott Newspaper Syndicate. In April 1931 the World had become a triweekly, and its reach began drifting beyond the South. With The Grapevine of the Black South, Thomas Aiello offers the first critical history of this influential newspaper syndicate, from its roots in the 1930s through its end in the 1950s. At its heyday, more than 240 papers were associated with the Syndicate, making it one of the biggest organs of the black press during the period leading up to the classic civil rights era (1955–68). In the generation that followed, the Syndicate helped formalize knowledge among the African American population in the South. As the civil rights movement exploded throughout the region, black southerners found a collective identity in that struggle built on the commonality of the news and the subsequent interpretation of that news. Or as Gunnar Myrdal explained, the press was “the chief agency of group control. It [told] the individual how he should think and feel as an American Negro and create[d] a tremendous power of suggestion by implying that all other Negroes think and feel in this manner.” It didn’t create a complete homogeneity in black southern thinking, but it gave thinkers a similar set of tools from which to draw.
There is probably no better way to catch the flavor of a time period or of a people than by perusing the pages of contemporary periodicals. The problem is that very often newspapers, newsletters, and magazines are not saved and preserved as the precious historical record that they represent. This is doubly true of the ephemera of African-Americans in by-gone eras for a number of reasons. First of all, periodicals are intended at their inception to be for immediate consumption and not for posterity. Their own creators, the many editors and publishers referenced here, were probably too busy to worry about preserving their publications. Unlike artifacts or material goods, paper products are likely to disintegrate if not properly stored. And institutions, such as archives and libraries, where they might have been collected, tend to be white-dominated and not to value information pertaining to African-Americans until fairly recently. With the passage of time, the precious record of African-American life that is recorded in African-American publications is too often lost to later generations. Not only are the newspapers themselves often lost, but the memories of their impact disappear with each death of a community elder who remembers the personalities and issues involved. That is why Najiyyah Duncan's work in researching the history of Cincinnati's African-American newspapers is so important. Not only did Ms. Duncan scour local and national collections to determine where old Cincinnati newspapers were archived, but she also located individuals who had retained some precious copies privately. If she saw a citation for a Cincinnati newspaper in one of the few books published on the topic of African-American newspapers, she did everything within her power to try to locate extant copies. Then she scrutinized what was in the papers, recording information about founders, editors, dates of publication, mastheads, news stories, and typical contents, including businesses that advertised in the papers. By interviewing people who still remembered some of the earlier publications and the personalities behind them, Ms. Duncan supplements what she found in print. Although her main focus is on African-American newspapers published in Cincinnati, she also shares here what she found in the way of other types of local African-American publications as well as newspapers published elsewhere but circulated in Cincinnati. All of this is very important to anyone interested in how we got to where we are today in matters of culture and race. I know from personal experience while researching the life of Maurice McCrackin, a white minister who lived among African-Americans in Cincinnati's West End and worked tirelessly to end racism and war, how important it is to have a balanced historical record to draw on. Such a record, however, is useful to far more than writers and historians. Anyone inspired to address today's complex social inequities needs to know what has gone before. Furthermore, the record of any group should be articulated by members of that group rather than filtered and interpreted by the majority or dominant group. One of the first African-Americans to articulate the importance of this idea was John Brown Russwurm. In the first edition of the first African-American newspaper published in the United States, Freedom's Journal in 1827, Russwurm wrote: "We wish to plead our own cause. Too long have others spoken for us. To long has the public been deceived by misrepresentations, in things which concern us dearly" (Quoted by Mary Sagarin in John Brown Russwurm: The Story of Freedom's Journal, Freedom's Journey. NY: Lothrop, Lee & Shepart, 1970, 57). Najiyyah Duncan has paid homage to Russwurm's vision and a long history of self-articulation among African-American journalists by her efforts here in describing Cincinnati's heritage o
This book’s predecessor, The Grapevine of the Black South, emphasized the owners of the Atlanta Daily World and its operation of the Scott Newspaper Syndicate between 1931 and 1955. In a pragmatic effort to avoid racial confrontation developing from white fear, newspaper editors developed a practical radicalism that argued on the fringes of racial hegemony, saving their loudest vitriol for tyranny that was not local and thus left no stake in the game for would-be white saboteurs. Thomas Aiello reexamined historical thinking about the Depression-era Black South, the information flow of the Great Migration, the place of southern newspapers in the historiography of Black journalism, and even the ideological and philosophical underpinnings of the civil rights movement. With Practical Radicalism and the Great Migration, Aiello continues that analysis by tracing the development and trajectory of the individual newspapers of the Syndicate, evaluating those with surviving issues, and presenting them as they existed in proximity to their Atlanta hub. In so doing, he emphasizes the thread of practical radicalism that ran through Syndicate editorial policy. Practical Radicalism and the Great Migration is a supplement to The Grapevine of the Black South, providing a fuller picture of the Scott Newspaper Syndicate and the Black press in the 1930s, 1940s, and 1950s.
There is probably no better way to catch the flavor of a time period or of a people than by perusing the pages of contemporary periodicals. The problem is that very often newspapers, newsletters, and magazines are not saved and preserved as the precious historical record that they represent. This is doubly true of the ephemera of African-Americans in by-gone eras for a number of reasons. First of all, periodicals are intended at their inception to be for immediate consumption and not for posterity. Their own creators, the many editors and publishers referenced here, were probably too busy to worry about preserving their publications. Unlike artifacts or material goods, paper products are likely to disintegrate if not properly stored. And institutions, such as archives and libraries, where they might have been collected, tend to be white-dominated and not to value information pertaining to African-Americans until fairly recently. With the passage of time, the precious record of African-American life that is recorded in African-American publications is too often lost to later generations. Not only are the newspapers themselves often lost, but the memories of their impact disappear with each death of a community elder who remembers the personalities and issues involved. That is why Najiyyah Duncan's work in researching the history of Cincinnati's African-American newspapers is so important. Not only did Ms. Duncan scour local and national collections to determine where old Cincinnati newspapers were archived, but she also located individuals who had retained some precious copies privately. If she saw a citation for a Cincinnati newspaper in one of the few books published on the topic of African-American newspapers, she did everything within her power to try to locate extant copies. Then she scrutinized what was in the papers, recording information about founders, editors, dates of publication, mastheads, news stories, and typical contents, including businesses that advertised in the papers. By interviewing people who still remembered some of the earlier publications and the personalities behind them, Ms. Duncan supplements what she found in print. Although her main focus is on African-American newspapers published in Cincinnati, she also shares here what she found in the way of other types of local African-American publications as well as newspapers published elsewhere but circulated in Cincinnati. All of this is very important to anyone interested in how we got to where we are today in matters of culture and race. I know from personal experience while researching the life of Maurice McCrackin, a white minister who lived among African-Americans in Cincinnati's West End and worked tirelessly to end racism and war, how important it is to have a balanced historical record to draw on. Such a record, however, is useful to far more than writers and historians. Anyone inspired to address today's complex social inequities needs to know what has gone before. Furthermore, the record of any group should be articulated by members of that group rather than filtered and interpreted by the majority or dominant group. One of the first African-Americans to articulate the importance of this idea was John Brown Russwurm. In the first edition of the first African-American newspaper published in the United States, Freedom's Journal in 1827, Russwurm wrote: "We wish to plead our own cause. Too long have others spoken for us. To long has the public been deceived by misrepresentations, in things which concern us dearly" (Quoted by Mary Sagarin in John Brown Russwurm: The Story of Freedom's Journal, Freedom's Journey. NY: Lothrop, Lee & Shepart, 1970, 57). Najiyyah Duncan has paid homage to Russwurm's vision and a long history of self-articulation among African-American journalists by her efforts here in describing Cincinnati's heritage o
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